Mary Louise had reached the hall. She looked up, her face still tear-stained and pale. She’d put a cardigan on over her blue-flowered dress.
‘I’m all right,’ she said. ‘Don’t worry about me.’
‘The doctor’s coming.’
‘I don’t need the doctor.’
She moved away. A door banged somewhere at the back of the hall. A moment later Rose called out from the front room that Mary Louise had ridden away from the house on her bicycle. She still held the edge of a curtain between her fingers, and Mrs Dallon approached the window to see for herself. But Mary Louise had already disappeared.
The weather had not changed. The early autumn sky, empty of clouds, had been as pale when they had walked, two days before, through the fields. The sun had abandoned not a jot more of its August vigour, the night-time dews stayed not an instant longer.
The brittle stalks of the cow parsley were as they’d been, the same bird-scare sounded in a field of corn. The woman who’d been clipping her fuchsia hedge was not outside her cottage, but the withered clippings were still strewn on the road. The same dog ran after Mary Louise’s bicycle, a brindle-haired terrier with snappy eyes. On the roads there were the same potholes to avoid.
Yet everything was different. Vitality had drained away from all she passed through, leaving it dull. They had found four mushrooms in the sloping field, and in the kitchen he had laid them in a line on the wooden draining-board: vividly she saw them there.
She went to the graveyard and sat as they had sat, among the Attridge stones. Was this a punishment for their sinning? If so, it seemed unfair, since her living was a greater ordeal than his death. She didn’t want ever to ride away, but to die as well, here in their place.
‘I love you, Robert,’ she whispered, knowing what she had not known in the last hours of his lifetime. ‘I love you,’ she said again.
Her tears came then, fresh tears that flowed more freely than before. And when eventually she wiped them away she thought: might there be some error? Had she stupidly misheard what her mother had said? Was he only ill? Was it her Aunt Emmeline who had died? If there had been some error, if she rode down the grassy avenue now and found him mourning his mother in the kitchen, she would not ever leave his side. She would remain in the house with him and care for him as no human being had ever before been cared for. She would make up for everything, none of it a sacrifice, for all she wanted was to be with him, each of them part of the other.
But Robert was dead. Her mother had clearly stated that. You do not make mistakes when informing about death, and she had not misheard. Robert was dead, and had not suffered. Robert was cold as ice already, his body stiff and useless, the amusement gone for ever from his expression.
Mary Louise remained in the graveyard when dusk came. Shivering, and longing for death herself, she stayed when darkness came too. She thought she might never leave the graveyard, and did not do so until the light of dawn.
17
Her flowerbed has always been for him. Being in the house has permitted that, no questions asked, the slow establishment of the chosen plants, the trial and error of their cultivation, buds breaking into colour, the clustering of petals.
‘Oh, I expect it’ll disappear,’ the gardener grumpily replies when she asks about the flowerbed’s fate. He’s not the man whose arm was broken by Sadie swinging a pickaxe. Youngish, unsuited to the place in any case, that one went at once. This man is old; he has been here all her time; no wonder he’s aggrieved. He says the house will become a hotel.
‘My flowerbed is in memory. I hope they’ll keep the garden.’
‘I hear it said they’ll have it up for a car park.’
Slowly she walks about, imagining the cars drawn up in rows, the different colours. Tessa Enright visited her once, Tessa Hospel as she became, mother of four children, wife of an oyster merchant. They strolled these same paths in the heat of an afternoon and suddenly her friend said: ‘I am in love.’ She had not told another soul and never would. ‘No one except for you.’ She wept into a lacy lilac handkerchief. She said she was ashamed that Mary Louise had been in the house for sixteen years before she visited her. She was in love with an Englishman whom she’d met when she and her husband, with all their children, were on holiday by the sea in France. Her husband was rich; there was a girl for the children. The Englishman had said he could not live without her. ‘Imagine that! To say that so soon! He hardly knew me.’ Tessa Enright hadn’t changed. As thin as fuse-wire, high cheekbones, hair like sun-bleached silk. Her eyes had always had a startled look, her lips still lazily pouted. She would never have visited the house if she hadn’t been desperate for a confidante: here, of all places, her secret would be safe.
Alone in the garden fifteen years later, Mary Louise recalls precisely the shade of lilac of the handkerchief. It was lighter than that of the outfit that accompanied it, the blouse that buttoned to the neck, the very short skirt, the chic little shoes. She recalls being told that the oyster merchant had been met at a party. The Englishman was a person who had to do with boats, who delivered them from one harbour to another, acting for other people. Mary Louise imagines this man, as once she imagined Jeanne d’Arc and later her cousin’s father, and later still the people in the novels her cousin read. She sees the children of her friend controlled by a calm nursemaid; she sees the husband. She places the family in a hotel dining-room, among waiters calling out to one another in French and expertly pouring wine. The Englishman approaches, flannels and a blazer with an emblem on it, brown as a nut, a smile lazing through his features. At some later time, when they are private, her friend puts her arms around him, slipping her hands beneath the blazer with the emblem on it, her fingers touching the muscles in his back.
Mary Louise stoops and lifts a rose petal from where it has fallen. Under no circumstances is it permitted to pick the flowers. Bríd Beamish did so once and was not allowed to enter the garden for seven months, seven being the number of flowers she filched. The petal has no scent, but in the palm of Mary Louise’s hand it seems as beautiful as anything she has ever touched, crimson streaked with white. Roses mostly are what she has planted in her flowerbed, with a border of lily of the valley. She’s glad it was not she who married the oyster merchant and had four children. She’s glad she never had to turn with her intimacies to a childhood companion who is safely locked away and would not, anyway, be believed.
18
The mists of autumn came, clinging to the houses of Bridge Street, smudging the shop windows with drips and rivulets. The smell of the town was of turf smoke mainly, acrid in the damp air. The shortening days were caught between the seasons until November arrived, claiming them for winter.
By the middle of that month, for Mary Louise, the funeral seemed an age ago. She had stood in the small church with her family, in the front pew, across the aisle from the solitary presence of her aunt. There were all sorts of people there – neighbours mainly, a few from the town, Miss Mullover, the Edderys, relations from the other side of the family whom the Dallons had never seen before. In the churchyard the coffin was lowered; the Reverend Harrington intoned; a handful of clay was thrown on the brightly varnished surface. Afterwards nobody knew what to do: the occasion was sad, people felt, so brief a life, too sad for a funeral spread. Yet in the end some of the mourners returned to her aunt’s house.
Ever since the death of her cousin the first thought that entered Mary Louise’s waking consciousness every morning was that the death was a fact. Robert, thin and wiry in the classroom, was no longer there. Robert, smiling in the untidy room he was so fond of, was now a figment in her mind. A shadow pointed at the heron and bent to pick the mushrooms. A shadow kissed her twice. The fading images were not as good as photographs would have been, but she had no photograph of her cousin.