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"I've had lots of people coming to see me, thousands," he answered

sullenly. "As many as forty used to sit down at my table."

"You were working at the Moscow Drama Theatre and used to wear a

jacket with brass buttons. My friend Grisha Faber played the red-haired

doctor, and Korablev introduced us in Grisha's dressing-room."

I wonder why I felt so light-hearted? Here I was standing in

Romashov's flat as though I were the master there. He would be here

within an hour. I took a deep breath with half-open mouth. What would

I do to him?

"I don't know! What name did you say?"

"Captain Grigoriev at your service. So you are living here now? In

Romashov's Hat?"

Vyshimirsky glanced at me suspiciously.

"I live where I'm registered," he said. "Not here. And the house-

manager knows I live there, and not here."

"I see."

305

I took out my cigarette-case, flipped open the lid and offered him a

cigarette. He took one. The door leading into the next room was open.

The place was clean and tidy, all light-grey and dark-grey-walls and

furniture. A round table stood before a divan. And over the divan

somebody's portrait, a large one in a smooth light-grey frame.

"Everything to match," I thought.

"You mean Ivan Pavlovich, the teacher?" Vyshimirsky suddenly

asked.

"Yes."

"Yes, of course, Korablev. A fine man. Valya was a pupil of his. Nyuta

wasn't, she graduated from the Brzhozovskaya Girls' School. But Valya

was a pupil of his. To be sure! He was a help, yes, he was..." And the

glimmerings of a kindly feeling flitted across his bewhiskered old face.

Then, pretending to recollect himself, the old man invited me into the

rooms-we had been standing all this time in the hallway-and even asked

me whether I had just arrived in town.

"If you have," he said, "there's an army canteen where you can get

quite a decent meal with bread for next to nothing on your travel

warrant."

But I wasn't listening to his chatter. I had stopped in the doorway,

astounded. That portrait over the divan in the light-grey frame was of

Katya-a splendid portrait, which I had never seen before. It was a full-

length photograph of Katya in the squirrel coat, which looked so nice on

her and which she had made just before the war. I remember how hard

she had been trying to get it done by some famous furrier named Manet,

and was cross with me because I couldn't understand that the cap and

the muff had to be made of fur too. What could this mean, my God?

At least a dozen thoughts jostled in my mind, one of them so absurd

that the memory of it today makes me feel ashamed. I imagined almost

everything except the truth, a truth which proved to be even more

absurd than that absurd idea!

"I must say I never expected to meet you here, Nikolai Ivanovich," I

said when the old man had told me how, after leaving the theatre, he

had been employed at a mental hospital as a cloak-room attendant, and

had been dismissed because the inmates had "unlawfully notified the

matron that I stole soup and ate it at night".

"Are you working for Romashov? Or just keeping up the

acquaintance?"

"Yes, keeping up the acquaintance. He suggested that I help him out

in his business, and I agreed. I was employed as secretary to the

Metropolitan Isidore, and I don't conceal the fact; on the contrary, I

state the fact in my personnel questionnaires. It was a big job, an

enormous task. Our daily mail alone was over fifteen hundred letters.

The same here. But here I work as a favour. I get a worker's ration,

because Romashov has fixed me up at his institution. And the

institution knows I am working here."

"Isn't Romashov in the army now? When we last met he was in army

uniform."

"No, he's not in the army. Reserved for the duration. Indispensable or

something."

"What sort of mail are you getting?"

"Oh, business letters, very important," Vyshimirsky said. "Extremely

important. We have an assignment. At the present moment we are

306

under instructions to find a certain woman, a lady. But I suspect it's not

an assignment, but a private affair. A love affair, so to speak."

"What woman is it?"

"The daughter of an historic personage, a man I knew very well,"

Vyshimirsky said proudly. "You may have heard of him perhaps—

Tatarinov? We are searching for his daughter. We'd have found her long

ago, but it's such a frightful muddle. She's married and has a double

name."

CHAPTER SIXTEEN

"YOU WON'T KILL ME"

It was as though life had suddenly pulled up sharply, jolting my head

foremost into an imaginary wall. That was how I felt as I stared at the

old man, just an ordinary old man, standing before me in an ordinary

room and telling me that Romashov was looking for Katya, that is, doing

the same thing I was doing.

Our conversation, however, proceeded as though nothing had

happened. From Katya the old man switched over to some member of

T.U. committee who had had no right to call him "a hangover from the

old regime", because he, Vyshimirsky, had a work record ~of fifty years,

then he wandered off into reminiscences, relating how in the old days,

back in 1908, when he came out of the theatre the commissionaire

would cry out: "Vyshimirsky's carriage! "-and the carriage would roll up.

He wore a top hat and cloak in those days, but now people did not wear

such things, which was "a great pity, because it was elegant".

"When did he die?" he suddenly asked.

"Who?"

"Korablev."

"Who said he died? He's alive and well," I said in a jocular tone,

though I was quivering in all my being, thinking: "You'll know

everything in a minute, but tread carefully."

"So it's a private affair you say? Concerning a lady?"

"Yes, private. But very serious, very. Captain Tatarinov is an historical

personage. Mr Romashov was in Leningrad. He was there during the

siege and starved so bad that he ate paste off the wallpaper. He tore

down old wallpaper, and boiled and ate it. Afterwards he went on a meat

foraging assignment, and when he came back she was no longer there.

She'd been moved out."

"Where to?"

"That's just the question," Vyshimirsky said. "You know what that

evacuation was like? Go and find anybody! It's not as if she'd been

moved out by special train. You could trace it then. Take the Gold

Storage Plant, for instance. Where did its train go? To Siberia? Then

she'd be in Siberia. But she was evacuated by aeroplane."

307

"By aeroplane?"

"Yes, exactly. As a privileged person, I suppose. And now, who knows

where she is? All we know is that the plane flew via Khvoinaya that is,

the very place where Mr Romashov was getting meat."

I must have sensed instinctively when it was necessary to hold my

tongue and when to put in two or three words. Everything was as it

should be. Here was an army man, seemingly just out of hospital, thin

and peaky, who had called on a friend with whom he had parted at the

front, asking how his friend was getting on, what he was doing. "You'll

know everything in a minute, step warily."