Gus pulled the framed miniature of his son from his knapsack, and even though it had been painted a full two years earlier, it remained a serviceable and most flatteringly remarkable likeness of the boy. Now he held the miniature in one hand and left the other hand free to curl itself into a fist for the purpose of rapping upon this Beyonder’s door.
The house was one of the two buildings that he had seen in the distance from the top of the ridge: a farmhouse. Once he had reached its grounds he could see, as well, the barn, which stood behind it, and the five or six cows that chewed the grass in a small adjoining paddock. Except for the unfamiliar construction of the house (there was a great amount of bright orange brick that gave the dwelling somewhat of a citrus look) and the strange slope of the roof of the barn, this could very well be a Dinglian farmstead, and it was for this reason that he had fixed his courage to approach it first to enquire about his son.
Gus, though set to knock, did not have to, for at that very moment, the inner door creaked open, and there before him stood a woman in perhaps her late sixties. She glared at Gus through the outer door, which was largely constructed of wire mesh. She brandished a small cast-iron skillet — an obviously improvised weapon of defence.
“What do you want?” sought the woman in a harsh and suspicious tone. “Why are you standing at my door? Are you putting literature in my door?”
“I beg your pardon?”
“Are you leaving me a tract?”
“No, kind woman. I have come only to ask you a question.”
“I accepted Jesus as my personal saviour when I was fourteen. There. I’ve answered your question. Go spread the good news somewhere else.”
“Who is it, Mama? Who are you talking to?” Gus couldn’t see the second speaker, whose voice sounded more youthful, for the suspicious older woman fully blocked his view into the house.
“Nobody. Go back to your book!” barked the brusque woman over her shoulder.
Now Gus could hear a series of thumps as the other person within the house moved haltingly to the door. From over the older woman’s shoulder, a young woman wearing curling-framed spectacles, her hair pinned severely to the top of her head, shewed Gus a friendlier look than did her elderly companion. “Hello,” she said. “Mama, let the man in. He wants to sell us something and we’ll listen.”
“We’ll do nothing of the kind!” snapped the older woman, adjusting her grip upon the skillet. “We don’t know what he wants.”
“Well, then ask him, Mama.”
The young woman’s eager look became ever the more anticipatory. She began to bob a little up and down as if she were stretching herself upon tiptoes and then down again by turns.
“So what do you want?” asked the old woman of Gus, without retiring her sullen, probing visage.
Augustus removed his cap in deference to the two women standing before him. “Begging your pardon, kind woman, I am looking for my son. He has gone missing for over ten days and we are fearful that something terrible has happened to him.”
Augustus held the miniature likeness out for the women to see.
“That’s him?” asked the old woman, peering through the wire mesh.
“Yes, madam,” said Gus. “He’s gained two years since this likeness was put down.”
“I don’t usually see too many boys around here,” said the older woman, softening a little in her address.“You’re probably looking in the wrong place.”
The younger woman now whispered something into the ear of the older woman. The older woman replied in a full voice: “Absolutely not, Annette! Those Milanos have to last until I can get back to Wegman’s.”
“He can have mine,” the young woman replied in an urgent undervoice. “Let’s have him in for tea and Milanos, Mama, please.”
The older woman shook her head. “I’m not in the mood for company to-day, Annette, and you are perfectly free to leave this house and see whoever you want. You aren’t a prisoner here. There are plenty of people who have overcome their agoraphobia when they finally decide to set their minds to it. And they have gone on to live rich and productive lives.”
The younger woman began to sniff, her eyes to tear up.
The older woman sighed. “What’s your name?” she asked Gus.
“Augustus Trimmers.”
“Where’s your car? I don’t see it.”
“Car?”
“Did you come on foot?”
“Yes.”
“How long have you been looking for your boy?”
“Since early this morning.”
“Your son’s been lost for ten days and you’ve just now started your search? What kind of father are you? Where do you live?”
Gus turned and pointed. “On the other side of that ridge.”
The woman rolled her eyes. “Another one of those. Annette, he’s all yours. Another mooncalf you can put into your bizarro-land scrapbook.” The woman stepped aside to allow her daughter to open the door. Gus could see now with a full view that the young woman wore harnessing metalwork upon each leg. Perhaps, he thought, the metalwork helps her to walk better.
“Meet my nutty daughter Annette. You’ll have a delightful time together. I’ll be in the barn.”
Annette held open the door with the wire-mesh so that the older woman could leave and Gus could enter. Annette was most welcoming. The bit of rubber carpeting upon her porch, which confirmed the sentiment, must certainly have been placed there by her very own hand.
Newman ran as he had never run before. He had made a critical decision during the moment succeeding his assault: that he should abandon his search for the Dinglian snake handler who would not, at all events, have been able to save him from the consequences of his attack upon the malefic Outlander. It made Newman sad to think that he had come so close to meeting the old Dinglian only to see his plan so thoroughly scotched by life-threatening circumstances. But the sadness was quickly displaced by the terrible fear that the danger had engendered within him.
Flinging open the rear door, Newman was met by the warmth and light of the strong summer sun. A pebbled path lay before him — a path immediately secured by his swift tread — a path which propelled him past pens of sunning giant tortoises and sunning, langourous crocodiles and sunning, sluggish snakes of all lengths and sizes. Newman had seen a rattlesnake or two in his short lifetime, but that was the extent of his personal encounters with dangerous animals of reptilia class. He ached to stop and view them, as would any boy of his age (for there has always been a curious affinity between boys and reptiles), but there wasn’t time for him to do anything now but run — run as if his life depended upon it (which he was certain now that it did).
There were children upon the path — the same children who had ridden the omnibus with him. Some were laughing and gamboling about; others had stopt to gawk at the penned creatures. There were others not from the omnibus — both children and adults — who stood pointing and observing and remarking, each oblivious to what had just happened inside the building that had first disgorged them. They will soon know, thought Newman, and the chaos and confusion that should ensue will help my cause. Newman wished that he could unlatch the wickets to the crocodile pens to unleash further pell-mell to better his chance for escape, but he knew not exactly how such a thing was done. Instead, he began to do that one thing that he was fully capable of doing to achieve similar results: he began to cry with the full force of his hardy, youthful lungs: “Snake! Murderous escaped snake on the loose!”