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Saturday mornings, instead of working, she would go to the Campo de' Fiori, watching the stylish mothers in their high heels and jewels and quilted jackets pushing strollers and buying vegetables by the kilo. These women, with their rich, loose tangles of hair, their sunglasses concealing no wrinkles, were younger than Hema, but she felt inexperienced in their company, innocent of the responsibilities of rearing children and running a household and haggling flirtatiously with vegetable vendors. She had grown used to this feeling over the years with Julian-her position as the other woman, which had felt so sophisticated when their affair began, was actually a holding pen that kept her from growing up. She had denied herself the pleasure of openly sharing life with the person she loved, denied herself even the possibility of thinking about children. But Navin had changed that, too. They were both aware of her age, and as soon as they were married, Navin told her, he was eager to begin a family.

One day after lunch, feeling energetic, she walked all the way to Piazza del Popolo, and then over to the Villa Giulia for another visit. In the museum she was moved once again by the ancient cups and spoons, still intact, that had once touched people's lips; the fibulae that had fastened their clothes, the thin wands with which they had applied perfume to their skin. But this time, looking at the giant sarcophagus of the bride and groom enclosed in a box of glass, she found herself in tears. She couldn't help but think of Navin. Like the young smiling couple sitting affectionately on top of a shared casket, there was something dead about the marriage she was about to enter into. And though she knew it had every chance, over the years, of coming to life, on her way home, in the yellow light of evening, she was conscious only of its deadness. She shopped for her dinner in an alimentari on Via dei Giubbonari, and now she carried a bag containing lettuce, a box of spaghetti, and mushrooms and cream to turn into a sauce. She walked through the studded doorway of Giovanna's building, past a window like a ticket booth where one of two porters greeted her each day as she left and returned. In the courtyard a stone lion continually poured water from his mouth. And then up the stone steps, unlit, unyielding beneath her tired feet, three generous flights that felt like ten.

In the long hallway of Giovanna's apartment she saw the answering machine blinking. She played back the tape. It was not Navin's voice but a friend of Giovanna's. Normally these friends left messages in Italian that Giovanna retrieved from Berlin. But this message, in English, was for Hema. It was a person named Edo, a name she recognized from Giovanna's list of people to call. For weeks, Edo said in his message, he had been expecting Hema to get in touch. Was everything all right? He sounded kind, and genuinely distressed enough for Hema to return the call. She assured Edo that all was well, and because she had no other excuse, she accepted his invitation to have lunch with him and his wife the following Sunday.

Edo's wife, Paola, was a photo editor at L'Espresso, but Kaushik had met her in Netanya, a resort town on the Israeli coast, where they'd both gone to cover the bombing of a hotel banquet hall, the victims about to begin their Passover meal. It was only rarely that he worked in Italy, the odd photo essay about Senegalese immigrants in Brescia, or shots of the nineteen caskets containing the soldiers in Iraq being carried past the Colosseum. For most of the past five years, Rome had simply been a place from which to get to where he needed to go, and if he looked back at his pocket calendars, each with their three hundred and sixty-five sky-blue pages, and counted the days, he could have confirmed that most of them had been spent taking pictures in Gaza and the West Bank.

His life as a photojournalist had begun nearly twenty years ago. He was wandering through Latin America in 1987, living off the money his father gave him after he graduated from college. He'd gone with his friend Douglas, and they began in Tijuana, hoping to end up in Patagonia. They spent a few months in Mexico, working their way south, through Guatemala and then into El Salvador. And it was there that Douglas decided he'd had enough of Central America, enough of being harassed for looking so obviously American, and bought a ticket to Madrid. Like the Mexicans and Guatemalans, the Sal-vadorans were never sure what to make of Kaushik, not the soldiers who patrolled the streets with guns nearly as big as their bodies, not the children who posed eagerly for pictures when they saw him with his camera. He began to explore the country alone, a country that was smaller, he'd read in his guidebook, than Massachusetts. He took pictures of the volcano that loomed west of the capital, buildings pocked by bullets and cracked in half by the earthquake earlier that year.

He'd never been in a place so obviously at war with itself. He'd understood, in Guatemala, that the guerrillas were active, gathered from other backpackers that there were parts of the country to avoid. An overnight bus he and Douglas took to Tikal was stopped, and they and the rest of the passengers were ordered to step out and show their passports, flashlights aimed at their faces by a group of drunken checkpoint guards. One of the guards asked to see Douglas's wallet, took the cash, and tossed the wallet back in Douglas's face. In Guatemala, that had been the worst of it. But in El Salvador things were more violent, more gruesome, the tourists more scarce. In Santa Ana, Kaushik befriended a Dutch journalist named Espen and began to travel around, absorbing the history of the conflict, the stories Espen told him of the death squads, decapitated bodies strewn on highways, teenagers hanging from trees with fingernails missing and thumbs tied behind their backs. With Espen he watched air force planes dropping bombs at night on FMLN territory, went to visit a refugee camp across the Hon-duran border. He absorbed the fear of the place and of its people, grew used to the sound of machine-gun fire, accepted as everyone did the fact that he could at any moment, anywhere, crossing a road or asleep at night, be killed. But he'd never felt afraid, back then, for himself.

While sitting with Espen one afternoon, eating lunch in a village outside Morazan, the table began to shake, dark stew spilling from bowls. By then he'd grown used to occasional tremors, the earth's violence yielding a moment's pause. They picked up their spoons, continued eating, but then people began exclaiming, running past them through the small square. He and Espen leapt up, following the crowd, thinking perhaps a building had fallen, but the commotion had nothing to do with the tremors. They turned a corner to see a young man lying on the street. He'd been shot in the head, blood pouring like a slowly widening river away from his skull, but not a speck of blood, or even dirt, Kaushik still remembered, staining his tan shirt and trousers. He was curled on the pavement, eyes closed as if napping, the faintest sound escaping from his throat, a cheap gold watch telling the time on his wrist.