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The hearse driver in his dirty robe was in a hurry and kept whipping

up the horse. It was all Aunt Dasha and Skovorodnikov could do to keep

up with it. We came out onto Posadsky Common-a muddy patch of

wasteland between the town and Posad suburb leading down to the

river across Mill Bridge. A short sharp crackle rang out in the distance;

the driver cast a frightened glance over his shoulder and hesitantly

raised his whip. Aunt Dasha caught up with us and started to scold.

"Man alive! Are you crazy? You're not carting firewood!" "There's

shooting over there," the driver growled. A path was dug out in the

hillside leading down to the river, and we drove down it for several

minutes without seeing anything on the sides. They were shooting

somewhere, but less and less frequently. Mill Bridge, from which I had

often fished for gudgeon, came into view. Suddenly the driver stood up

and lashed out at the horse; it dashed off and we raced along the bank,

leaving Skovorodnikov and Aunt Dasha far behind.

It must have been bullets, because chips of wood flew from the hearse

and one of them hit me in the face. The carved wooden upright I was

gripping for support creaked, shook loose and fell into the roadway as

the hearse jolted. I heard Skovorodnikov shouting somewhere behind

us, and Aunt Dasha scolding in a tearful voice.

Pulling his cap down lower and twirling his whip over his head, the

driver drove the horse straight towards the bridge, as though he couldn't

see that the approach to it was blocked with logs, planks and bricks. The

horse reared, and stopped dead in its tracks.

Among the men who ran out from behind this barrier I recognised the

compositor who had rented a room the previous summer at the fortune-

teller's in the next yard to ours. He was carrying a rifle and inside the

leather belt, which looked so odd over an ordinary overcoat, he wore a

service revolver. They were all armed, some even with swords.

The driver clambered down, hitched up the skirt of Us robe, stuck his

whip into his high boot and began to swear.

"What the hell-couldn't you see it's a funeral? You nearly shot my

horse!"

"We weren't shooting, you came under the cadets' fire," the

compositor said. "And couldn't you see there was a barricade here, you

dolt?"

"What's your name?" the driver shouted. "You'll answer for this!

Who's going to pay for repairs?" He walked round the hearse, touching

the damaged places. "You've smashed one o' the spokes!"

"Fool!" the compositor said again. "Didn't I tell you it wasn't us! Why

should we fire on coffins! Fathead!"

"Who are you burying, lad?" an elderly man in a tall fur cap, on which

hung a piece of red ribbon in place of a cockade, asked me quietly.

"My mother," I brought out with difficulty.

He took off his cap.

"Quiet there, comrades," he said. "This is a funeral. This boy here is

burying his mother. You ought to know better."

They all stared at me. I must have looked pretty wretched because,

when everything was patched up and Aunt Dasha, weeping, had caught

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up with us, and we had driven onto the bridge through the mill, I found

in the pocket of my coat two lumps of sugar and a white biscuit.

Tired out, we returned home after the funeral by way of the opposite

bank.

There was a glow in the sky over the town: the barracks of the

Krasnoyarsk Regiment were on fire. At the pontoon bridge

Skovorodnikov hailed a man of his acquaintance who was on point-

duty, and they started a long conversation, from which I understood

nothing: someone somewhere had pulled up the track, a cavalry corps

was making for Petrograd, and the Death Battalion was holding the

railway station. The name "Kerensky" kept cropping up all the time with

various additions. I could hardly stand on my feet, and Aunt Dasha

moaned and sighed.

My sister was asleep when we returned. Without undressing, I sat

down next to her on the bed.

I don't know why, but Aunt Dasha did not spend that night with us,

the first night we were left alone. She brought me some porridge, but I

did not feel like eating, and she put the plate on the window-sill. On the

window-sill, not on the table where Mother had lain that morning. That

morning. And now it was night. Sanya was sleeping in her bed, in the

place where she had been lying with that little wreath on her brow.

I got up and went over to the window. It was dark outside, and a fiery

glow hung over the river, where bands of black smoke flared up with

yellow streaks and died down.

The barracks were on fire they said, but it was beyond the railway, a

long way off and in quite a different direction. I recalled how she had

taken my hand, shaking her head and fighting back her tears. Why

hadn't I said anything to her? She had so wanted me to say something,

even if it was a single word.

I could hear the pebbles rolling up on the shore; the wind had

probably risen and it started raining. For a long time, thinking of

nothing, I watched the big heavy raindrops rolling down the window-

pane, first slowly, then faster and faster.

I dreamt that someone pulled the door open, ran into the room and

flung his wet army coat on the floor. It was some time before I realised

that this was no dream. It was my stepfather, dashing about the house,

pulling off his tunic as he ran. He tugged away at it, gnashing his teeth,

but it clung to his back. At last, clad only in his trousers, he rushed over

to his box and pulled a haversack out of it.

"Pyotr Ivanich!"

He glanced at me but did not answer. With matted hair, his face

glistening with sweat, he was hastily thrusting linen into the haversack

from the box. He rolled up a blanket, pressed it down with his knee and

strapped it. All the time his mouth worked with vicious fury, and I could

see his clenched teeth—the big, long teeth of a wolf.

He put on three shirts and shoved a fourth into his haversack. He

must have forgotten that I was not asleep, or he would not have had the

nerve to snatch Mother's velvet jacket from the nail on which it hung

and thrust it into the haversack along with the rest.

"Pyotr Ivanich!"

"Shut up!" he said, looking up. "Go to hell, all of you!"

He changed his boots and put on his coat, then suddenly noticed the

skull and crossbones on the sleeve. With an oath he threw the coat off

39

again and started ripping off the emblem with his teeth. He flung his

haversack on his back and was gone—gone out of my life. All that

remained were his muddy footmarks of the floor and the empty tin box

of Katyk cigarettes in which he kept his studs and ' tiepins.

Everything became clear the next day. The Military Revolutionary

Committee proclaimed Soviet power in the town. The Death Battalion

and the volunteers who had come out against the Soviets had been

defeated.

CHAPTER FOURTEEN

WE RUN AWAY.

I PRETEND TO BE ASLEEP

Where did Pyotr get the idea that you could travel free now on all the

railways? The rumour about free tramcars must have reached him in

this exaggerated form.