When I opened it, a single photograph fell out.
At first glance, it seemed to be a picture of a man embracing a woman in what appeared to be a motel room. Closer examination revealed the man to be Darwin Ridley, but the woman wasn't a woman at all. She was a girl. A blonde girl. She was still wearing a bra, but the camera had caught her in the act of slipping out of her skirt. A short, gored, two-toned skirt.
A cheerleader's skirt.
I shook my head and handed the picture over to Peters. He looked at it and dropped the picture on the coffee table like it was too hot to handle.
Captain Powell's sensitive case had just turned into Maxwell Cole's dynamite. I wondered briefly if it was too late to get the captain to put two other detectives on the case instead of us. I didn't think I wanted to be anywhere within range when this particular shit started hitting the fan.
I looked at Joanna Ridley then, standing there with her pregnant silhouette framed against the curtained window, with the muted sunlight filtering through her backlit hair. She was a picture of totally vulnerable, abject despair.
And in that instant, I knew what she was feeling.
She had lost the man she loved, and now even her memories of him were being shredded and torn from her. I knew all too well that sense of absolute loss.
I got up and went to her. Somebody needed to do it, and Peters wasn't going to. He didn't understand what was happening. I reached out for her and held her. She fell against my chest, letting my arms support her, keep her from slipping to the floor. Everything that stood between us, every conceivable barrier, disintegrated as I cradled her against me.
"Did you kill him, Joanna?" I asked, murmuring the question through her hair.
"No, I didn't."
From that moment on, I never doubted for a minute that she was telling the truth.
CHAPTER 11
By the time Joanna drew away from me and I led her from the window back to the couch, Peters was ready to go straight up and turn left. He was there to investigate a homicide, not to offer emotional support and comfort to a bereaved widow, one he considered to be a prime suspect. I couldn't have explained to him what had just happened. I couldn't explain it to myself.
With an impatient frown that was far more exasperation than concentration, he picked up the picture once more and examined it closely. His brows knit.
"Can you tell which cheerleader it is?" I asked him. After all, Peters had been the one who had spent the afternoon interviewing the Mercer Island cheerleaders the day before.
He shook his head. "Not for sure." He glanced at Joanna, who was gradually pulling herself together. "Do you know?" he asked Joanna.
"No." Her voice was flat, her face devoid of expression.
Peters, reluctant to give up that line of questioning, took another tack. "Your husband never mentioned any of the cheerleaders to you by name?"
"Never."
Peters passed me the picture again. I examined it more carefully this time, looking at it less for its shock value than as an integral part of the puzzle that marked the end of Darwin Ridley's life.
I studied the background of the picture. Definitely a motel, and not a particularly classy one at that. The picture had evidently been taken through a window from outside the room. I don't know a lot about cameras, but I recognized this was no Kodak Instamatic. The clarity of detail, the finite focusing even through glass said the picture had been taken with topflight equipment. Scrutinizing the background of the picture, I wondered if someone in the crime lab could blow the photo up large enough to read the checkout information in a framed holder on the room door behind the fondly embracing twosome.
"Could we take the picture, Joanna? It would help if we knew where and when this was taken. And by whom."
All the fight had been taken out of her, all her strength. She nodded in agreement.
"Did you have separate checking accounts?" Peters asked suddenly. "Checking accounts or charge cards, either one?"
"No." Joanna looked genuinely puzzled. "Why?"
"He had to pay for motel rooms some way or other. Do you mind if I look through his desk?"
"Go ahead."
Peters went to the little study, leaving Joanna and me alone. "Had you been planning to divorce your husband before the phone call?" I asked.
Joanna shot a darting look in my direction. "We were having a baby," she replied, leaving me to draw my own conclusions.
"But you believed the man who called you. Instantly. Even before he sent you the photograph."
"It wasn't the first time," she said quietly.
"Another cheerleader?" I asked.
"I don't know. I don't care. Maybe the same one. It doesn't matter. The marriage counselor said Darwin was going through a mid-life crisis, that he'd get over it eventually if I was patient."
A part of me objected to the term mid-life crisis. It's a handy rationalization that covers a multitude of sins. I've used it myself on occasions, some of them not very defensible. "Counselor?" I asked.
"We went to the counselor together, last year, a lady family therapist. I could tell something was wrong, but I didn't know what it was. All I knew was that I wanted to stay married. Being married was important to me."
"And in the course of counseling you found out your husband was having an affair." It's an old story.
She nodded. "He promised he'd break it off. He said it was over, and I believed him."
"And you decided to have a baby to celebrate," I added.
"We both wanted one," she said. "We had been trying for years. It was an accident that I turned up pregnant right then. Besides," she added, "I thought a baby would bring us closer together."
The look on her face, far more than what she said, told me exactly how badly Joanna Ridley had been taken in by the old saw that babies fix bad marriages. It certainly hadn't worked in this case. My heart went out to the lady who would be raising her child alone.
Sometimes, life isn't fair. Make that usually.
The doorbell rang, and Joanna hurried to answer it. Meanwhile, Peters returned from his examination of the desk. "Nothing there," he said.
Joanna ushered a heavy-set woman into the room. She was evidently a neighbor. In one hand she held a huge pot that contained an aromatic stew of some kind. In her other hand she carried a napkin-covered plate heaped high with some kind of baked goods. She glared at us, making it clear that we were unwelcome interlopers.
"You have anything to eat today, Joanna, honey?" she asked, still glowering at us, but speaking to Joanna.
"No, I…" Joanna trailed off.
"Now you listen to Fannie Mae, girl. You got to keep up your strength, for you and that baby. I'll just put this food in the kitchen." She bustled out of the room. Joanna returned to the couch.
"What did you do after you left the Coliseum?" Peters asked as soon as she sat back down.
Joanna regarded him coolly. "I drove to Portland," she replied.
" Portland, Oregon? Why?"
"To see my father."
"And did you?"
Joanna's eyes never strayed from Peters' face. "No. I drove past the house, but I didn't go in."
"Wait a minute. Let me get this straight. You left the Coliseum after talking to your husband, drove all the way to Portland to talk to your father, and then didn't go in to see him once you got there?"
"That's right."
"Why not?"
"Because I changed my mind. I realized I'd never go through with it, the divorce, I mean."
If I had been trying to sell Peters Fuller Brushes right then, I would have known I'd blown the sale. He lay his finger next to his nose, the palm of his hand covering his mouth. He wasn't buying Joanna's story. Not any of it.
"What time did you get back?" I asked, stepping into the conversation.
"Midnight. Maybe later."
"Did you see anyone along the way? Someone who would be able to say that they saw you there during that time?"
She shrugged. "I stopped for gas in Vancouver, but I don't know if anyone there would remember me."