When the coffee came I drew his attention to an entry in the guide-book about the Palio – the horse-race that takes place each summer through the streets of Siena and around the slopes of the Campo where we now sat. I read the entry aloud: that the race was an occasion coloured by feuds and sharp practice, by the vested interests of other cities and the jealousies of local families, that it was wild and dangerous.
‘You’ll notice the decorated lamp standards,’ Quinty interrupted. ‘Tarted up for the big day.’
I wore my dark glasses, and from behind their protection I observed my companions while Quinty continued for a moment about the lamp standards, prompted in what he was saying by the maid. I observed the nervous movement of Otmar’s fingers and the twitch of anxiety that caused him often to glance over his shoulder, as if he distrusted his surroundings. The old man’s masking of his anguish remained meticulously intact. Aimée examined the pictures on the little sachets of sugar that had come with our coffee.
‘The Sienese are renowned for the macaroons they bake,’ I remarked to Mr Riversmith. ‘Those ricciarelli we have at tea-time.’
‘Yes,’ he said.
Later, on the way to the cathedral, we called in at a travel agency, where he confirmed with the clerk the details of the flight back to Pennsylvania. The booking was made for four days’ time, I myself gently pressing that Mr Riversmith should allow his jet-lag to ease before rushing off. ‘I expect you’ve thought about how Aimée’ll settle with you,’ I said when these formalities were completed and we were on the street again. ‘You and your wife.’
Again there was the tightening of the lips, the sharp, swift nod, another silence.
‘Tell me about your sister,’ I invited, tentatively, as we moved on.
Before I’d finished speaking Mr Riversmith stopped in his walk. He turned to me in a deliberate way and said that every time he looked at Aimée he was reminded of his sister. Aimée had Phyl’s hair and her eyes and her freckles. I said yes, I knew, but the observation was ignored. Then, to my astonishment, while still standing on the street, the others now far ahead of us in their climb to the cathedral, Mr Riversmith related the history of the family trouble there had been. His sister had been particularly fond of his first wife. His second, the one called Francine, had somehow discovered this, had even learnt of Phyl’s repeated endeavours to bring the two together again. A couple of months after he married Francine she and Phyl quarrelled so violently that they had avoided speaking to one another since. He had taken Francine’s side and Phyl hadn’t forgiven him. The ugly breach that followed accounted for the fact that her children were unknown to him; he remembered his brother-in-law Jack only from the single occasion he’d met him. A dozen times Mr Riversmith had apparently been on the point of writing to Phyl to see if amends might be made. But he had never done so.
‘Naturally, I was apprehensive, coming out here,’ Mr Riversmith confessed. ‘I’d never even seen a photograph of my niece.’
All the fustiness had gone from him. For the first time he appeared to be a normal human person, endeavouring to contribute to a conversation. He was not a loquacious man; no circumstances in the world would ever alter that. Yet this moving little account of family troubles had tumbled out of him in the most natural way – hesitantly and awkwardly, it’s true, but none the less naturally. I was aware of a pleasant sensation in my head, like faint pins-and-needles, and a pleasant warmth in my body. My first concern was to throw the ball back.
‘Aimée didn’t know she had an uncle,’ I pointed out. ‘So if you and Francine imagine you were condemned in her eyes by your sister that wouldn’t be correct.’
He appeared to be taken aback by that. He even gave a little jump.
‘Of course you weren’t condemned,’ I repeated. ‘Your sister had a generous face.’
He didn’t comment on the observation. I asked when he’d last seen his sister and he said at their mother’s funeral.
‘A long time ago?’
‘1975.’
‘And your father? Yours and Phyl’s?’
Again there was surprise. The father had died when Phyl was an infant, and I imagined the household that was left, he taking the father’s place, much older than the sister. I imagined him mending things about the house the way his father had, cultivating lettuces and eggplant. I wondered if Phyl had thought the world of him, as younger sisters in such circumstances often do.
‘Don’t feel guilty,’ I begged, and told him how the General hadn’t been able to respect his son-in-law and could not find the courage to walk into an empty house or even to cope with solicitors – he whom courage had so characterized. I mentioned Otmar’s Madeleine.
While I was speaking I recalled a dream I’d had the night before. At once I wished to recount it, the way one does, but Mr Riversmith being the man he was, I found myself unable to do so. As you’ve probably deduced by now, dreams have a fascination for me. The Austrian ivory cutter – and, come to that, Poor Boy Abraham – used regularly to seek me out in order to retail a dream, and occasionally I would pass on what I’d dreamed myself. This one, in fact, concerned Mr Riversmith and might indeed have interested him, but still I felt inhibited. In it he was a younger man, little more than a boy. He was repairing a kitchen drawer that had fallen to pieces in Phyl’s hands, the sides dropping away from one another as if the glue that held them had become defective. He scraped away a kind of fungus from the joints and placed the drawer in clamps, with fresh glue replacing the old. ‘You’re clever to do that,’ Phyl said, and the wooden slat of the kitchen blind tapped the window-frame, the way it did in even the slightest breeze when the window was half open. I longed to ask him about that as we climbed the hill to the cathedral, but still I held my peace.
The others were by now out of sight. We found them waiting for us on the cathedral steps, and with Dr Innocenti’s guide-book open the General led the way into the wasp-like building, reading aloud about the floor and the carved pulpit. When we had exhausted the marvels of this most impressive place and had visited the little museum near by, we made for the picture gallery proper. To my considerable relief, Quinty and Rosa Crevelli had disappeared.
In the quiet of the gallery I would have liked to pursue my conversation with Mr Riversmith, but as we made the rounds of the pictures he fell into step with Otmar and the General, leaving me for the moment on my own. Aimée had wandered on ahead.
‘Look at this!’ I heard her cry in another room, and a moment later we were all congregated around the painting that excited her.
It was called Annuncio at pastori, and depicted two shepherds and a rat-like dog crouched by a fire that had been kindled beside carefully penned sheep. The hills around about were the hills of Italy turned into a brown desert, the sky an Italian sky, and the buildings in the background and the foreground were of Italian architecture. But an angel, holding out a sprig of something, was floating in a glow of yellow light, and didn’t, to my untutored eye, seem quite to belong.
‘I’ve never seen a picture as beautiful,’ Aimée said.
It occurred to me, as she spoke, that had the outrage not happened, she would probably have come to this city with her parents and her brother. They would probably have stood in front of this very picture. I looked at her, but her face was radiant. I edged closer to Mr Riversmith, hoping to share this thought with him in a quiet whisper, but unfortunately just as I did so he moved away.
‘Look at how the sheep are fenced,’ she said. ‘Like with a net.’
‘Sano di Pietro was born in Siena in 1406 and died in 1481,’ the General read from Dr Innocenti’s guide-book, and then explained that this was the person who had painted the picture.