To the last minute, poor old Lisene kept trying to get King Lir to take some knights or soldiers with him. She actually followed us on foot when we left, calling, "Highness — Majesty — if you will have none else, take me! Take me!" At that the king stopped and turned and went back to her. He got down off his horse and embraced Lisene, and I don't know what they said to each other, but Lisene didn't follow anymore after that.
I rode with the king most of the time, sitting up in front of him on his skittery black mare. I wasn't sure I could trust her not to bite me, or to kick me when I wasn't looking, but King Lir told me, "It is only peaceful times that make her nervous, be assured of that. When dragons charge her, belching death — for the fumes are more dangerous than the flames, little one — when your griffin swoops down at her, you will see her at her best." I still didn't like her much, but I did like the king. He didn't sing to me, the way Schmendrick had, but he told me stories, and they weren't fables or fairytales. These were real, true stories, and he knew they were true because they had all happened to him! I never heard stories like those, and I never will again. I know that for certain.
He told me more things to keep in mind if you have to fight a dragon, and he told me how he learned that ogres aren't always as stupid as they look, and why you should never swim in a mountain pool when the snows are melting, and how you can sometimes make friends with a troll. He talked about his father's castle, where he grew up, and about how he met Schmendrick and Molly there, and even about Molly's cat, which he said was a little thing with a funny crooked ear. But when I asked him why the castle fell down, he wouldn't exactly say, no more than Schmendrick would. His voice became very quiet and faraway. "I forget things, you know, little one," he said. "I try to hold on, but I do forget."
Well, I knew that. He kept calling Molly Sooz, and he never called me anything but little one, and Schmendrick kept having to remind him where we were bound and why. That was always at night, though. He was usually fine during the daytime. And when he did turn confused again, and wander off (not just in his mind, either — I found him in the woods one night, talking to a tree as though it was his father), all you had to do was mention a white unicorn named Amalthea, and he'd come to himself almost right away. Generally it was Schmendrick who did that, but I brought him back that time, holding my hand and telling me how you can recognize a pooka, and why you need to. But I could never get him to say a word about the unicorn.
Autumn comes early where I live. The days were still hot, and the king never would take his armor off, except to sleep, not even his helmet with the big blue plume on top, but at night I burrowed in between Molly and Schmendrick for warmth, and you could hear the stags belling everywhere all the time, crazy with the season. One of them actually charged King Lir's horse while I was riding with him, and Schmendrick was about to do something magic to the stag, the same way he'd done with the crow. But the king laughed and rode straight at him, right into those horns. I screamed, but the black mare never hesitated, and the stag turned at the last moment and ambled out of sight in the brush. He was wagging his tail in circles, the way goats do, and looking as puzzled and dreamy as King Lir himself.
I was proud, once I got over being frightened. But both Schmendrick and Molly scolded him, and he kept apologizing to me for the rest of the day for having put me in danger, as Molly had once said he would. "I forgot you were with me, little one, and for that I will always ask your pardon." Then he smiled at me with that beautiful, terrible hero's smile I'd seen before, and he said, "But oh, little one, the remembering!" And that night he didn't wander away and get himself lost. Instead he sat happily by the fire with us and sang a whole long song about the adventures of an outlaw called Captain Cully. I'd never heard of him, but it's a really good song.
We reached my village late on the afternoon of the fourth day, and Schmendrick made us stop together before we rode in. He said, directly to me, "Sooz, if you tell them that this is the king himself, there will be nothing but noise and joy and celebration, and nobody will get any rest with all that carrying-on. It would be best for you to tell them that we have brought King Lir's greatest knight with us, and that he needs a night to purify himself in prayer and meditation before he deals with your griffin." He took hold of my chin and made me look into his green, green eyes, and he said, "Girl, you have to trust me. I always know what I'm doing — that's my trouble. Tell your people what I've said." And Molly touched me and looked at me without saying anything, so I knew it was all right.
I left them camped on the outskirts of the village, and walked home by myself. Malka met me first. She smelled me before I even reached Simon and Elsie's tavern, and she came running and crashed into my legs and knocked me over, and then pinned me down with her paws on my shoulders, and kept licking my face until I had to nip her nose to make her let me up and run to the house with me. My father was out with the flock, but my mother and Wilfrid were there, and they grabbed me and nearly strangled me, and they cried over me — rotten, stupid Wilfrid too! — because everyone had been so certain that I'd been taken and eaten by the griffin. After that, once she got done crying, my mother spanked me for running off in Uncle Ambrose's cart without telling anyone, and when my father came in, he spanked me all over again. But I didn't mind.
I told them I'd seen King Lir in person, and been in his castle, and I said what Schmendrick had told me to say, but nobody was much cheered by it. My father just sat down and grunted, "Oh, aye — another great warrior for our comfort and the griffin's dessert. Your bloody king won't ever come here his bloody self, you can be sure of that." My mother reproached him for talking like that in front of Wilfrid and me, but he went on, "Maybe he cared about places like this, people like us once, but he's old now, and old kings only care who's going to be king after them. You can't tell me anything different."
I wanted more than anything to tell him that King Lir was here, less than half a mile from our doorstep, but I didn't, and not only because Schmendrick had told me not to. I wasn't sure what the king might look like, white-haired and shaky and not here all the time, to people like my father. I wasn't sure what he looked like to me, for that matter. He was a lovely, dignified old man who told wonderful stories, but when I tried to imagine him riding alone into the Midwood to do battle with a griffin, a griffin that had already eaten his best knights…to be honest, I couldn't do it. Now that I'd actually brought him all the way home with me, as I'd set out to do, I was suddenly afraid that I'd drawn him to his death. And I knew I wouldn't ever forgive myself if that happened.
I wanted so much to see them that night, Schmendrick and Molly and the king. I wanted to sleep out there on the ground with them, and listen to their talk, and then maybe I'd not worry so much about the morning. But of course there wasn't a chance of that. My family would hardly let me out of their sight to wash my face. Wilfrid kept following me around, asking endless questions about the castle, and my father took me to Catania, who had me tell the whole story over again, and agreed with him that whomever the king had sent this time wasn't likely to be any more use than the others had been. And my mother kept feeding me and scolding me and hugging me, all more or less at the same time. And then, in the night, we heard the griffin, making that soft, lonely, horrible sound it makes when it's hunting. So I didn't get very much sleep, between one thing and another.