After breakfast they walked over to the boat. The owner, a bare-chested teenage Thai boy wearing long red shorts, was clearing it of leaves and withered frangipani petals. Two small lime-colored frogs hopped out, leaping onto the sand. Henrik scooped up one in each of his large hands and brought them over to his children, who began chasing the frogs around in circles, their heads bent toward the ground. The Thai boy began to pull the boat into the water, Kaushik following, white foam like soap suds hissing around his ankles. He had brought one of his cameras, wearing it around his neck. Henrik had an extra set of snorkeling gear, in case Kaushik changed his mind.
They got into the boat, the boy taking his place at the front. On the beach Henrik's wife raised a thin arm from where she was sitting, gave a lazy wave. The children looked up briefly as Henrik and Kaushik settled themselves inside. There was plenty of room on board, and when Henrik called out to his wife and said something in Swedish, pointing to the empty seats, Kaushik guessed that it was to ask her and the children to join them. But she replied in the negative, shaking her head and retreating behind one of her magazines.
He experienced a moment's nervousness because Henrik was so large, but the boat absorbed their shared weight. The Thai boy lifted his oar and they began to move. Kaushik felt the swell of the sea beneath the hull, close to his body, not touching him but penetrating him at the same time. The resort retreated from view, the bungalows beneath the palms and the darting forms of Henrik's children turning to specks, the familiar coastline curving away like a flat smiling beast. The boy spoke a little English, told Henrik about a school of parrotfish he'd seen the day before. The morning sun was already strong, and after a while Henrik took off his shirt. Kaushik looked at Henrik's broad pink back, glistening with sweat. They were skirting an abandoned cove. "It's getting hot," Henrik said. He tapped the boy on the shoulder. "I take a dip here to cool off."
The boy nodded, rested his oar. Henrik dived over the edge of the boat and started to swim, his ungainly body turning graceful as it cut through the water with swift, skillful strokes. And alongside Henrik, for a moment, Kaushik saw his mother also swimming, saw her body still vital, a brief blur that passed as effortlessly as the iridescent fish darting from time to time beneath the boat. His torso cast a shadow into the sea. He thought of the thin bronze sculpture of the boy he'd seen with Hema in Volterra, in the Etruscan Museum. It was called L' Ombra della Sera: the Shadow of Evening. But in Khao Lak it was morning, the sun burning down on Kaushik, his shadow still in proportion to his body.
When he looked up, he saw that the boy had guided them close to shore. Henrik emerged from the water, waded clumsily toward the deserted cove. The white sand was spotless, limestone cliffs looming behind. Kaushik lifted the camera to his face, took a picture, and set the camera down at his feet. He dipped his hands into the water, cooling off his neck and face, not expecting its salty taste. Then he unbuttoned his shirt, felt the sun strike his skin. He wanted to swim to the cove as Hen-rik had, to show his mother he was not afraid. He took off his sunglasses, leaving them in the boat next to his camera. The speck in his vision rose and fell, erasing its random trail. He held on to the edge of the boat, swinging his legs over the side, lowering himself. The sea was as warm and welcoming as a bath. His feet touched the bottom, and so he let go.
All day I was oblivious. I was out with my mother and two aunts, being fitted for blouses, selecting jewels. We had spent hours on a thin futon, drinking Cokes and eating mutton rolls, as men in a sari shop unfolded the greater part of their inventory. I went along with all of it, chose a red Benarasi to wear. But the whole time I was thinking of you, fearful of the mistake I was making. I was still slightly jet-lagged, hungry for meals we were used to eating together, for the taste of good coffee and wine. On the crowded street, walking back to my parents' flat off Triangular Park, I searched foolishly for your face. "A terrible thing has happened," the gatekeeper told us when we arrived.
On television, in a pink sitting room with stark fluorescent light, I saw images of the Indian and Sri Lankan coastline, glimpses from vacationers' video cameras never intended to capture such a thing. I saw a massive surge of water moving so quickly that the tape seemed to be playing at an unnatural speed. At first it was only the damage in South India and Sri Lanka I was aware of, the fishing villages that had been obliterated, tourists stranded on Vivekananda's Rock. And then I learned that Thailand had also been hit very badly.
I did not know where you were in Thailand, only that you planned to be on a beach. I had not asked you the details, thinking, as I prepared to leave you, that such information would make it worse. The next morning I went to the newsstand and bought the papers, studying every picture, looking for your name in one of the credits, hoping you had been lucky and that you had continued to do your work. I went to an Internet center, drew up your Web site. I saw the last images you had posted. A faint sliver of the shoreline we had seen from Volterra. Three blackened faces, supposed to be Etruscan divinities, that loomed over our heads. And then, scenes of another coast. Two children playing, a gentle turquoise sea.
At the end of that week, Navin arrived to marry me. I was repulsed by the sight of him, not because I had betrayed him but because he still breathed, because he was there for me and had countless more days to live. And yet without his even realizing it, firmly but without force, Navin pulled me away from you, as the final gust of autumn wind pulls the last leaves from the trees. We were married, we were blessed, my hand was placed on top of his, and the ends of our clothing were knotted together. I felt the weight of each ritual, felt the ground once more underfoot. Our honeymoon in Goa was canceled. Navin said it didn't feel right to swim in the polluted waters that surrounded India at that time.
I returned to my existence, the existence I had chosen instead of you. It was another winter in Massachusetts, thirty years after you and your parents had first gone away. In February, Giovanna got in touch to say she had heard the news from Paola. A small obituary ran in The New York Times. By then I needed no proof of your absence from the world; I felt it as plainly and implacably as the cells that were gathering and shaping themselves in my body. Those cold, dark days I spent in bed, unable to speak, burning with new life but mourning your death, went unquestioned by Navin, who had already begun to take a quiet pride in my condition. My mother, who called often from India to check on me, had heard, too. "Remember the Chaudhuris, the family that once stayed with us?" she began. It might have been your child but this was not the case. We had been careful, and you had left nothing behind.
A Note About the Author
Jhumpa Lahiri's debut collection, Interpreter of Maladies, won the 2000 Pulitzer Prize for fiction, as well as the PEN/Hemingway Award, the New Yorker Debut of the Year, and an Addison M. Metcalf Award from the American Academy of Arts and Letters. It was an international best seller, translated into more than thirty languages. The Namesake, her first novel, was a New York Times Notable Book, a finalist for the Los Angeles Times Book Prize, and was selected as one of the best books of the year by USA Today and Entertainment Weekly, among others. Ms. Lahiri was the recipient of a Guggenheim Fellowship in 2002, and a fellowship from the National Endowment for the Arts in 2006. She lives in Brooklyn, New York, with her husband and two children.
