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"Any belonging to Karolyi?"

"I think the Bakkersgasse palais belongs to the Prague branch of the family. Not to our bird. It's a huge clan." Behind the spectacles the pale eyes danced, as if pleased he'd anticipated the thought. "Will you need help?"

Asher hesitated. The bloodied ruin of Cramer's face came back to him, glistening gruesomely in the reflected light. Gummed with blood, the silver chain had crossed the huge wounds on the throat. The shopkeeper in the Palais Royal had sworn the chains were pure silver. More likely tourist trade trash, the thinnest wash over pewter or lead. The boy probably hadn't even heard Ernchester approach.

"I haven't much to send with you," Halliwell went on. "Streatham's an ass, but he was right about that. Everything's been cut since the end of the war. Still, if you need a man..."

Beyond the gilt-framed windows of Donizetti's, passersby hurried along the pavement, greatcoats bundled tight about them. Mist had risen again from the Danube Canal, blurring the outlines of apartment buildings whose grandiose central staircases led to dreary attic rooms shared by cobblers, embroiderers, Obers, and Herr Obers and their wives and children and Uncle Tom Cobbley and all. Between the buildings the shadows lay deep in narrow passages leading to the heart of the ancient city, where sunlight fell only at noon.

One of the possibilities on Asher's very incomplete list of suspect properties was on the Steindelgasse: said to stand over the crypt of old St. Roche.

"No," Asher said softly. "No, I think I'll be all right on my own."

The palace in the Steindelgasse was typical of the great town houses of the nobility in the old city: five floors of massive gray walls, wedged between an ancient block of flats and the town palace of some count of the Montenuovo family that was illuminated like a Christmas tree for a ball. Looking up, Asher could see the tall windows of its first-floor salons ablaze with gaslight, which partly illuminated the narrow street; crystal chandeliers were visible, and a portion of a god-bedecked baroque ceiling.

The Batthyany palace was utterly dark.

Curious enough in itself, thought Asher, pausing before the heavy archway of the door. A number of the old noble families boosted their incomes by renting out the ground floors of their palaces for shops and the topmost floor or two below the attics out for flats. Certainly there were people coming and going through the great gate of the Montenuovo palais who were not of the upper crust. The other buildings Asher had looked at since parting from Halliwell, in the Haarhof and the Bakkersgasse, had been dark as well, lacking even spectral lights, and like them, this one had a slightly dilapidated air. The obligatory marble atlantes that upheld its shallow porch and heavily carved window frames were uncleaned, though Asher was interested to note that the hinges and ironwork on the door were free of rust.

The building was clearly the oldest in the street.

Hands in armpits for warmth, Asher strolled slowly past the enormous doors. It was later than he had intended to be still abroad. Fog and deepening cold were thinning the passersby and he heard eleven strike from the Domkirche a few streets away. He noted the shutters behind the windows' iron bars and the lack of recent wear on the pavement before the doors, and turned to fix in his mind the irregular shape of this narrow lane, orienting himself in the tangle of little streets that lay between the cathedral and the old Judenplatz. Within the gate would lie a broad passageway or possibly a sort of columned porch opening into the central court. Not a large one, judging by the frontage, but the building might be far longer than it was wide.

He walked on, seeking a way to circle the block. Away from the lights of the apartment blocks and the Montenuovo town house he felt his nape prickle with his old instinct for danger, but if he was going to be shipped back to Paris in the morning, the least he could do was arm his successor with some knowledge of what he was getting into.

He turned down a short lane, his boots splashing in thin puddles. The small iron lamps that burned high on the walls here were the only lights, feeble through thickening fog. He turned again, reflecting that this part of the old city was as bad as the London waterfront. Worse, in some ways, because the uniformly high walls closed in like a canyon, shutting out even the sight of spires or chimneys that could be used as landmarks.

There was no one in sight around him. He thought, Finish this up and get out. In another narrow street off Tuchlaubenstrasse he identified what he thought was the back of the Batthyany Palace, no more than a slip of older masonry between two apartment blocks set at an odd angle; there was a little postern door there whose iron handle he knew better than to touch.

A footstep splashed in water, close behind him. Asher turned and threw his back to the wall, lashed out as a dark figure laid hands on him from one side even as he heard the panting approach of another man. His fist jarred on the bony angle of a jaw. The man lurched back and Asher spun, his second attacker seizing his arm; he grabbed the man's hair with his free hand, yanked the head sharply against the stone of the wall behind him, twisted his body from the drag of the grip. At the same time, his mind registered tobacco and sweat and dirty clothes, the sound of breath and the warmth of snatching hands. Pain slashed his side even as he hooked the one man's feet from under him, slammed aside the hands clutching at his throat, smashed his fist into the other's face.

He could barely see them in the dark between the buildings, but broke for where he thought they weren't. Someone clutched the skirts of his greatcoat but couldn't hold. He fled, stumbling, bruised his shoulder on the stone of a corner, fell where his foot caught a pothole in the broken pavement. He caught himself against a wall and pain seared his side again, and he realized that one of them had had a knife.

He turned down what he thought was a lane back to the Seitzergasse, but the dirty glow from a window high and to his right showed him a blank wall. He pressed himself back into a corner where the shadows were darkest, reached to whip the knife from his boot as panting and footfalls echoed loud in the narrow space before him and he saw the blur of what might have been faces and the glint of edged steel.

Then a hand like the mechanical jaws of a trap caught him above the elbow, and another, corpse-cold and strong as death, covered his mouth. He was dragged backward, down, into damp cold that smelled of wet stone, earth, and rats, and the dim arch of paler darkness blinked from existence as the door was kicked shut.

The smell of Patou perfume filled his nostrils, covering a dim exhalation of putrefying blood.

A woman's voice said in his ear, "Don't cry out."

Asher was silent. Even if the silver protected the big veins of his throat and wrists, a vampire could still break his neck, and he knew what was in the darkness beside him.

The hands left his arm and face. He listened, wondering how many of them there were.

There was no sound of breath, of course. After a moment a silvery rustling, like infinitely thin metal fragments rubbing against each other. A woman's taffeta petticoat.

He thought, She spoke English.

Then the scratch of a match.

He blinked against the needle-bright golden light that suddenly outlined a colorless hand, a papery white face, and touched with cinnamon threads the black mass of framing hair. Brown eyes met his, reflective vampire eyes, but still the color of brown leaves at the bottom of a winter pond.