Suza Ashford and Al Cortene changed planes in Rome and arrived in Sicily early in the morning. Two of Cortone's cousins were at the airport to meet him. There was a long argument between them; not acrimonious, but nevertheless loudly excitable. Suza could not follow the rapid dialect properly, but she gathered the cousins wanted to accompany Cortone and he was insisting that this was something he had to do alone because it was a debt of honor. Cortone seemed to win the argument. They left the airport, without the cousins, in a big white Fiat. Suza drove, Cortone directed her on to the coast road. For the hundredth time she played over in her mind the reunion scene with Nathanieclass="underline" she saw his slight, angular body; he looked up; he recognized her and his face split in a smile of joy; she ran to him; they threw their arms around each other-, be squeezed her so hard it hurt; she said, "Oh, I love you," and kissed his cheek, his nose, his mouth ... But she was guilty and frightened too, and there was another scene she played less often in which be stared at her stony-faced and said, 'Vhat the hell do you think you're doing here?" It was a little like the time she bad behaved badly on Christmas Eve, and her mother got angry and told her Santa Claus would put stones in her Christmas stocking instead of toys and candy. She had not known whether to believe this or not, and she had fain awake, alternately wishing for and dreading the morning. She glanced across at Cortone in the seat beside her. The transatlantic journey tired him. Suza found it difficult to think of him as being the same age as Nat, he was so fat and bald and . . . well, he had an air of weary depravity that might have been amusing but in fact was merely elderly. The island was pretty when the sun came out. Suza looked at the scenery, trying to distract herself so that the time would pass more quickly. The road twisted along the edge of the sea from town to town, and on her right-hand side there were views of rocky beaches and the sparkling Mediterranean. Cortone lit a cigar. "I used to do this kind of thing a lot when I was young," he said. "Get on a plane, go somewhere with a pretty girl, drive around, see places. Not anymore. I've been stuck in Buffalo for years, it seems like. Tbat's the thing with business-you get rich, but there's always something to worry about. So you never go places, you have people come to you, bring you stuff. You get too lazy to have fun." "You chose it," Suza said. She felt more sympathy for Cortone than she showed: he was a man who had worked hard for all the wrong things. "I chose it," Cortone admitted. "Young people have no mercy." He gave a rare half smile and puffed on his cigar. For the third time Suza saw the same blue car in her rearview mirror. "We're being followed," she said, trying to keep her voice calm and normal. "The Arab?" "Must be." She could not see the face behind the windshield. "What will we do? You said you'd handle it." "I Will." He was silent. Pxpecting him to say more, Suza glanced across at him. He was loading a pistol with ugly brown-black bullets. She gasped: she had never seen a real-life gun. Cortone looked up at her, then ahead. "Christ, watch the goddsimn roadt" She looked ahead, and braked hard for a sharp bend. "Where did you get that thing?" she said. "From my cousin." Suza felt more and more as if she were in a nightmare. She had not slept in a bed for four days. From the moment when she had heard her father talking so calmly about killing Nathaniel she had been running: fleeing from the awful truth about Hassan and her father, to the safety of Dickstein's wiry arms; and, as in a nightmare, the destination seemed to recede as fast as she ran. "Why don't you tell me where were going?" she asked Cortone. "I guess I can, now. Nat asked me for the loan of a house with a mooring and protection from snooping police. We're going to that house." Suza's heart beat faster. "How far?" "Couple of miles." A minute later Cortone said, "We'll get there, don't rush, we don't want to the on the way." She realized she had unconsciously put her foot down. She eased off the accelerator but she could not slow her thoughts. Any minute now, to see him and touch his face, to kiss him hello, to feel his hands on her shoulders- "rum in there, on the right." She drove through an open gateway and along a short gravel drive overgrown with weeds to a large ruined villa of white stone, When she pulled up in front of the pillared portico she expected Nathaniel to come running out to greet her. There were no signs of life on this side of the house. They got out of the car and climbed the broken stone staircase to the front entrance. The great wooden door was closed but not locked. Suza opened it and they went in. There was a great hall with a floor of smashed marble. The ceiling sagged and the walls were blotched with damp. In the center of the hall was a great fallen chandelier sprawled on the floor like a dead eagle. Cortone called out, "Hello, anybody here?" There was no reply. Suza thought: It's a big place, he must be here, it's just that he can't bear, maybe hesout in the garden. They crossed the hall, skirting the chandelier. They entered a cavernous bare drawing room, their footsteps echoing loudly, and went out through the glassless french doors at the back of the building. A short garden ran down to the edge of the cliff. They walked that far and saw a long stairway cut into the rock zigzaggingdown to the sea. There was no one in sight. He's not here, Suza thought; this time, Santa really did leave me stones. "Look." Cortone was pointing out to sea with one fat hand. Suza looked, and saw two vessels: a ship and a motorboat. The motorboat was coming toward them fast, jumping the waves and slicing the water with its sharp prow; there was one man in it The ship was sailing out of the bay, leaving a broad wake. "Looks like we just missed them," Cortone said. Suza ran down the steps, shouting and waving insanely, trying to attract the attention of the people on the ship, knowing it was impossible, they were too far away. She slipped on the stones and fell heavily on her bottom. She began to cry. Cortone ran down after her, his heavy body jerking on the steps. "It's no good," he said. He pulled her to her feet "The motorboat," she said desperately. "Maybe we can take the motorboat and catch up with the ship--~' "No way. By the time the boat gets here the ship Will be too far away, much too far, and going faster than the boat can." He led her back to the steps. She had run a long way down, and the climb back taxed him heavily. Suza hardly noticed: she was full of misery. Her mind was blank as they walked up the slope of the garden and back into the house. "Have to sit down," Cortone said as they crossed the drawing room. Suza looked at him. He was breathing hard, and his face was gray and covered with perspiration. Suddenly she realized it had all been too much for his overweight body. For a moment she forgot her own awful disappointment. "The stairs,' she said. They went into the rained hall. She led Cortone.to the wide cmving staircase and sat him on the second step. He went down heavily. He closed his eyes and rested his head on the wall beside him. "Listen," he said, "You can call ships ... or send them a wire ... we can still reach him . . ." "Sit quietly for a minute," she said. "Don't talk." "Ask my cousins-who's there?" Suza spun around. There bad been a clink of chandelier shards, and now she saw what had caused it. Yasif Hassan walked toward them across the ball. Suddenly, with a massive effort, Cortone stood up. Hassan stopped. Cortones breath was coming in ragged gulps. He fumbled in his pocket Suza said, Cortone pulled out the gun. Hassan was rooted to the spot, frozen. Suza screamed. Cortone staggered, the gun in his hand weaving about in the air. C,ortone pulled the trigger. The gun went off twice, with a huge, deafening double bang. The shots went wild. Cortone sunk to the ground, his face as dark as death. The gun fen from his fingers and hit the cracked marble floor. Yasif Hassan threw up. Sm knelt beside Cortone, He opened his eyes. "Listen," he said hoarsely. Hassan said "Leave him, let's go." Suza turned her head to face him. At the top of her voice she shout "just fuck off." Then she turned back to Cortone. Tve killed a lot of men' " Cortone said. Suza bent closer to hear. "Eleven men, I killed myself ... I fornicated with a lot of women . . ." His voice trailed off, his eyes closed, and then he made a huge effort to speak again. "All my godd life I been a thief and a bully. But I died for my friend, right? Ibis counts for something, it has to, doesn't it?" "Yes," she said. IM really counts for something." "Okay," he said. Then he died. Suza had never seen a man die. It was awful. Suddenly there was nothing there, nothing but a body; the person had vanished. She thought: No wonder death makes us cry. She realized her own face was streaked with tears. I didn't even like him, she thought, until just now. Hassan said, "You did very well, now let's get out of here." Suza did not understand. r did well? she thought. And then she understood. Hassan did not know she had told Cortone an Arab had been following them. As far as Hassan was concerned she had done just what he wanted her to: she bad led him here. Now she must try to keep up the pretense that she was on his side until she could find a way to contact Nat. I can't He and cheat anymore, I can% ies too much, I'm tired, she thought. 7ben: You can phone a ship, or at least send a cable, Cortone said.