"We cannot cancel the performance," Moncharmin muttered. "Chagny shall be attending and everything must be in order."
Then before Christine could blink an eye, Madame Giry had whisked over from her management of the dancers and pulled her forward, thrusting her in front of the managers. "Miss Daaé will be a more-than-adequate replacement for La Carlotta this evening. Her singing has improved enormously in the last three months."
Monsieur Richard looked down at Christine, arching one brow as he scanned her simple chorus costume, patched where it had been burned by a careless hair-curling iron, and frayed at the skirt's hem. Christine's palms dampened as she clasped her hands together, uncertain whether to dread or hope. It was the chance she'd never thought she'd have. "One of the dancer girls? I do not see how—" .
"Come, Richard, it cannot hurt to give the girl a chance," Moncharmin prodded. "After all, who else is there?" He made a sweeping gesture for Christine to step forward onto the main part of the stage, then turned to the maestro and snapped an order for him to play.
Her throat so dry she wasn't sure any note would come forth, Christine walked to center stage, her full, calf-length skirt bouncing with each step. The platform, which pitched at a gentle slant from the back down toward the gaslights along the edge, seemed vast and frightening, despite the fact that the seats in the stalls were completely empty.
A few awkward notes as the violinists found their chairs again, and the cellist readied his bow, for the orchestra had left their seats when the accident with the backdrop occurred and had to get resettled… and then, as if she had waited an eternity, the melody.
She knew the music, and opened her mouth to sing, pushing her breath out as her angel had taught her, keeping her mouth rounded and her notes long and true until the end. As her song poured forth—hesitant at first, then a bit wobbly, then soft, then louder and clearer—Christine basked in the wonder of the most exciting moment of her seventeen years.
She closed her eyes, every detail of the beautiful Opera House printed on her memory, but in her imagination, she added people filling the rows of stalls that curved in an easy arch in front of the pit, and in the gallery beyond. The high, domed ceiling of the auditorium was painted with Lenepveu's colorful rendition of the Muses, dancing gracefully in a circle of clouds. In the center of the painting stretched a long chain from which hung a magnificent crystal chandelier.
Boxes with crimson interiors adorned the walls of the auditorium, the closest ones near enough that Christine would be able to see the detail of any female spectator's gown. Massive gold columns separated the boxes, and the front of each balcony was decorated with an ornate design of flowers, fleurs-de-lis, and cherubs. Above Christine's head, over the proscenium, trumpeted more angels with their elegant instruments.
Even if the managers did not let her sing tonight, she was standing on the stage and doing it: doing the thing she had dreamed of, fantasized about, since she was young.
If this was to be her only chance, he had prepared her well for it, and she would enjoy every moment of it. Christine had learned that things changed much too quickly in life, and to seize joy when it was offered… for it was much too rare and precious.
When she finished singing, Christine could not resist making a grand curtsy, though there was no audience to see her. When she straightened up, she glanced first at Madame Giry—whose stern face held the barest sketch of approval—and then at the skeptical Monsieur Richard.
He was smiling.
Now, as they prepared for the evening performance that was to celebrate the Opera House's two new managers, as well as its new patrons, Madame stood behind Christine and surveyed her in the floor-to-ceiling mirror.
"You look beautiful, Christine," she told her, critically examining her from the fall of the gown to the pile of dark hair at the top of her head. Their eyes met above the three busy costumiers that poked and prodded at Christine's headdress, her shoes, her flounces. "He will be very pleased."
At the mention of him, Christine felt the air stir in her small dressing room. It became warm, suddenly, yet the tip of her nose cooled; the hair on her arms lifted. Her cheeks burned while the shift in the air felt like a caress over the back of her bare shoulders and neck. If only her angel would show himself to her… come to her in person, instead of just in that hypnotic, pulling, beautiful voice he used when tutoring her in her singing.
"It is my greatest hope that I shall do so." She was looking at the mirror directly in front of her, the item that dominated the small, narrow dressing room. The room he had insisted she use now that she was no longer in the chorus, according to Madame Giry.
"Come, now, you have done with the fussing!" Madame snapped at the frithering girls, who seemed to have noticed a change in the air and were casting about in fright. "Out!"
She shepherded everyone out and, with her hand on the door, turned to look at Christine. "He wishes a moment with you before you sing."
Christine was startled. Their lessons, where he taught her to master her untutored voice and to feel the music throughout her entire being, occurred in the chapel, where she prayed for her father and mother, and where he had first spoken to her, or in the conservatoire. But never had he communicated with her at any other time. Would he speak to her now?
Madame was gone, and Christine stood in front of the mirror, looking at herself and the long expanse of empty chamber behind her. The light burned low and warm, yet the shadows loomed tall into the curved ceiling.
She felt him. He was there, her Ange de Musique, her Angel of Music.
The air trembled and the gas lamps blinked out with a soft pop. Her heart fluttered in her chest; her palms grew damp just as they had done this afternoon. Yet she did not move, but watched as what had been her reflection in the grand mirror slid into nothing but glinting shades of silver, gray, and black.
And then… something light and warm, heavy and gentle, brushed over the back of her shoulders, along the curved edge of the back of her dress. She released her breath, and the warmth closed over her skin. Her heart beat rapidly; he was there! He was in the room with her!
Leather—smooth, cool, pliable—fingered over her skin, the dip of her delicate bones, brushing the long bareness of her neck. Heat rushed in the wake of his touch, sending sharp pleasure down into the depths of her belly. She closed her eyes, drew in a shudder, and reached out for the cold glass of the mirror in front of her. Her hand imprinted on its unyielding chill, an anomaly from the warmth that burned against her back.
He breathed, standing behind her, and she felt his height, strength, darkness wrapping around her. "On the stage, you will sing for me this night."
As always, the timbre of his voice frightened her with its intensity, warmed her with its smooth cadence, teased her with its hint of mockery. It embodied the beauty of the music she loved so, with its rhythm and tone and its cool, unforgiving command. And tonight, instead of coming to her from some disembodied location, it was there, behind her, next to her. Touching her.
"I will." She started to turn, to face him, desperately wanting to see him… but his hands on her shoulders stopped her. Firmly. No.
She had never seen her ange, had heard him speak to her only in darkness such as this, or even in the low light of the conservatoire when she visited there alone to practice… in the chapel, when he sang in a low, ghostly murmur whilst she prayed for the soul of her lost father, and that of her mother, who'd died so long ago. Perhaps once she had felt him touch her, as he did tonight, but she had been sleeping and was not certain if it had been a dream.