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If it is behind the relay machines, I’m still dead. If it is near the refrigerator, I’m saved. He could afford to take no chances. He would have to move.

He lifted one leg.

The robot moved toward him. The humming and sparking were more distinct this time. He dropped the leg.

Behind the plates above the refrigerator!

The robot stopped, nearly at his side. Seconds had decided. The robot hummed, sparked, and returned to its niche.

Now he knew!

He pressed the button. The invisible beam of the flashlight leaped out, speared the bulkhead above the refrigerator. He pressed the button again and again, the flat circle of light appearing, disappearing, appearing, disappearing on the faceless metal of the life hutch’s wall.

The robot sparked and rolled from its niche. It looked once at Terrence. Its rollers changed direction in an instant and the machine ground toward the refrigerator.

The steeled fist swung in a vicious arc, smashing with a deafening clang! at the spot where the light bubble flickered on and off.

It swung again and again. Again and again till the bulkhead had been gouged and crushed and opened, and the delicate coils and plates and circuits and memorex modules behind it were refuse and rubble. Until the robot froze, with arm half-ready to strike again. Dead. Immobile. Brain and appendage.

Even then Terrence did not stop pressing the flashlight button. Wildly he thumbed it again and again and again.

Then he realized it was allover.

The robot was dead. He was alive. He would be saved. He had no doubts about that. Now he could cry.

The medicine chest grew large through the shimmering in his eyes. The relay machines smiled at him.

God bless you, little life hutch, he thought, before he fainted.

DJINN, NO CHASER

Wrote this one a couple of times, made it better each time I went after it. Then turned it into a TV segment on Tales from the Darkside. You may have seen it. Kareem Abdul-Jabbar played the Djinn. (Don’t lose your day-job Kareem.) And the lesson passim this little tale is a good one for those of you who, like me, lead lives determinedly singular and oftimes cutting trail with trouble. The lesson is the same one Nelson Algren included in his famous three rules for living, as they were codified in a terrific novel called The Man With the Golden Arm. He said, “Never eat at a diner called “Mom’s,’ never play cards with a guy named ‘Doc,’ and never get involved with a woman who’s got bigger troubles than you.” (It was a “guy” novel, so if you’re feeling foolishly Politically Correct, which is a pain in the patoot, you can substitute “never get involved with a “guy” for “woman.”) If you learn nothing else from me in the course of reading this little tome, kiddies, let it be this: bad companions can drag your snout down into the mud faster than dope or drink or deep religious\ fervor. The world is full of leaners. People who are bone-stick-stone stupid, but they’ve got a low ratlike cunning. They know how to side you and smooth you and get into your pocket, and then give you ‘tude about how you be hare-assing them when you call them and demand they repay you. They will involve you in idiot schemes, they will waste your time and your energy, they will mooch off you and eventually abandon you, step off when someone starts making static. They are the “bad companions” your momma and poppa warned you about. They are the yamps and shermheads, the biscuits and trife bums who will kill your waking hours and give you night fright when you lie down. The lesson is this: make your own way. Set your own pace. Do not get drawn into some non-productive Jay-up that will sap your strength and let the air out of your dreams. In this story, a pretty nice guy and a pretty nice woman, who probably shouldn’t have rolled on a duo, find themselves paying the price for each other’s bad company. Yeah, sure, it’s got a happy ending, but this is a story, gee, it’s a piece of fiction! It ain’t real.

Who the hell ever heard of Turkish Period?” Danny Squires said. He said it at the top of his voice, on a city street.

“Danny! People are staring at us; lower your voice!” Connie Squires punched his bicep. They stood on the street, in front of the furniture store. Danny was determined not to enter.

“Come on, Connie,” he said, “let’s get away from these junk shops and go see some inexpensive modern stuff. You know perfectly well I don’t make enough to start filling the apartment with expensive antiques.”

Connie furtively looked up and down the street-she was more concerned with a “scene” than with the argument itself-and then moved in toward Danny with a determined air. “Now listen up, Squires. Did you or did not marry me four days ago, and promise to love, honor and cherish and all that other good jive?”

Danny’s blue eyes rolled toward Heaven; he knew he was losing ground. Instinctively defensive, he answered. “Well, sure, Connie, but-”

“Well, then, I am your wife, and you have not taken me on a honeymoon-”

“I can’t afford one!”

“-have not taken me on a honeymoon,” Connie repeated with inflexibility. “Consequently, we will buy a little furniture for that rabbit warren you laughingly call our little love nest. And little is hardly the term: that vale of tears was criminally undersized when Barbara Fritchie hung out her flag.

“So to make my life bearable, for the next few weeks, till we can talk Mr. Upjohn into giving you a raise-”

“Upjohn!” Danny fairly screamed. “You’ve got to stay away from the boss, Connie. Don’t screw around. He won’t give me a raise, and I’d rather you stayed away from him-”

“Until then,” she went on relentlessly, “we will decorate our apartment in the style I’ve wanted for years.”

“Turkish Period?”

“Turkish Period.”

Danny flipped his hands in the air. What was the use? He had known Connie was strong-willed when he’d married her.

It had seemed an attractive quality at the time; now he wasn’t so sure. But he was strong-willed too; he was sure he could outlast her. Probably.

“Okay,” he said finally, “I suppose Turkish Period it’ll be. What the hell is Turkish Period?”

She took his arm lovingly, and turned him around to look in the store window. “Well, honey, it’s not actually Turkish. It’s more Mesopotamian. You know, teak and silk and...”

“Sounds hideous. ”

“So you’re starting up again!” She dropped his arm, her eyes flashing, her mouth a tight little line. “I’m really ashamed of you, depriving me of the few little pleasures I need to make my life a blub, sniff, hoo-hoo…”

The edge was hers.

“Connie... Connie...” She knocked away his comforting hand, saying, “You beast.” That was too much for him. The words were so obviously put-on, he was suddenly infuriated:

“Now, goddammit!”

Her tears came faster. Danny stood there, furious, helpless, outmaneuvered, hoping desperately that no cop would come along and say,, ‘This guy botherin’ ya, lady?”

“Connie, okay, okay, we’ll have Turkish Period. Come on, come on. It doesn’t matter what it costs, I can scrape up the money somehow.”

It was not one of the glass-brick and onyx emporia where sensible furniture might be found (if one searched hard enough and paid high enough and retained one’s senses long enough as they were trying to palm off modernistic nightmares in which no comfortable position might be found); no, it was not even one of those. This was an antique shop.

They looked at beds that had canopies and ornate metalwork on the bedposts. They looked at rugs that were littered with pillows, so visitors could sit on the floors. They looked at tables built six inches off the floor, for low banquets. They inspected incense burners and hookahs and coffers and giant vases until Danny’s head swam with visions of the courts of long-dead caliphs.