I returned to the area where the majority of cots were located, what I assumed to be the woman’s wing of the little prison. I ducked into one of the stalls. On the wooden walls, as if marked by a nail, was a calendar, the days marked off in columns of fives. Someone had been here for more than fifty days.
Couldn’t be Janet, and it certainly wasn’t Amelia.
Inside the second stall was another calendar, and a few blankets. The third stall, which contained three cots, was equally sparse. There was no calendar, no obvious method of keeping track of the days, but there was some graffiti: Love Is God
Humanity Rules
Both were carved into the walls in big letters, the wood still raw.
I had to kneel to read a longer passage written over the bunk:
This Evil stands no chance against my prayers!
I reread the maxim more slowly, letting the words sink in, my memory banks scanning for some connection. It was familiar. I wasn’t certain why. Who had I heard speak that phrase before?
Beneath the cot was a thin blanket, a metal cup, and a spoon. I removed them and inspected them individually, looking for some kind of distinguishing characteristics, but there was none.
As I did, that phrase repeated itself in my brain.
This Evil stands no chance against my prayers!
Where had I heard it? In my memory, the phrase was somehow associated with some event, something bad, a tragedy, but also the strength of the individual who’d endured it but had managed to go with her life.
Her life. A car wreck. A lost child.
Then I knew.
I stood, in slow realization, and pulled the microphone arm away from my mouth, calling a single name, as loud as I could: “Janet? Janet! Where are you?”
I waited in the silence and called her name once more. Then, behind me, I heard a pounding, creaking noise, and I turned to see a door in the barn’s floor being opened-the passageway to some kind of tack room or feed cellar, probably. Then the familiar face of Janet Mueller was peering out, her cheeks very gaunt, as if she’d been starved, her eyes hollow as caves, blinking in the darkness.
I heard her strong voice say, “Doc? My God! Oh dear God, please let it be, please. Is that you?”
The barn was so dark that she couldn’t see me, I realized, so I spoke as I rushed toward her, saying, “It’s me, Janet. It’s Marion Ford come to take you back to Sanibel.” Then I reached and pulled her up to look at her-nope, I wasn’t dreaming-and then I hugged the lady mightily, feeling her thin arms, the warmth of her body against me. “You’re safe now.”
On the ladder below her, someone had lit a candle. I watched eight more haggard, emaciated people climb out, all naked but for rags of burlap or underwear or maybe a T-shirt. One of them, a tall, lean black woman, threw her arms around me, even as I still held Janet, both of them weeping in my ear.
The woman, whom I knew had to be Grace Walker, said to me, “I’m not dreaming, am I, man? Man, tell me I’m not dreaming. I want to go home. Please take us home.”
I pulled away long enough to say, “That’s exactly where we’re going. But first, where’s Amelia?”
Grace said, “Who?”
I repeated her name, “Amelia,” as I looked toward the cellar. “Is she still down there hiding?” Then I called, “Hey! Amelia. It’s me. ”
Even now, in shock, Janet was still reactive enough to be puzzled. “Do you mean Amelia Gardner? Oh, Doc, something terrible happened. Our boat sank, and we got separated from Amelia, and we left her. I feel terrible. I feel so guilty. We couldn’t find her, and we left her. She’s probably still out there in the ocean somewhere. And Mikey, my God, poor Mikey.” She began to cry again, and Grace Walker was now sobbing even louder. “This terrible man-a guy we call the albino-he shot our dear Mike for no reason, and he’s treated us like animals.”
In my earphone, I heard Tyner say, “Commander, there’s something I need to tell you.”
I felt my body numb slightly when he added, “It’s about that woman you’re after. Amelia Gardner.”
A weapons firefight is sustained panic interrupted by moments of raw terror, and the sounds of that fight-the shouts, the screams, the gunfire-had drawn closer. Tyner was crouched in the doorway, and he leaned and fired two short bursts out the door as I approached.
Expecting return fire, I turned and motioned for Janet and the others to get on their bellies, before I said, “What about Amelia, Tyner? Is there something you didn’t tell me?” To my own ears, my voice seemed oddly pitched.
“We need to get our asses out of here, Commander. My men are on the move a little earlier than I expected. We don’t have time to look for your other friend. We’ve got to go.”
I told him, “Go without me. She’s here somewhere. I’m not leaving.”
“Looks like we’ve got eight or nine very weak people to take care of. I can’t get them out alone.”
“You’ll have to try. The moment I find Amelia, we’ll be right behind you.”
His words seemed then to slow horribly and deepen into a spatial echo, as he said, “Then you leave me no choice. I want you to get a hold of yourself, Commander. I’d have told you earlier, but I needed you gung-ho, with your full facilities because of what we had to do here tonight.”
He said, “That woman? She never made it out of Cartagena. Maybe she put up too much of a fight, I don’t know. The guys who kidnapped her shot her. They found her body in a motel. I got the word about an hour before we left.”
I whispered, “They… killed Amelia? She’s dead. You’re sure?”
“Yes. The Intel comes from the U.S. Embassy. There’s no doubt about it.”
Emotional shock affects different people different ways. In that moment of comprehension, into my mind came an analytical clarity: They had murdered a woman about whom I cared deeply, and so there was only one rational response. I would kill them. I would kill both of them, Kazan and Stallings. I did not have time to indulge in overwhelming emotion or expressions of grief. Perhaps I would-but later. Now I needed to stay absolutely focused on the task at hand: Find those two, look into their eyes, tell them why I had sentenced them to death, and then eliminate them.
“Are you okay, Commander Ford?”
I had been down on one knee, but now I stood. “Yep. Hundred percent. I want you to lay down some covering fire. I’m going to bust into the big house and see who’s there.”
“No. It’s too late. We’ve got to move out now.”
“Sergeant, I’ve been given an executive order on Hassan Kazan, and I’m obligated to carry it out.”
He was standing, waving Janet and the others to get in line and be ready to follow him. “The time to hit them was when we first got in. I tried to tell you, but you wouldn’t listen. You missed your chance. They’re gone by now.”
He raised his night-vision goggles long enough to look into my eyes. “But I’ll tell you what. Help me get these people out safely, and I’ll come back with you and kill anyone who’s left.”
Behind him, Janet was helping to support a young girl who looked sick, near death. “Doc, please don’t leave us. Please. We need you.”
I noticed that my whole body was shaking, quivering, as I answered, “Okay, okay. Of course I won’t, Janet. I won’t leave you. I’m here.”
That morning, in the jungle’s first bronze light, Tyner and I returned to the remains of the rubber plantation. Janet and the others were safely on their way out via a private plane that we’d hired, so there was no rush.
We tallied nine bodies among the rubble-a profitable night’s work for Tyner’s team. We also found a wall safe in which there was a box of Colombian emeralds and more than $100,000 in cash.
I was more interested in inspecting the bodies. Six looked to be Middle Eastern, but neither the big Samoan nor the albino was among them.
34
Back in Cartagena, I behaved as a modern, responsible adult is expected to behave. As with the heirs of the very wealthy, victims of crime are assigned many small, legal obligations by governments, as if to punish them. I busied myself taking care of those details for all involved. But that feeling of clarity, of pure purpose- Stallings and Kazan -stuck with me.