Madame d’Ortolan unwound herself in her seat to sit forward again, looking away from him. She released a long, deflating sigh. “Sadly, annoyingly,” she said in a quiet voice, “I think you’re right.”
Mr Kleist was silent for a few moments. His expression did not change. He said, “Shall I issue the relevant orders?”
“Please do.”
He turned to go.
“Mr Kleist?”
He turned back. “Ma’am?”
Madame d’Ortolan had turned to look at him again. “I take this very personally, and very ill. I shall expect Mr Oh to pay for this, in person. Once he has served whatever other purposes we require of him, I think I might ask you to tutor me in some of the techniques you employed in your earlier profession, so that I might apply them to him. And Mulverhill, for that matter. I severely doubt she’s innocent in all this.”
Mr Kleist gave a small bow. “I am at your disposal, ma’am.”
There was a small smile on Madame d’Ortolan’s thin lips. Her paper-cut smile, as he thought of it. The image brought with it, as it always did, the memory of the scent of lemons and the echo of long-faded screams. She waved one hand. “Thank you. That’ll be all.”
He turned again and had walked more two steps when she said, “Mr Kleist?”
He turned and looked back, still untroubled. The lady was known for using this little technique. “Yes, ma’am?”
The birds were almost silent now, settled in for the night.
“What was it they used to call you? The Moralist, was it?”
“The Philosopher, ma’am.”
“Ah, yes. So, was it agreeable, to be taking up your old profession again?”
He looked at her for a moment. “Why, ma’am,” he said quietly, “we barely began.” He regarded her a moment longer. “But no, not especially.” He bowed and walked away.
Mike Esteros is sitting at the bar of the Commodore Hotel, Venice Beach, after yet another unsuccessful pitch. Technically he doesn’t know it’s unsuccessful yet, but he’s developing a nose for these things and he’d put money on another rejection. It’s starting to get him down. He still believes in the idea and he’s still sure it’ll get made one day, plus he knows that attitude is everything in this business and he must remain positive – if he doesn’t believe in himself, why should anybody else? – but, well, all the same.
The bar is quiet. He wouldn’t normally drink at this time of day. Maybe he needs to adjust the plot, make it more family-oriented. Focus on the boy, on the father – son thing. Cute it up a little more. A dusting of schmaltz. Never did any harm. Well, no real harm. Maybe he’s been believing too much in the basic idea, assuming that because it’s so obvious to him what a beautiful, elegant thing it is it’ll be obvious to everybody else and they’ll be falling over themselves to green-light it and give him lots of money.
And don’t forget Goldman’s Law: nobody knows anything. Nobody knows what will work. That’s why they make so many remakes and Part Twos; what looks like lack of imagination is really down to too much, as execs visualise all the things that could go wrong with a brand new, untested idea. Going with something containing elements that definitely worked in the past removes some of the terrifying uncertainty.
What Mike’s got here is a radical, left-field idea. The central concept is almost too original for its own good. That’s why it needs a generous helping of conventionality slathered over it. He’ll rework it, again. It’s not a prospect that fills him with joy, frankly, but he guesses that it has to be done and he has to struggle on. It’s worth it. He still believes in it. It’s just a dream, but it’s a dream that could be made real and this is the place where that happens. Your dreams – not just of your idea but of your future self, your fortunes – get turned into reality here. He still loves this place, still believes in it.
Mike leaves the bar, goes outside and sits on a bench, watching the ocean, watching the people pass on the tarmac strip and on the sands themselves, roller skating, boarding, strolling, playing Frisbee, just walking.
A girl comes and sits on the bench too. Well, woman. She might be Mike’s age. He starts talking to her. She’s cute and friendly and smart, rangy and dark, nice laugh. Just his type. A lawyer, on a day off, just relaxing. Monica. He asks does she want a drink and she says maybe a herbal tea and they sit in a little café still within sight of the beach. Then they go for dinner in a little Vietnamese place a short walk away. Mike gives her the pitch because she’s genuinely interested. She thinks it’s a great idea. It actually seems to make her thoughtful.
Later they walk on the beach in the light of a half-moon, then sit, and there’s some kissing and a modest amount of fooling around, though she’s already told him she doesn’t go any further on a first date. Him too, he tells her, though strictly speaking that’s nonsense and he guesses that she guesses this but doesn’t care.
Then, in the middle of a tight, embracing kiss, something changes. He feels it happen, and when he opens his eyes the moon has gone, the air feels cooler and the beach looks narrower and steeper and leads down to a sea that’s much calmer than the one that was there just seconds ago. There are islands out there, dark shapes under the stars, covered in trees. He shakes his head, looks at Monica. He starts back instinctively, crabbing away from her on all fours. She’s changed completely too. White, blonde, shorter, face quite different. There are a couple of guys – the only other people on the beach – standing massively about ten feet away, watching them.
She dusts her hands and rises, standing in front of the two men. “Mr Esteros,” she says, “welcome to your new home.”
11
I have been violated! My worst nightmares have come true. Well, not my worst, but some pretty bad ones. Fondled, grabbed, molested in my own bed. Thankfully I woke in time and was able to defend myself and shout and scream to summon help. But all the same.
It was day; afternoon, an hour after lunch and I was in that state it pleases me to remain in for much of the time now, neither awake nor asleep but lying with my eyes closed, listening a little and thinking a lot. I heard somebody come into my room and though I did not hear the door close I noticed a diminution of the sounds from outside in the rest of the clinic. That ought to have alerted me, but I suppose I had grown complacent.
Since the bizarre turn of events with the nonsense-talking and so on, I have spent less time traipsing the corridors and day rooms of the institution and more time in bed. It seemed to me that the other patients and inmates were looking at me oddly, and a few even tried to engage me in conversation in what certainly sounded like the start of more of that gibberish language, often with big smiles on their faces that obviously meant they were in on the joke and just wanted to join in and make fun of me. I would turn aside from them and walk away with all the dignity I could.
When that fat fellow came into my room a couple of days ago – the one who brought the skinny young man in when I was making words up – I hid under the bed sheets and wrapped the pillow over my head. He spoke to me gently, trying – I could tell from the tone of his voice – to get me to come out, but I wouldn’t. When he tried to lift up the sheets to look in on me in my little impromptu tent, I slapped his hand away and hissed. He sighed heavily, one of those very-much-for-public-consumption sighs, and left shortly afterwards.
The medical staff continue to care for me. They make me get out of bed each day and have me sit by the side of it and once or twice they have insisted that I accompany one of them on a walk up and down the corridor, though I draw the line at entering the day room with them. They seem happy enough that I am still mobile. I suppose I shuffle a little more than I did, not really picking my feet up properly, but that is all part of my disguise as well. The less fit and able and the quieter I appear, the more I seem like just another patient. I fit in better.