I grinned. ‘And from there, we have a much better chance of fulfilling the King’s—’
Brasti waved a hand. ‘Please, Falcio. He’s been dead for five years. If you haven’t found these bloody “King’s Charoites” by now – and still no one knows what they are, by the way—’
‘A charoite is a gemstone,’ Kest said calmly.
‘Whatever. My point is: finding these gemstones with no clue whatsoever as to where they might be is about as likely as Kest here killing the Saint of Swords.’
‘But I will kill the Saint of Swords, Brasti,’ Kest said.
Brasti sighed. ‘You’re hopeless, both of you. Anyway, even if we do find the Charoites, what exactly are we supposed to do with them?’
‘I don’t know,’ I answered, ‘but since the alternative is that the Dukes hunt down the Greatcoats one by one until we’re all dead, I’d say Tremondi’s offer works for me.’
‘Well then,’ Brasti said, lifting an imaginary glass in the air, ‘good on you, Lord Tremondi. Keep up the good work in there!’
More moaning came from the room as if in response to his toast.
‘You know, I think Brasti may be right,’ Kest said, standing up and reaching for one of the swords at his side.
‘What do you mean?’ I asked.
‘At first it sounded like lovemaking, but I am beginning to think I really can’t tell the difference between these noises and those of a man being tortured.’
I rose carefully, but my battered chair creaked loudly as I leaned towards the door, trying to listen. ‘They’ve stopped now, I think,’ I murmured.
Kest’s sword let out only the barest whisper as he pulled it from its scabbard.
Brasti put his ear to the door and shook his head. ‘No, he’s stopped, but she’s still going. He must be asleep. But why would she keep going if—?’
‘Brasti, move away from the door,’ I said, and threw my shoulder into it. The first try failed, but at the second, the lock gave way. At first I couldn’t see anything amiss in the gaudily appointed room, decorated in what the proprietor fondly believed to be the style of a Duke’s bedroom. Clothes and discarded books were strewn across what had once been expensive rugs but now were moth-eaten and likely homes for vermin. The bed had dusty velvet curtains hanging from an oaken frame.
I had just begun to move slowly into the room when a woman stepped out from behind those curtains. Her bare skin was smeared with blood and, though I couldn’t see her features through the diaphanous black mask that covered her face, I knew she was smiling. In her right hand she held a pair of large scissors – the kind butchers use to cut meat. She extended her left hand towards me, fist closed tight, palm to the ceiling. Then she brought it close to her mouth and it looked as if she might blow us a kiss. Instead, she exhaled, and blue powder billowed into the air.
‘Don’t breathe in,’ I shouted to Kest and Brasti – but it was too late; whatever magic was in the powder didn’t require us to inhale to do its work. The world suddenly slowed to a halt and I felt as if I was trapped between the stuttering ticks of an old clock. I knew Brasti was behind me, but I couldn’t turn my head to see him. Kest was just in my sight, in the corner of my right eye, but I could barely make him out as he struggled like a demon to break free.
The woman tilted her head as she looked at me for a moment. ‘Lovely,’ she said softly, and walked casually, even languidly towards us, the scissors in her hand making a rhythmic snip-snip sound. I felt her hand on the side of my face, then she ran her fingers down the length of my greatcoat, pushing at the leather until she could sneak her hand inside. She placed her palm on my chest for a moment, caressing it softly before sliding it down my stomach and below my belt.
Snip-snip.
She stretched up on her toes and leaned her masked face close to my ear, pushing her naked body against mine as if we were about to embrace. Snip-snip went the scissors. ‘The dust is called “aeltheca”,’ she whispered. ‘It’s very, very expensive. I needed only a pinch of it for the Lord Caravaner, but now you’ve made me use my entire supply.’ Her voice was neither angry nor sad, just as if she were merely making a dispassionate observation.
Snip-snip.
‘I’d cut your throats out, my tatter-cloaks, but I’ve some use for you now, and the aeltheca will keep you from remembering anything about me.’
She stepped back and twirled theatrically.
‘Oh, you’ll remember a naked woman in a mask – but my height, my voice, the curves of my body, these will all slip away from you.’
She leaned forward, placed the scissors in my left hand and closed my fingers around them. I struggled to let them go, but my fingers wouldn’t move. I tried as hard as I could to memorise the shape of her body, her height, the features of her face through the mask, anything that would help me know her if I saw her again, but the images faded even as I watched her. I tried turning the words to describe her into rhymes that I might remember, but those too left me instantly. I could stare right at her, but each time I blinked my eyes, the memory was gone. The aeltheca was certainly effective.
I hate magic.
The woman went back to the curtained bed briefly, then returned with a small pool of blood held carefully in the palm of her hand. She went to the wall opposite us, dipped her finger in the blood and wrote a single word upon the wall. The dripping word was ‘Greatcoats’.
She came back to me once more and I felt a kiss on my cheek through the gauzy fabric of her mask.
‘It’s almost sad,’ she said lightly, ‘to see the King’s own Greatcoats, his legendary travelling magistrates, brought so low; to watch you bowing and scraping to a fat Lord Caravaner barely one step up from a common street merchant … Tell me, tatter-cloak, when you sleep, do you imagine yourself still riding across the land, sword in hand and a song on your lips as you bring justice to the poor, wretched people trapped under the heels of capricious Dukes?’
I tried to reply, but despite the effort, I could manage barely a tremor to my lower lip.
The woman brought her finger up and smeared blood on the cheek she had kissed a moment ago. ‘Goodbye, my lovely tatter-cloak. In a few minutes, I’ll just be a hazy memory. But don’t worry, I’ll remember you very well indeed.’
She turned and walked casually to the wardrobe and picked up her clothes. Then she opened the window and, without even dressing, slipped out into the early morning air.
We stood there like tree stumps for a minute or so more before Brasti, who had been furthest away from the powder, was able to move his mouth enough to say, ‘Shit.’
Kest came out of it next, and I was last. As soon as I could move, I raced to the window, but of course the woman was long gone.
I went to the bed to examine the blood-soaked body of Lord Tremondi. She had gone after him like a surgeon and had managed to keep him alive for a long time, somehow – perhaps another property of the aeltheca. The passage of her scissors had for ever imprinted a map of atrocity across the surface of his body.
This wasn’t just a murder; it was a message.
‘Falcio, look,’ Kest said, pointing at Tremondi’s hands. Three fingers remained on his right hand; the rest were bloody stumps. The Caravaner rings were gone, and with them, our hopes for the future.
I heard the sounds of men coming up the stairs, the steady thump-thump of their footsteps marking them as city guards.
‘Brasti, bar the door.’
‘It’s not going to hold for long, Falcio. You kind of broke it when we came in.’