“Feel any better?” Pat asked.
“No,” he said. And, getting halfway up, lunged onto the next step.
“You look different. Not so upset.”
Joe said, “Because I can make it. I know that.”
“It’s not much further,” Pat agreed.
“Farther,” he corrected.
“You’re incredible. So trivial, so small. Even in your own death spasms you—” She corrected herself, catlike and clever. “Or what probably seem subjectively to you as death spasms. I shouldn’t have used that term, ‘death spasms.’ It might depress you. Try to be optimistic. Okay?”
“Just tell me,” he said. “How many steps. Left.”
“Six.” She slid away from him, gliding upward noiselessly, effortlessly. “No; sorry. Ten. Or is it nine? I think it’s nine.”
Again he climbed a step, then the next. And the next. He did not talk; he did not even try to see. Going by the hardness of the surface against which he rested, he crept snail-like from step to step, feeling a kind of skill develop in him, an ability to tell exactly how to exert himself, how to use his nearly bankrupt power.
“Almost there,” Pat said cheerily from above him. “What do you have to say, Joe? Any comments on your great climb? The greatest climb in the history of man. No, that’s not true. Wendy and Al and Edie and Fred Zafsky did it before you. But this is the only one I’ve actually watched.”
Joe said, “Why me?”
“I want to watch you, Joe, because of your low-class little scheme back in Zurich. Of having Wendy Wright spend the night with you in your hotel room. Now, tonight, this will be different. You’ll be alone.”
“That night, too,” Joe said, “I was. Alone.” Another step. He coughed convulsively, and out of him, in drops hurled from his streaked face, his remaining capacity expelled itself uselessly.
“She was there; not in your bed but in the room somewhere. You slept through it, though.” Pat laughed.
“I’m trying,” Joe said. “Not to cough.” He made it up two more steps and knew that he had almost reached the top. How long had he been on the stairs? he wondered. No way for him to tell.
He discovered then, with a shock, that he had become cold as well as exhausted. When had this happened? he asked himself. Sometime in the past; it had infiltrated so gradually that before now he had not noticed it. Oh, god, he said to himself and shivered frantically. His bones seemed almost to quake. Worse than on Luna, far worse. Worse, too, than the chill which had hung over his hotel room in Zurich. Those had been harbingers.
Metabolism, he reflected, is a burning process, an active furnace. When it ceases to function, life is over. They must be wrong about hell, he said to himself. Hell is cold; everything there is cold. The body means weight and heat; now weight is a force which I am succumbing to, and heat, my heat, is slipping away. And, unless I become reborn, it will never return. This is the destiny of the universe, so at least I won’t be alone.
But he felt alone. It’s overtaking me too soon, he realized. The proper time hasn’t come; something has hurried this up—some conniving thing has accelerated it, out of malice and curiosity: a polymorphic, perverse agency which likes to watch. An infantile, retarded entity which enjoys what’s happening. It has crushed me like a bent-legged insect, he said to himself. A simple bug which does nothing but hug the earth. Which can never fly or escape. Can only descend step by step into what is deranged and foul. Into the world of the tomb which a perverse entity surrounded by its own filth inhabits. The thing we call Pat.
“Do you have your key?” Pat asked. “To your room? Think how awful you’d feel to get up to the second floor and find you had lost your key and couldn’t get into your room.”
“I have it.” He groped in his pockets.
His coat ripped away, tattered and in shreds; it fell from him and, from its top pocket, the key slid. It fell two steps down, below him. Beyond reach.
Pat said briskly, “I’ll get it for you.” Darting by him she scooped up the key, held it to the light to examine it, then laid it at the top of the flight of stairs, on the railing. “Right up here,” she said, “where you can reach it when you’re through climbing. Your reward. The room, I think, is to the left, about four doors down the hall. You’ll have to move slowly, but it’ll be a lot easier once you’re off the stairs. Once you don’t have to climb.”
“I can see,” he said. “The key. And the top. I can see the top of the stairs.” With both arms grasping the bannister he dragged himself upward, ascended three steps in one agonizing expenditure of himself. He felt it deplete him; the weight on him grew, the cold grew, and the substantiality of himself waned. But—
He had reached the top.
“Goodby, Joe,” Pat said. She hovered over him, kneeling slightly so that he could see her face. “You don’t want Don Denny bursting in, do you? A doctor won’t be able to help you. So I’ll tell him that I got the hotel people to call a cab and that you’re on your way across town to a hospital. That way you won’t be bothered. You can be entirely by yourself. Do you agree?”
“Yes,” he said.
“Here’s the key.” She pushed the cold metal thing into his hand, closed his fingers about it. “Keep your chin up, as they say here in ’39. Don’t take any wooden nickels. They say that too.” She slipped away then, onto her feet; for an instant she stood there, scrutinizing him, and then she darted off down the hall to the elevator. He saw her press the button, wait; he saw the doors slide open, and then Pat disappeared.
Gripping the key, he rose lurchingly to a crouched position. He balanced himself against the far wall of the corridor, then turned to the left and began to walk step by step, still supporting himself by means of the wall. Darkness, he thought. It isn’t lit. He squeezed his eyes shut, opened them, blinked. Sweat from his face still blinded him, still stung; he could not tell if the corridor were genuinely dark or whether his power of sight was fading out.
By the time he reached the first door he had been reduced to crawling; he tilted his head up, sought for the number on the door. No, not this one. He crept on.
When he found the proper door he had to stand erect, propped up, to insert the key in the lock. The effort finished him. The key still in his hand, he fell; his head struck the door and he flopped back onto the dust-choked carpet, smelling the odor of age and wear and frigid death. I can’t get in the room, he realized. I can’t stand up any more.
But he had to. Out here he could be seen.
Gripping the knob with both hands he tugged himself onto his feet one more time. He rested his weight entirely against the door as he tremblingly poked the key in the direction of the knob and the lock; this way, once he had turned the key, the door would fall open and he would be inside. And then, he thought, if I can close the door after me and if I can get to the bed, it’ll be over.
The lock grated. The metal unit hauled itself back. The door opened and he pitched forward, arms extended. The floor rose toward him and he made out shapes in the carpet, swirls and designs and floral entities in red and gold, but worn into roughness and lusterlessness; the colors had dimmed, and as he struck the floor, feeling little if any pain, he thought, This is very old, this room. When this place was first built they probably did use an open iron cage for an elevator. So I saw the actual elevator, he said to himself, the authentic, original one.
He lay for a time, and then, as if called, summoned into motion, stirred. He lifted himself up onto his knees, placed his hands flat before him… My hands, he thought, good god. Parchment hands, yellow and knobby, like the ass of a cooked, dry turkey. Bristly skin, not like human skin; pin-feathers, as if I’ve devolved back millions of years to something that flies and coasts, using its skin as a sail.