"Lightning. Of course," Anna said. The pieces of all the puzzles were beginning to fit together into a single picture. "Karl, do you remember what day it was that you shoed Gabe, Sheila's horse, over in Dog Canyon?"
Karl began a long and laborious thought process. The fawn wriggled free and stood bandy-legged next to him sucking his fingers. "I got everybody new shoes in June. Mules first as they have such a lot of hard work. Then our guys. It'd've been after the fourteenth because they hadn't their good shoes on for the Van Horn parade."
Anna waited but that was as far as Karl could take that line of thought by himself. "Was it done before the first lightning storm when you came up here to be with Ally?"
Again Karl thought. "Yes," he said with certainty.
"So the fifteenth or the sixteenth," Anna said. Karl looked impressed with her reasoning.
Annabelle and Annalee skirmished for their attention then, and Anna watched Karl play with them, keeping the injured fawn safe from the fray.
Anna's mother-in-law, just turned eighty-one, said when she was a young woman she valued intelligence over all other human attributes. Now that she was older she valued kindness.
Anna was learning.
20
TWO days later, driving down Dark Canyon, the image of Karl's hanging valley floated pleasantly into Anna's mind. One mystery at least had been solved: she knew now what the inside of Karl's brain looked like. Not an attic full of well-cared-for toys, but a garden full of well-cared-for creatures.
She doubted her next stop would have such a pastoral outcome.
On Queens Highway she turned left, up through the Lincoln. She'd timed it so she would arrive at Paulsen's ranch just after lunch. Anna hoped to catch him at his house. Chasing over twenty-five thousand acres of lonely desert in search of the man didn't appeal to her in the least.
As she drove, she went over the links in the chain that was pulling her toward Paulsen's. Karl had shod Gabe on the fifteenth or the sixteenth of June; there had been pictures of him in Sheila's camera. The pictures after that on the same roll of film had been of lightning taken up behind Dog Canyon on Jerry Paulsen's ranch. They could only be photos of the storm that hit the north side of the park the night Sheila had been killed. Anna had been camped on the ridge above Dog Canyon that night. She'd watched the storm build. The lightning had started a couple of hours before sundown.
Sheila had been alive and pursuing her hobby around six p.m. Less than nine hours later she was dead in Middle McKittrick, miles across the park's ruggedest country. In her stomach were the remains of a meal the other half of which Anna had found in her daypack with the camera. In her neck a puncture wound half an inch deeper than it should've been. Sheila had not gone to McKittrick under her own power and she had not been killed there.
The Rambler rolled out of the hills and onto the long straight road hemmed close on both sides by Paulsen's new barbed-wire fence. Ahead was a gate made of welded lengths of pipe under an arch of weathered tree trunks bearing the JP brand.
Anna pulled the car into the dirt lane and sat for a moment behind the wheel wondering just how she would handle the next couple of hours. She wished she were not tackling Paulsen alone. Of all the strong-arm people in her life-Karl and Rogelio and Paul-it was Christina whom Anna wished for; Christina with her dark eyes and credible lies and good sense.
Before leaving Guadalupe, Anna had put a note in Chris's mailbox. She'd tried to avoid the dramatic cliché, but her note conveyed the same basic idea: If I'm not back by dark, call the police.
Reminding herself that she'd not come to Paulsen's like the Earps to the O.K. Corral, that she had come to look, to talk, mostly to listen, Anna was comforted. No lights and sirens, no accusations; there had been, after all, no official crime-simply a string of freak accidents. At best she would find a few more answers. At worst, Paulsen would.
"Quit stalling," Anna said and levered herself out of the car to open the gate. It was the first in a series and she began to wish she'd brought Christina along for reasons other than company and courage. Passengers traditionally opened and closed all the gates.
A grove of ponderosa pine and fine old cottonwoods let her know she was nearing the end of her journey. Nestled in the vee of two skirting foothills, near the main spring, the dependable water source that guaranteed life to his ranch, would be Jerry Paulsen's home.
The rutted dirt road Anna had been following for four miles through cow pastures didn't prepare her for the imposing formality of the Paulsen homestead. Built of white-painted clapboard, it rose two stories over lawns that had once been groomed to east-coast standards but had since succumbed to drought and pine needles. Traditional green ornamental shutters framed the windows. A deep portico with antebellum-style pillars protected wide double doors.
There were no flowers of any kind. Window boxes were empty, the planters lining the short front walk were bare. To Anna it indicated that there was no Mrs. Paulsen and that either there once had been or Mr. Paulsen had once hoped there would be.
The old Rambler couldn't face the snobbery of the portico. Anna parked off the gravel in the shade of a cottonwood and walked the twenty yards to the front door. The knocker, two horseshoes hinged together, was jarring in the context of the house's architecture. In front of the formal doors lay a worn mat reading WELCOME y'all. Beside it was a rudely welded boot-scraper.
Anna lifted the knocker and let it drop. Against the thick oak it made a pathetic "plink." Using more vigor, she banged it again. From inside she heard a voice. The words were unintelligible but the singsong rhythm clearly telegraphed: "Just a minute."
The door was opened by a Mexican woman in jeans and a T-shirt with the America's Funniest Home Videos logo on the front. She was probably near Anna's age but an extra thirty pounds and a bad perm made her seem older. Cold air poured from inside the house.
"You better come in," the woman said. "We don't wanna air-condition alla New Mexico." A cheeky smile wrinkled up to her eyes and made Anna smile back. "You looking for Jerry or Jonah?"
Vaguely, Anna remembered Mr. Paulsen had a son of that name. "Jerry," she said.
"Good, 'cause Jonah's away at college." The woman laughed then as at a favorite joke, one that never palled no matter how many times she played it. "Jerry's out back havin' his cigarette. I'm Lydia." Lydia led the way back into the refrigerated house. They passed through a formal parlor with wing-backed chairs which Anna surmised were never touched by anything but a dust cloth from one year to the next. Down a long hall lined with animal prints and through a smaller room that had been a butler's pantry, Anna followed. Abruptly, Lydia stopped. The old pantry opened directly into the den. Clearly this was the house's heart; where people did their living.
Anna found it oppressively masculine. The walls were done in dark wood and adorned with the severed heads of animals. Mostly indigenous-or once indigenous-to the United States: grizzly bear, big-horned sheep, bobcat, mountain lion, moose, elk, pronghorn, wolf, and the pathetic little joke of the Southwest: the jackalope-a bunny's head with the horns of a young antelope glued on.
The severed parts; Karl unhooking the kitten's claw. Two more pieces clicked in. Suddenly Anna knew when a lion wasn't a lion: when it's dead. And she knew how Sheila Drury had been killed. Tearing her gaze from the dismembered creatures lest the knowledge could be read in her eyes, she surveyed the rest of the room.
Guns finished the decor. The collection was impressive. German dueling pistols from near the turn of the century, a pearl-handled revolver, several long rifles, an ornate iron tube that could only be a custom-made silencer.