"I am afraid to go to school," Piu said, shaking her head and covering her eyes with her hands.
It was not my intention to reassure them, but it seemed cruel not to. "Look, I know how you feel. A few kids might laugh in the beginning, but it doesn't matter. They laughed at me, too. I came here from Bombay when I was sixteen and had to figure things out all over again. I was born here but it was still hard, leaving and then coming back again."
"It was before your mother died?" Piu asked. She asked this reverently, a bit sadly, as if she'd actually known my mother, or perhaps because it reminded her of her father, I could not tell.
I nodded.
"What was she like?"
"She was-she was my mother," I said, caught offguard by the question. I felt suddenly vulnerable in front of two little girls I'd known less than a day and yet who understood me better, in many ways, than friends who had known me for years. Four years ago my mother would have been the one sitting across from me, sipping her tea, complaining how tasteless it was, after one of our windy walks along the beach.
"Do you have a picture of her?" Rupa asked. For a moment her gaze held mine.
"No," I lied, not wanting to show them the one I carried stuffed behind the ID cards in my wallet. It had been taken during a party in our flat in Bombay, long before her illness, from such a distance that it gave little impression of her face. I had put the photograph, cut down to size, into my wallet after she died, but since then I had never taken it out to look at it.
"Why is there no picture of her in the house?" Rupa asked.
"My father didn't want any."
"Ma has been looking," Piu said. "She has looked in every room. But she cannot find one."
Chitra was sitting on the window seat when we got back, watching for my car. The anxiety in her face was obvious, but she didn't ask what had taken us so long. Piu and Rupa didn't give her a chance, rushing up as if they hadn't seen her for days, handing her the donuts and telling her what a fun trip it was, how generous I'd been, Piu reporting that they'd paid for the donuts themselves. It was obvious that the girls liked me and that, because of her daughters' approval, Chitra was willing to like me, too. But I needed to be alone. The open plan of the house meant it was impossible to watch television or listen to music without engaging with them. Instead I sat on the bed in the guestroom, looking at the yard and leafing through the Globe. Then I went for a run, five cold miles on the winding roads. When I returned, they were eating a heavy Bengali lunch, hunched over plates of rice and dal and the previous night's leftovers. I turned down Chitra's invitation to join them and instead, after my shower, dragged the phone into the guestroom and called Jessica.
"Why don't you just come here?" she suggested. I wished I could, wished I could simply get into my car and drive to her parents' home. But I wasn't capable of walking out, not yet. When I went to return the phone to its place in the hallway, I realized that they were all upstairs, napping, the way my relatives did in India. For the first time since my arrival I stretched out on the sectional, to watch television, and without meaning to I fell asleep myself. They were downstairs when I woke up, within arm's reach but behaving as if I were not there. It was already getting dark outside, the arcing lamp spreading its light over the cocktail table. The channel had been changed to a talk show. Chitra was combing and retying the girls' hair and then proceeded to comb her own. She worked through it with her fingers, a stunning mass that had been contained, until now, in a braid, the smooth strands cascading nearly to her waist. The sight of it repulsed me; I could not help thinking of the hair that had fallen out in clumps from my mother's head, the awful wig she'd worn even in the hospital, up until the day she died, that artificial part of her more healthy-looking than anything else.
Rupa sat behind Chitra, massaging her mother's scalp and plucking out a few gray hairs while Chitra leaned back and closed her eyes. I gathered that this was a regular routine, something that took place without the need for instructions or comment. I sat up and watched, imagining the rest of Chitra's hair turning gray one day, imagining her growing into an old woman alongside my father the way my mother was meant to. That thought made me conscious, formally, of my hatred of her. As if aware of what I was thinking, Chitra opened her eyes and looked at me, embarrassed, quickly gathering her hair around her hand. She got up and went to the kitchen, returning a few minutes later with a pot of tea and cups of Ovaltine on a tray. There were two types of chanachur in cereal bowls, and on a small plate, a donut cut into four pieces.
"Now will you take tea?" she asked me.
I accepted, lifting from the tray the cup she'd already prepared, with separately heated milk and too much sugar.
"This is from Haldiram," she said, passing me one of the cer-eral bowls. "Best in all Calcutta."
"No, thank you."
"This room is cold," she continued. "The wind comes straight through the glass. Why aren't there curtains?" "It would spoil the view," I said.
"The steps are also slippery." She pointed to the floating staircase leading to the second floor. "And there is no railing. I am afraid Rupa and Piu will fall."
I turned to look at the thick pieces of wood arranged like empty shelves ascending the white walls. Even at her weakest, my mother had gone up and down them without protest.
"Why is there no railing?" Chitra repeated.
"Because we liked it that way," I said, aware that I sounded pedantic. "Because that's what makes it beautiful."
We had nothing else to say to one another. We sat and watched one program and then the next as Chitra worked on something with a crochet hook, and I wondered how I was going to survive the next four weeks in her company. We were all waiting for my father, waiting for him to return and explain, if only by his presence, why we were sitting together drinking tea. When he did, he asked me to give him a hand outside; there was a Christmas tree tied to the roof of his car. "I would have gone tomorrow," I said, helping him to untie the rope that held it in place. I was without gloves, a fact that made the task, in the frigid evening air, both easy and painful. We dragged the tree inside and propped it in one corner of the living room, next to the high stone fireplace. Chitra and the girls gathered around.
"But it's just like all the other trees outside," Chitra said, pointing through the glass wall.
"It's different, actually." I said. "On the property we have pine trees. This is a spruce."
Somewhere in the basement there was a box, my father said, containing the stand, the lights, ornaments to hang from the branches. They were from our first winter in the house, the last
Christmas my mother celebrated, and I was surprised my father hadn't tossed them out. He asked me to go down and look for the box. Our basement lacked the sedimented clutter of most, given that we'd lived in the house only a handful of years and that for most of that time my mother had been dead and I had been away at college. There had been no period of haphazard accumulation, only events that had caused things to be taken away. Still, there were a number of boxes stacked up against the walls, empty ones that once contained the television and the stereo speakers, others still taped up, full of inessential items my parents had had shipped from Bombay and never bothered to unpack.
I slit the tape with my car key and lifted the flaps of a few of the boxes. One contained old engineering books of my father's. Another had a dinner set wrapped in pages of The Times of India, plates I had eaten off for years but forgotten until now, with a pattern of small orange diamonds around the rim. I found my enlarger, tongs, a set of trays, and old bottles of fixer for the darkroom I'd set up during my last year of high school. There were times my mother came down and kept me company, sitting quietly in the blackness as I struggled to load film onto the developing reel. Together we would breathe in the chemical smells, their corrosiveness, from which my hands were protected by rubber gloves, nothing compared to what was taking place inside her body. She would keep time for me with her watch, familiarizing herself with the process enough to be able to tell me when to pour the series of fluids in and out of the processing tank, both of us knowing that I'd have to buy a timer, eventually. "It must be something like this," she said once in that perfectly dark, silent, sealed-up space, and I understood without her saying so that she was imagining what it might be like to be dead. "This is how I want to think of it."