I could imagine the motionless dumb figure of the mother in her chair, there, behind the door, near which the daughter was talking to me. The silence in there seemed to call aloud for vengeance against an historical fact and the modern instances of its working. That view flashed through my mind, but I could not doubt that Miss Haldin had had an atrocious time of it. I quite understood when she said that she could not face the night upon the impression of that scene. Mrs. Haldin had given way to most awful imaginings, to most fantastic and cruel suspicions. All this had to be lulled at all costs and without loss of time. It was no shock to me to learn that Miss Haldin had said to her, "I will go and bring him here at once." There was nothing absurd in that cry, no exaggeration of sentiment. I was not even doubtful in my "Very well, but how?"
It was perfectly right that she should think of me, but what could I do in my ignorance of Mr. Razumov's quarters.
"And to think he may be living near by, within a stone's-throw, perhaps!" she exclaimed.
I doubted it; but I would have gone off cheerfully to fetch him from the other end of Geneva. I suppose she was certain of my readiness, since her first thought was to come to me. But the service she meant to ask of me really was to accompany her to the Chateau Borel.
I had an unpleasant mental vision of the dark road, of the sombre grounds, and the desolately suspicious aspect of that home of necromancy and intrigue and feminist adoration. I objected that Madame de S— most likely would know nothing of what we wanted to find out. Neither did I think it likely that the young man would be found there. I remembered my glimpse of his face, and somehow gained the conviction that a man who looked worse than if he had seen the dead would want to shut himself up somewhere where he could be alone. I felt a strange certitude that Mr. Razumov was going home when I saw him.
"It is really of Peter Ivanovitch that I was thinking," said Miss Haldin quietly.
Ah! He, of course, would know. I looked at my watch. It was twenty minutes past nine only.... Still.
"I would try his hotel, then," I advised. "He has rooms at the Cosmopolitan, somewhere on the top floor."
I did not offer to go by myself, simply from mistrust of the reception I should meet with. But I suggested the faithful Anna, with a note asking for the information.
Anna was still waiting by the door at the other end of the room, and we two discussed the matter in whispers. Miss Haldin thought she must go herself. Anna was timid and slow. Time would be lost in bringing back the answer, and from that point of view it was getting late, for it was by no means certain that Mr. Razumov lived near by.
"If I go myself," Miss Haldin argued, "I can go straight to him from the hotel. And in any case I should have to go out, because I must explain to Mr. Razumov personally—prepare him in a way. You have no idea of mother's state of mind."
Her colour came and went. She even thought that both for her mother's sake and for her own it was better that they should not be together for a little time. Anna, whom her mother liked, would be at hand.
"She could take her sewing into the room," Miss Haldin continued, leading the way to the door. Then, addressing in German the maid who opened it before us, "You may tell my mother that this gentleman called and is gone with me to find Mr. Razumov. She must not be uneasy if I am away for some length of time."
We passed out quickly into the street, and she took deep breaths of the cool night air. "I did not even ask you," she murmured.
"I should think not," I said, with a laugh. The manner of my reception by the great feminist could not be considered now. That he would be annoyed to see me, and probably treat me to some solemn insolence, I had no doubt, but I supposed that he would not absolutely dare to throw me out. And that was all I cared for. "Won't you take my arm?" I asked.
She did so in silence, and neither of us said anything worth recording till I let her go first into the great hall of the hotel. It was brilliantly lighted, and with a good many people lounging about.
"I could very well go up there without you," I suggested.
"I don't like to be left waiting in this place," she said in a low voice.
"I will come too."
I led her straight to the lift then. At the top floor the attendant directed us to the right: "End of the corridor."
The walls were white, the carpet red, electric lights blazed in profusion, and the emptiness, the silence, the closed doors all alike and numbered, made me think of the perfect order of some severely luxurious model penitentiary on the solitary confinement principle. Up there under the roof of that enormous pile for housing travellers no sound of any kind reached us, the thick crimson felt muffled our footsteps completely. We hastened on, not looking at each other till we found ourselves before the very last door of that long passage. Then our eyes met, and we stood thus for a moment lending ear to a faint murmur of voices inside.
"I suppose this is it," I whispered unnecessarily. I saw Miss Haldin's lips move without a sound, and after my sharp knock the murmur of voices inside ceased. A profound stillness lasted for a few seconds, and then the door was brusquely opened by a short, black-eyed woman in a red blouse, with a great lot of nearly white hair, done up negligently in an untidy and unpicturesque manner. Her thin, jetty eyebrows were drawn together. I learned afterwards with interest that she was the famous—or the notorious—Sophia Antonovna, but I was struck then by the quaint Mephistophelian character of her inquiring glance, because it was so curiously evil-less, so—I may say—un-devilish. It got softened still more as she looked up at Miss Haldin, who stated, in her rich, even voice, her wish to see Peter Ivanovitch for a moment.
"I am Miss Haldin," she added.
At this, with her brow completely smoothed out now, but without a word in answer, the woman in the red blouse walked away to a sofa and sat down, leaving the door wide open.
And from the sofa, her hands lying on her lap, she watched us enter, with her black, glittering eyes.
Miss Haldin advanced into the middle of the room; I, faithful to my part of mere attendant, remained by the door after closing it behind me. The room, quite a large one, but with a low ceiling, was scantily furnished, and an electric bulb with a porcelain shade pulled low down over a big table (with a very large map spread on it) left its distant parts in a dim, artificial twilight. Peter Ivanovitch was not to be seen, neither was Mr. Razumov present. But, on the sofa, near Sophia Antonovna, a bony-faced man with a goatee beard leaned forward with his hands on his knees, staring hard with a kindly expression. In a remote corner a broad, pale face and a bulky shape could be made out, uncouth, and as if insecure on the low seat on which it rested. The only person known to me was little Julius Laspara, who seemed to have been poring over the map, his feet twined tightly round the chair-legs. He got down briskly and bowed to Miss Haldin, looking absurdly like a hooknosed boy with a beautiful false pepper-and-salt beard. He advanced, offering his seat, which Miss Haldin declined. She had only come in for a moment to say a few words to Peter Ivanovitch.
His high-pitched voice became painfully audible in the room.
"Strangely enough, I was thinking of you this very afternoon, Natalia Victorovna. I met Mr. Razumov. I asked him to write me an article on anything he liked. You could translate it into English—with such a teacher."
He nodded complimentarily in my direction. At the name of Razumov an indescribable sound, a sort of feeble squeak, as of some angry small animal, was heard in the corner occupied by the man who seemed much too large for the chair on which he sat. I did not hear what Miss Haldin said. Laspara spoke again.
"It's time to do something, Natalia Victorovna. But I suppose you have your own ideas. Why not write something yourself? Suppose you came to see us soon? We could talk it over. Any advice..."