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'You're too young,' said a girl's voice. 'I'll tell dad. Go and have a nice game of quoits or something.'

'I bet I know more about it than you do,' said the boy. 'And I don't mean quoits.' He was small and compact and dressed like a miniature adult tourist – Hawaiian shirt, tapering brown slacks, sandals, though no camera on his chest. He was also, Hillier noticed, smoking what smelt like a Balkan Sobranie Black Russian. And then, coming closer (he must pass the door to get to the bathroom), he saw the girl. At once, with a kind of groan of habituation, his body made its stock responses – tightening of the larynx, minimal pain in the frenum, a shuddering re-stoking of the arteries, a sense of slight lévitation. She was beautifuclass="underline" corn-hair piled up carelessly, a nose like an idealisation of a broken boxer's, a mouth whose scolding ought at once to be stopped with kisses. She was in a straight gold dress, deep-cut; legs, arms, neck were bare, honeyed, superb. She was about eighteen. Hillier's groan came up like a dreaming dog's.

'And,' said the boy, 'dad wouldn't give a damn. Nor would she. Flat out they are, both of them. They're only interested in one thing.'

Me too, thought Hillier. He now saw what it was the boy wanted from his sister. A book by a certain Ralph Quintin, its title large: Sex and Patterns of Cruelty. Hillier was shocked. She should not be reading that, one so young and-Her eyes were large, blue pools after Eden's first rainfall. They looked on Hillier widely, then narrowed nastily at her brother. 'Dirty young pig,' she said.

'Pigs,' said the boy, 'are not dirty. A fallacy. Just like the one about goats smelling.' She slammed the door. Hillier said to the boy: 'Dirt is an inescapable part of the animal condition. That's why we take baths. That's why I'm going to the bathroom now. Unfortunately you're standing in my way.'

The boy stared up at Hillier and then, at the leisure appropriate to a holiday, moved, ending by flattening himself against the wall. 'You're new,' he said, puffing up Russian smoke. 'You've only just got on. We, on the other hand, are founder members. We got on at Southampton. It's all eating,' he told Hillier confidentially. 'They gorge themselves till they're sick. That's why some of them get off at Venice and totter back home overland. I hope you like it.'

'I'm sure I will.'

'I shouldn't try to make my sister, though. She's mad about sex, but it's all what D. H. Lawrence calls sex in the head. She just likes to read about it. Would you like one of these Black Russians?' From the breast pocket of his Hawaiian shirt he drew out a box, also a Cygnus butane lighter.

'I'm a cigar man,' said Hillier. 'Thanks all the same.'

'Try one of my Reservados after dinner,' said the boy. 'They've got some of this very special Remy Martin behind the bar. In a reproduction Louis XIV decanter. Nobody knows how old it is.'

'I look forward to that,' said Hillier. 'And now I must have my shower.'

'You do that,' said the boy. 'I dare say we'll be meeting again at the hour of the apéritif.'

Precocious young bastard, thought Hillier, as he went to the bathroom. Sex in the head, eh? Down, wantons, down. A passer-by hooted loudly from the blue Adriatic.

Hillier turned the knob of the bathroom door. He gaped at what he saw inside.

This was all too totally absurd. He had seen that fair beauty legitimately, clothed at her cabin door. Here, to balance that vision, was another, very dark, unclothed. She stood drying herself, a dusky Indian, her hair loose, a midnight river flowing to her buttocks.

'I'm terribly sorry,' gulped Hillier. 'The door wasn't-'

She already had the bath-towel about her, the ship's name _Polyolbion__ draping her as if she were its beauty-queen. She was less embarrassed than Hillier. Her face was that of a cool straight-nosed Aryan, though burnt to the richest coffee. 'No,' she said, 'the door wasn't. I'm often careless.' It was a kind of finishing-school English with a Welsh lilt. She coolly watched while Hillier let himself out. She seemed to do nothing about re-locking the door. Trembling, Hillier went for his shower. The voyage was beginning either well or badly, depending on which way you looked at things. He had come aboard stringently braced for action. He was already being seduced by flesh, the two extremes of the continuum as it were pegged out for him in a matter of minutes. He took his shower very cold, gasping, then strode back to his cabin looking straight before, inseducible.

The cabin door was open. Someone was singing inside, opening and closing dressing-table drawers. His suitcases were being rummaged. But a cheerful face, unabashed, turned to greet him. 'Mr Jagger would it be, sir? And how about the other gentleman?'

Hillier relaxed as he entered. Of course, the cabin steward. 'Could you,' he said, 'do something about getting me a drink? Whisky. I think-a whole bottle. And some ice.'

'And the other gentleman? Mr Innes?'

'Delayed. He's joining us at the next port.'

'Yarylyuk, that will be. A queer sort of a place.' He laid some of Hillier's shirts in a drawer, singing again.

'I suppose,' said Hillier, 'you'll want some money.' He had already hung his summer jacket in the wardrobe. He went to the wallet there.

'It's the usual thing, sir, as you'll know. A sweetener some people call it.' The tones were either of East London or of Sydney, really both, the sea really, two ends of the sea. Hillier paid out pound notes till the steward's hand ceased to be a table and became a clamp. 'Thank you, sir. Wriste, my name is. Wriste.'

'Wrist?'

'With an e at the end. A queer sort of a name you'd say. Most call me Rick or Ricky. That's short for Richard.' He was about thirty-five, dressed in blue denim trousers and a horizontal-striped singlet. His skin was well tanned and salted, the sumptuousness of line and shadow to be found on an inland Northern face thoroughly pickled out. This man had been long at sea. His eyes had a far-focused look. He was toothless but wore no dentures and, as if to point the fishiness of his mouth, he pouted when speaking, holding the pout when he'd finished, then letting the pout settle very gently to a normal spread. His thin dark brown hair seemed glued to his scalp. He wore well-fitting house-shoes of very expensive leather. 'Any particular brand, sir? We have this very good one, exclusive to the Line. Old Mortality it's called. Oh, by the way, sir, a letter for you. Came aboard at Venice, quite a lot of mail there was, you'd be surprised. But it's all business-men, you know, tycoons. They have to be kept informed.'

It was an official envelope, OHMS, correctly addressed to Sebastian Jagger, Esq.

'You'll want to read it, I suppose, sir. I'll go and get your Old Mortality.' Wriste went out singing. Hillier was aware of a strong thump of apprehension under his ribs.

What warning? What change of plan? He opened the letter. It was, as he'd expected, in code: ZZWM DDHGEM EH IJNZ OJNMU ODWI E XWI OVU ODVP – Long, quite a long message. Hillier frowned. He had no means of breaking the code. Nothing had been said to him about the sending of messages after embarkation. He had neither book nor machine in his luggage. He looked again at the envelope. Inside, previously unnoticed by him, was the thinnest slip of paper, hardly bigger than a cracker motto. On it a rhyme had been typed: November goddess in your glory Swell the march of England's story.