'That's the general idea. Anyway, there's nothing to connect Dickstein with the incident, except that he is capable of it and he was here at the time." "llat's enough for a strong presumption," Rostov said. "Do you think Dickstein is a homosexual?" "It's possible, but Cairo says there's nothing like that in his file, so he must have been very discreet about it all these years." "And therefore too discreet to go to queer clubs while he~s on assignment. Your argument is self-defeating, isn't it?" A trace of anger showed in Hassan's face. "So what do you think?" he said defensively. "My guess is that he had an informant who is queer." He stood up and began to pace the room. He felt he had made the right start with Hassan, but enough was enough: no point in making the man surly. It was time to ease up a little. "Let's speculate for a moment. Why would he want to look around a nuclear power station?" Hassan said, 'The Israelis have been on bad terms with the French since the Six-Day War. De Gaulle cut off the supply of arms. Maybe the Mossad plans some retaliation: like blowing up the reactor?" Rostov shook his head. "Even the Israelis aren!t that irresponsible. Besides, why then would Dickstein be in Luxembourg?" "Who knows!' Rostov sat down again. "What is there, here In Luxembourg? What makes it an important place? Why is your bank here, for exampler' "It's an important European capital. My bank is here because the Euronean Investment Bank is here. But there are also several Common Market institutions-in fact, there's a European Center over on the Kitchberg." "Which institutions?" "Me Secretariat of the European Parliament, the Council of Ministers, and the Court of Justice. Oh, and Euratom." Rostov stared at Hassan. "Euratom?" "It's short for the European Atomic Energy Community, but everybody----~' "I know what it is," Rostov said. "Don't you see the connection? He comes to Luxembourg, where Euratom has its headquarters, then he goes to visit a nuclear reactor." Hassan shrugged. "An interesting hypothesis. What's that you're drinking?' "Whiskey. Help yourself. As I recall, the French helped the Israelis build their nuclear reactor. Now they've probably cut off their aid. Dickstein may be after scientific secrets." Hassan poured himself a drink and sat down again. "How shall we operate, you and I? My orders are to cooperate with You! " "My, team is arriving this evening," Rostov said. He was thinking: Cooperate, hell-youll follow my orders. He said, "I always use the same two men-Nik Bunin and Pyotr Tyrin. We operate very well together. They know how I like things done. I want you to work with them, do what they say-youll learn a lot, they're very good agents." "And my people. . ." "We won't need them much longer," Rostov said briskly. "A small team is best. Now, our first job is to make sure we we Dickstein if and when he comes back to Luxembourg." "I've got a man at, the airport twenty-four hours a day." "Hell have thought of that, he won't fly in. We must cover sorni other spots. He might go to Euratom. . 'vMe Jean-Monnet building, yes." "We can cover the Alfa Hotel by bribing the desk clerk, but he won't go back there. And the nightclub in the Rue Dicks. Now, then, you said he hired a car." "Yes, in France." "Hell have dumped it by now-he knows that you know the number. I want you to call the rental company and find out where it was left-that may tell us what direction hes traveling in." "Very well." "Moscow has put his photograph on the wire, so our people will be looking out for him in every capital city in the world." Rostov finished his drink. "We'll catch him. One way or another." 94M you really think sor Hassan asked. "I've played chess with him, I know how his mind works. His opening moves are routine, predictable; then suddenly he does something completely unexpected, usually something highly risky. You just have to wait for him to stick out his neck-then you chop his head off." Hassan said, "As I recall, you lost that chess match."
Rostov gave a wolfish grin. "Yes, but this is real life," he mdd.
There are two kinds of shadow: pavement artists and bulldogs. Pavement artists regard the business of shadowing people as a skill of the highest order, comparable with acting or cellular biophysics or poetry. They are perfectionists, capable of being almost invisible. They have wardrobes or unobtrusive clothes, they practice blank expressions in front of their mirrors, they know dozens of tricks with shop doorways and bus queues, policemen and children, spectacles and shopping bags and hedges. They despise the bulldogs, who think that shadowing someone is the same as following him, and trail the mark the way a dog follows its master. Nik Bunin was a bulldog. He was a young thug, the type of man who always becomes either a policeman or a criminal, depending on his luck. Luck had brought Nik into the KOB: his brother, back in Georgia, was a dope dealer, running hashish from Tbilisi to Moscow University (where it was consumed by--among othem-Rostov's son Yuri). Nik was officially a chauffeur, unofficially a bodyguard, and even more unofficially a full-time professional ruffian. It was Nik who spotted The Pirate. Nick was a little under six feet tall, and very broad. He wore a leather jacket across his wide shoulders. He had short blond hair and watery green eyes, and he was embarrassed about the fact that at the age of twenty-five he still did not need, to shave every day. At'the nightclub in the Rue Dicks they thought he was cute as bell. He came in at seven-thirty, soon after the club opened, and sat in the same comer all night, drinking iced vodka with lugubrious relish, Just watching. Somebody asked him to dance, and he told the man to piss off in bad French. When he turned up the second night they wondered if he was a jilted lover lying in wait for a showdown with his ex. He had about him the air of what the gays called rough trade, what with those shoulders and the leather jacket and his dour expression. Nik knew nothing of these undercurrents. He had been shown a photograph of a man and told to go to a club and look out for the man; so he memorized the face, then went to the club and looked. It made little difference to him whether the place was a whorehouse or a cathedral. He liked occasionally to get the chance to beat people up, but otherwise all he asked was regular pay and two days off every week to devote to his enthusiasms, which were vodka and coloring books. When Nat Dickstein came into the nightclub, Nik felt no sense of excitement. When he did well, Rostov always assumed it was because he had scrupulously obeyed precise orders, and he was generally right. Nik watched the mark sit down alone, order a drink, get served and sip his beer. It looked like he, too, was waiting. Nik went to the phone in the lobby and called the hotel. Rostov answered. "Mis is Nik. The mark just came in." "Goodl". said Rostov. "Whafs he doing?" "Waiting." "Good. Alone?" "Yes. "Stay with him and call me if he does anything."
"I'm sending Pyotr down. Hell wait outside. If the mark leaves the club you follow him, doubling with Pyotr. The Arab will be with you in a car, well back. It's a ... wait a minute . . . its a green Volkswagen hatchback." "Okay." "Get back to him now." Nik hung up and returned to his table, not looking at Dickstein as he crossed the club. A few minutes later a well-dressed, good-looking man of about forty came into the club. He looked around, then walked past Dickstein's table and went to the bar. Nik saw Dickstein pick up a piece of paper from the table and put it in his pocket. It was all very discreet: only someone who was carefully observing Dickstein would know anything had happened. Nik went to the phone again. "A queer came in and gave him something-it looked like a ticket," he told Rostov. "Like a theater ticket, maybeT' "Don't know." "Did they speak?"
"No, the queer just dropped the ticket on the table as he went by. They didn't even look at each other." "All right. Stay with it. Pyotr should be outside by now." 'Wait," Nik said. "Me mark just come into the lobby. Hold on . . . he's going to the desk ... he's handed over the ticket, that!s what it was, it was a cloakroom ticket." "Stay on the line, tell me what happens." Rostov's voice was deadly calm. "The guy behind the counter is giving him a briefcase. He leaves a tip . . ." "Ira a delivery. Good." "Ibe mark is leaving the club." "Follow him." "Shall I snatch the briefcase?" "No, I don!t want us to show ourselves until we know what he!& doing, just find out where he goes, and stay low. Go!" Nik hung up. He gave the cloakroom attendant some notes, saying: "I have to rush, this will cover my bill." Then he went up the staircase after Nat Dickstein. Out on the street it was a bright summer evening, and there were plenty of people making their way to restaurants and cinemas or just strolling. Nik looked left and right, then saw the mark on the opposite side of the road, fifty yards away. He crossed over and followed. Dickstein was walking quickly, looking straight ahead, carrying the briefcase under his arm. Nik plodded after him for a couple of blocks. During this time, if Dickstein looked back he would see some distance behind him a man who had also been in the nightclub, and he would begin to wonder if he were being shadowed. Then Pyotr came alongside Nik, touched his arm, and went on ahead. Nik dropped back to a position from which he could see Pyotr but not Dickstein. If Dickstein looked again now, he would not see Nik and he would not recognize Pyotr. It was very difficult for the mark to sniff this kind of surveillance; but of course, the longer the distance for which the mark was shadowed, the more men were needed to keep up the regular switches. After another half mile the green Volkswagen pulled to the curb beside Nik. Yasif Hassan leaned across from the driving seat and opened the door. "New orders," he said. "Jump in." Nik got into the car and Hassan steered back toward the nightclub in the Rue Dicks.