Cox was soon fired from his position with Louise due to his insanity. Once when Houston was traveling with the Mandrells as he so often did throughout the years, Irby Mandrell relayed the events that prompted his firing of Cox. He told Houston and I that Cox had become an embarrassment to him while traveling.
"I knew he was weird," Irby Mandrell said. "That's OK. I can live with that. But when he pitched a tent behind the hotel so he could hear the trumpets sound, signaling him to march to Missouri[20], I said, 'Start marching, son. You're done. You're through in Nashville. Don't ever come back. That's it, he was done."
Houston reminisced with Mandrell about the U.S.O. days, and inquired as to how he had tolerated Cox back when he played music behind Barbara.
"Oh, yeah. I remember he (Cox) had somewhat of a brain back then." Irby Mandrell continued, "Barbara was just a kid back then with the talent of a full blown star. I thought she had what it takes to make it in the industry. Then the Byrd came along and introduced us to the latest in technology."
Houston interrupted, "Are you talking about (music) equipment or the kind they've got in Huntsviile (Alabama's NASA mind-control training center)?"
"Both," Mandrell replied. "But it was Huntsville that launched her to the stars. The doors opened wide after that. Byrd took a lot of pride in Barbara, and the doors just kept opening. With my baby's talent and the Byrd's influence on her mind and career, there was no way we could lose."
When Houston became my appointed mind-control handler in 1980, Byrd's influence on my mind boosted Houston's «entertainment» career. His travels had expanded to accommodate covert drug and money laundering operations across the U.S., in Mexico, in Canada, and throughout the Caribbean.
Houston had, and has, a great deal of "no show" money, but I was never permitted access to it. Poverty was one more means of control I endured, as slaves like myself were not afforded the freedoms that having money allows. When I was working three menial jobs during college, all of my money was taken from me by my parents. All money earned by Cox's cocaine and body parts enterprises was reinvested in the coven and drugs, leaving us dependent on charities for our basic necessities. With Houston, I had to «earn» every penny I spent on groceries and necessities over and over again, which made "earning my keep" a deliberately impossible cycle. This kept me financially dependent and further hindered my ability to escape, even if I had known enough to attempt it.
My innate protective maternal instincts as a mother may have been accentuated due to my past unsuccessful attempts to protect my brothers and sisters (I now had two sisters). It was my desperate need to keep Kelly safe that drove me to the point of "fight or flight" when I was transferred to Houston. I had long ago lost my ability to "fight," but my new maternal instincts compelled me to «flight». I did all I could to save Kelly and myself from Houston and her fate in Project Monarch. Since I had no ability to reason and was amnesic, I «fled» to my parents' new house in affluent Grand Haven, Michigan, I had no concept of what I was running from or to. I arrived with my baby daughter in my arms, the tattered clothes on our backs, and what few donated belongings I had acquired for Kelly. Within a few days, my parents received and followed Senator Byrd's instructions, and turned me back over to Houston — who, in turn, sent me back to Louisiana for further conditioning.
After three more months of intense, nonstop tortures by Cox, I could not think to follow maternal instincts and barely knew my own name. I had no idea how old I was, where I was, how long I had been there, and what had happened to Kelly during that time, Kelly's own testimony and current programmed poly fragmented Multiple Personality/Dissociative Identity Disorder reflects the high tech, sophisticated conditioning and torturous trauma she endured during this and numerous ensuing times that we were separated. When I was returned to Houston as orchestrated by Byrd, my brain contained a series of new compartments ready to be programmed and led.
Intensive mind-control behavior programming began at once, and Houston ensured that I was taken to my appointed destinations under the guise of his travels in the country music industry. In the early 1980s, my base programming was instilled at Fort Campbell, Kentucky by U.S. Army Lt. Colonel Michael Aquino. Aquino holds a TOP SECRET clearance in the Defense Intelligence Agency's Psychological Warfare Division (Psy Ops). He is a professed Neo-Nazi, the founder of the Himmler inspired satanic Temple of Set, and has been charged with child ritual and sexual abuse at the Presidio Day Care in San Francisco, California. But like my father and Cox, Aquino remains "above the law" while he continues to traumatize and program CIA destined young minds in a quest to reportedly create the "superior race" of Project Monarch Mind-Controlled slaves. I quickly teamed that Aquino did not adhere to his profoundly professed occult superstition any more than I did. His "satanic power" was in the form of numerous variations of high voltage stun guns[21], which he used on me regularly. Although Aquino used occultism (blood trauma) as a trauma base, his programming was high tech and «clean» — not muddled in a proverbial witches' brew of ignorance. He quickly dispelled the Cox influence, and began programming me according to Byrd's specifications as his "own little witch" for sadistic sex, covert CIA drug muling, black mail, and prostitution operations.
During the three months I was back with Cox, a muscle in my upper vaginal wall was cut and dropped in preparation for Houston to flesh carve a hideous witch's face[22] for Senator Byrd's perversion. Aquino provided the ancient instructions on how to mutilate me, and Houston used silver nitrate and hot exacto knives to carve the details of the face without any form of anesthesia. By flexing the muscle downward, the face protruded out of my vagina. Not only did this surgery give Byrd a vagina suited to his minute, underdeveloped penis, it also provided an equitable «curiosity» to be displayed over and over again in both commercial and non-commercial pornography and prostitution.
On the 1981 anniversary of John F. Kennedy's assassination, I was forced to «marry» Alex Houston for appearance sake. Earlier that month when I had been taken to Washington, D.C for prostitution purposes, Byrd informed me that I would actually be «marrying» him when I "pledged my vows" to Houston.
"It is a covenant between the two of us," Byrd had said, "It is me that you will honor and obey 'til death do us part," Byrd then instructed me to pick up my wedding dress from a nearby D.C. store. Throughout the years, Houston often joked about the significance of my Washington, D.C. wedding dress — which was depicted in pornographic photos and a commercial video to "commemorate our wedding night",
20
"Marching to Missouri" is a Mormon based belief that interfaced with the CIA's faction of the country music industry being transferred to Branson, Missouri in the mid 1980s.
21
120,000-volt stun guns leave two indented prod marks or moles two inches apart, while the cylindrical stun gun used primarily in the vagina and rectum leaves prod marks/moles 3/4 of an inch apart. A look into trash-magazine publisher Larry Flint's Hustler will show prod marks on the mind-controlled slaves he photographs, particularly on the throat, near the lips, and on the back.