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He now ascended through that wood, panting as painfully as he had in the past when following Armande's golden nape or a huge knapsack on a 'naked male back. As then the pressure of the shoecap upon his right foot had soon scraped off a round of skin at the joint of the third toe, resulting in a red eye burning there through every threadbare thought. He finally shook the forest off and reached a rock-strewn field and a barn that he thought he recalled, but the stream where he had once washed his feet and the broken bridge which suddenly spanned the gap of time in his mind were nowhere to be seen. He walked on. The day seemed a little brighter but presently a cloud palmed the sun again. The path had reached the pastures. He noticed a large white butterfly drop outspread on a stone. Its papery wings, blotched with black and maculated with faded crimson, had transparent margins of an unpleasant crimped texture, which shivered slightly in the cheerless wind. Hugh disliked insects; this one looked particularly gross. Nevertheless, a mood of unusual kindliness made him surmount the impulse to crush it under a blind boot. With the vague idea that it must be tired and hungry and would appreciate being transferred to a nearby pincushion of little pink flowers, he stooped over the creature but with a great shuffle and rustle it evaded his handkerchief, sloppily flapped to overcome gravity, and vigorously sailed away.

He walked up to a signpost. Forty-five minutes to Lammerspitz, two hours and a half to Rimperstein. This was not the way to the glacier gondola. The distances indicated seemed as dull as delirium.

Round-browed gray rocks with patches of black moss and pale-green lichen lined the trail beyond the signpost. He looked at the clouds blurring the distant peaks or sagging like blubber between them. It was not worthwhile continuing that lone climb. Had she passed here, had her soles once imprinted their elaborate pattern in that clay? He considered the remnants of a solitary picnic, bits of eggshell broken off by the fingers of another solitary hiker who had sat here a few minutes ago, and a crumpled plastic bag into which a succession of rapid feminine hands had once conveyed with tiny tongs white apple roundlets, black prunes, nuts, raisins, the sticky mummy of a banana – all this digested by now. The grayness of rain would soon engulf everything. He felt a first kiss on his bald spot and walked back to the woods and widowhood.

Days like this give sight a rest and allow other senses to function more freely. Earth and sky were drained of all color. It was either raining or pretending to rain or not raining at all, yet sdll appearing to rain in a sense that only certain old Northern dialects can either express verbally or not express, but versionize, as it were, through the ghost of a sound produced by a drizzle in a haze of grateful rose shrubs. "Raining in Wittenberg, but not in Wittgenstein." An obscure joke in Tralatitions.

24

Direct interference in a person's life does not enter our scope of activity, nor, on the other, tralatitiously speaking, hand, is his destiny a chain of predeterminate links: some "future" events may be likelier than others, O.K., but all are chimeric, and every cause-and-effect sequence is always a hit-and-miss affair, even if the lunette has actually closed around your neck, and the cretinous crowd holds its breath.

Only chaos would result if some of us championed Mr. X, while another group backed Miss Julia Moore, whose interests, such as distant dictatorships, turned out to clash with those of her ailing old suitor Mr. (now Lord) X. The most we can do when steering a favorite in the best direction, in circumstances not involving injury to others, is to act as a breath of wind and to apply the lightest, the most indirect pressure such as trying to induce a dream that we hope our favorite will recall as prophetic if a likely event does actually happen. On the printed page the words "likely" and "actually" should be italicized too, at least slightly, to indicate a slight breath of wind inclining those characters (in the sense of both signs and personae). In fact, we depend on italics to an even greater degree than do, in their arch quaintness, writers of children's books. Human life can be compared to a person dancing in a variety of forms around his own self: thus the vegetables of our first picture book encircled a boy in his dream – green cucumber, blue eggplant, red beet, Potato pИre. Potato fils, a girly asparagus, and, oh, many more, their spinning ronde going faster and faster and gradually forming a transparent ring of banded colors around a dead person or planet.

Another thing we are not supposed to do is to explain the inexplicable. Men have learned to live with a black burden, a huge aching hump: the supposition that "reality" may be only a "dream." How much more dreadful it would be if the very awareness of your being aware of reality's dreamlike nature were also a dream, a built-in hallucination! One should bear in mind, however, that there is no mirage without a vanishing point, just as there is no lake without a closed circle of reliable land.

We have shown our need for quotation marks ("reality," "dream"). Decidedly, the signs with which Hugh Person still peppers the margins of galleys have a metaphysical or zodiacal import! "Dust to dust" (the dead are good mixers, that's quite certain, at least). A patient in one of Hugh's mental hospitals, a bad man but a good philosopher, who was at that time terminally ill (hideous phrase that no quotes can cure) wrote for Hugh in the latter's Album of Asylums and Jails (a kind of diary he kept in those dreadful years) :

It is generally assumed that if man were to establish the fact of survival after death, he would also solve, or be on the way to solving, the riddle of Being. Alas, the two problems do not necessarily overlap or blend.

We shall close the subject on this bizarre note.

25

What had you expected of your pilgrimage, Person? A mere mirror rerun of hoary torments? Sympathy from an old stone? Enforced re-creation of irrecoverable trivia? A search for lost time in an utterly distinct sense from Good-grief's dreadful "Je me souviens, je me souviens de la maison oЩ je suis nЙ" or, indeed, Proust's quest? He had never experienced here (save once at the end of his last ascent) anything but boredom and bitterness. Something else had made him revisit dreary drab Witt.

Not a belief in ghosts. Who would care to haunt half-remembered lumps of matter (he did not know that Jacques lay buried under six feet of snow in Chute, Colorado), uncertain itineraries, a club hut which some spell prevented him from reaching and whose name anyway had got hopelessly mixed with "Draconite," a stimulant no longer in production but still advertised on fences, and even cliff walls. Yet something connected with spectral visitations had impelled him to come all the way from another continent. Let us make this a little clearer.

Practically all the dreams in which she had appeared to him after her death had been staged not in the settings of an American winter but in those of Swiss mountains and Italian lakes. He had not even found the spot in the woods where a gay band of little hikers had interrupted an unforgettable kiss. The desideratum was a moment of contact with her essential image in exactly remembered surroundings.

Upon returning to the Ascot Hotel he devoured an apple, pulled off his clay-smeared boots with a snarl of rejection, and, ignoring his sores and dampish socks, changed to the comfort of his town shoes. Back now to the torturing task!

Thinking that some small visual jog might make him recall the number of the room that he had occupied eight years ago, he walked the whole length of the third-floor corridor – and after getting only blank stares from one number after another, halted: the expedient had worked. He saw a very black 313 on a very white door and recalled instantly how he had told Armande (who had promised to visit him and did not wish to be announced): "Mnemonically it should be imagined as three little figures in profile, a prisoner passing by with one guard in front of him and another behind." Armande had rejoined that this was too fanciful for her, and that she would simply write it down in the little agenda she kept in her bag.