Sofia worked quickly, concentrating hard, careful to keep the sound low, but her pulse missed a beat when the shadows abruptly grew paler around her. A light must have been turned on somewhere close. She edged stealthily back to the corner of the building, her body becoming part of its solid mass, and holding her breath she peered into the street.
The solitary light gleamed out at her like a warning. It came from the window of a nearby izba. And as she watched, a man crossed inside the rectangle of yellow lamplight, a tall figure moving in a hurry, and then he was gone. A moment later the izba was plunged once more into darkness and the sound of a front door shutting reached her ears.
What was he doing out so early? She hadn’t bargained on the village coming to life before dawn. Didn’t he sleep? A bat darted across her line of vision, making her jerk away awkwardly. Her hair felt slick on the back of her neck. The man’s footfalls sounded as clear as her own heartbeat in her ears and, watching from her hiding spot, she saw the figure pass. His determined stride and speed of movement made Sofia nervous, but still she crept forward to see more.
He was heading away from her down the street, picked out in detail by a brief trick of the moon. It allowed her to make out that his hair was clipped short and he was wearing a rough workman’s shirt, which struck her as odd because he moved with the easy assurance and confidence of someone who was used to a position of command. Sofia’s hand relaxed on the knife.
Could it be Vasily?
She almost stepped out into the street and called his name. Except of course it wouldn’t be the name she knew, it would be Mikhail Pashin, the name Anna had said he was using. ‘Mikhail Pashin,’ she whispered, but too softly for anything but the moon to hear. She struggled to subdue a wave of excitement and reined in an unruly surge of hope. Surely she couldn’t be so lucky? She scuttled along the front of the church and, as she peered out into the shadows that were wrapped round the village, her luck held and the moon gave up its flirting behind the clouds and emerged white and full, bathing the street in solid silver.
He was there, ahead of her, clearly outlined, moonlight robbing him of colour, so that he could have been a ghost. A ghost from the past. Is that what you are, Mikhail Pashin?
She saw him turn off the street up a steep rutted track that clung to the hillside, leading up to the vague outline of a long dark building, a form she could only just make out. She was tempted to follow his footsteps but something about him made her certain she would be discovered. There was an alertness about him that, even in the dim light, came off him like sparks.
She sank to the ground, waiting, invisible in the black overhang of the church, her back pressed firmly against the wall to keep her still. Her patience was rewarded ten minutes later when she heard the sound of a horse descending the track, its hooves lively on the dry earth. She exhaled with relief because the rider was the same man. He’d obviously been up to a stable and saddled his horse for an early morning start, his cropped hair and broad shoulders painted silver by the moonlight once again.
But to her surprise, behind him a man on foot was also trotting down the track, a small slight figure, middle-aged but very light on his feet. They were talking in low voices but there was a certain curtness in their manner towards each other that spoke of ill feeling. Sofia’s gaze remained fixed on the rider.
Anna. Her lips didn’t move but the words sounded sharp as ice in her head. I think I’ve found Mikhail Pashin.
Just then the two men reached the point where the rutted track joined the road, and the rider turned abruptly to the left without a word. The second man, the small one, turned right, but not before he had run the palm of his hand lovingly down the massive curve of the horse’s rump as it swung away from him. Then, with his shoulders lifting and falling repeatedly, as if he was trying to uncage a painful tension in his neck, he stood staring after the horse and man.
The only sound in the night was the clink of a bridle and the soft shuffle of hooves in the dirt.
‘Comrade Chairman Fomenko,’ the small man called out sharply, ‘don’t push the horse too hard today. His leg is still sore and needs-’
In response the rider shortened the reins and pushed the animal into a canter and then a gallop. Steadily, man and horse disappeared towards the far end of the village until their outline merged with the night and they were gone.
‘Comrade Chairman Fomenko,’ the small man growled once more, and spat fiercely into the dust. Alone in the street and with the lightness stolen from his step, he headed up the road towards where Sofia was hiding.
By now she was shaking. She slid away into the blackness behind the church and rested her burning cheek against its cool bricks. The rider wasn’t Vasily – or Mikhail Pashin – after all, but someone called Fomenko. Fomenko! Damn the man! And damn her own stupidity! She’d got it wrong. As she wrapped her arms round herself, disappointment lay like a cold lead coffin in her stomach.
What else had she got wrong?
8
‘The stranger is here. I can feel it. She’s close.’
The words vibrated in the dark room and stirred the night air inside the small izba at the far end of Tivil, where two dark-haired figures leaned close across a table within an uncertain circle of light. A measured sprinkle of aromatic powder sent a spiral of flashes swirling out from the single candle flame that burned before them. Together they inhaled its delicate fragrance.
‘I’ve drawn her close,’ Rafik murmured. ‘So close I can hear her heartbeat in Tivil.’
His hand hovered over a black cloth, on which lay a heavy crystal sphere. It gleamed, shimmered and seemed to pulse in the darkness as the gypsy’s hand circled above it, slow and attentive, listening to its voice.
‘What do you hear?’ whispered the olive-skinned girl.
‘I hear her heart tearing. I hear blood spilling, drop by drop, and yet… I hear her laughing.’ The sound was sweet as birdsong in his ears. ‘Now tell me, Zenia, what you see.’
The girl swirled the copper goblet that stood in front of her, so that the dark damp leaves inside it caught a glimmer of the wavering light. Rafik loved to watch his daughter at work, to observe the passion for it that burned in her black eyes as she bent close. Though her gypsy skills differed greatly from his own, they seemed to bring her greater joy than his ever brought to him. He could feel her excitement burst forth, filling the drab little room with life, yet at the same time she was as fragile as blossom in springtime. It pleased his soul and he gave thanks once more to the spirit of her long-dead mother. His own skills lay more like a heavy weight in his mind, like a meal that was too rich for the stomach and which had left it glutted and uncomfortable, churning over on itself on the edge of pain. That’s how his mind felt now.
‘Zenia, what do you see?’
‘I see danger, a dark grey coat of danger, trailing behind her as she comes to Tivil.’
Silence, cold as moonlight, settled in the room.
‘More?’ Rafik demanded.
The girl shook her tangle of wild black curls and shifted the goblet. She touched her lips to its rim and closed her eyes.
‘It’s wreathed in smoke,’ she breathed, but her eyelids fluttered, fast and fretful. ‘Behind the veil of smoke I see something else, something that sparkles brighter than the sun itself.’ She pursed her full red lips and shook her head to clear the image. ‘She seeks it, but it carries a shadow on it. It is the shadow of death.’
‘Does she understand why she is here?’
‘She understands so little…’
Her hand was starting to tremble and Rafik could sense the layers of darkness descending on her mind. Quickly he reached out, removed the warm goblet from her fingers and silently touched a finger to his daughter’s wide forehead. Her eyes brightened.