For Jan, Eric & Robby, Keith & Thresa, Chris, Patricia, Marcia, Andrea, Mark, and all of my friends, who were there when I needed them most
ACKNOWLEDGMENTS
Like Camus Comprix, this book, and all the books and stories in the Unwind world, are given life by many people. First and foremost, I’d like to thank my editor, David Gale; associate editor, Navah Wolfe; and publisher, Justin Chanda, for their support, and for continuing to allow me to divide a sequel into a trilogy, and now into a four-book “dystology.” Many thanks to everyone at Simon & Schuster, including Jon Anderson, Anne Zafian, Paul Crichton, Lydia Finn, Michelle Fadlalla, Venessa Carson, Katrina Groover, and Chava Wolin. Many thanks also to Chloë Foglia who designed this wonderfully creepy cover!
I’d like to thank everyone who has supported me through this very eventful year—especially my children, Brendan, Jarrod, Joelle, and Erin; their mom, Elaine Jones; my “big sister,” Patricia McFall; my assistant, Marcia Blanco; and my good friend, Christine “Natasha” Goethals.
Thanks to the wonderful people who keep my career on track; my book agent, Andrea Brown; my entertainment industry agents, Steve Fisher and Debbie Deuble-Hill; my manager, Trevor Engelson; and my lawyers, Shep Rosenman and Lee Rosenbaum.
I am deeply indebted to Marc Benardout, Catherine Kimmel, Julian Stone, Charlotte Stout, and Faber Dewar, whose tireless efforts and belief in Unwind have resulted in a film deal for the entire book series—which couldn’t have happened without Robert Kulzer and Margo Klewans at Constantin Films, and their passion for these books.
Thanks to Michelle Knowlden, for her collaboration on “Unstrung,” and upcoming short stories in the Unwind world; Matthew Dierker and Wendy Doyle, for their work on my website; and Symone Powell, Tyler Hotlzman, Annie Wilson, Meara McNitt, Matthew Setzekorn, and Natalie Sommors, who began as fans and have gone on to help maintain a Facebook and Twitter presence for the Unwind world and its characters!
Cпасибо to Ludovika Fjortende and Michelle and Artie Shaykevich for translating Russian phrases, and to Stephanie Sandra Brown for her expertise in Portuguese.
And lastly owe a debt of gratitude to all the teachers and librarians who are bringing these books to kids and adults alike, as well as the readers and fans. It is your passionate word-of-mouth that makes all the difference in the world!
Part One
Flightless
“Surely this new medical technology will free us rather than enslave us, for it is my firm belief that human compassion outweighs human greed. To that end, I hereby found Proactive Citizenry to be a stalwart watchdog over the ethical use of neurografting. I am confident that abuses will be the exception rather than the rule.”
—Janson Rheinschild
“I am become death, the destroyer of worlds.”
—J. Robert Oppenheimer
The Rheinschilds
“They signed it. The Heartland War is over.”
Janson Rheinschild closes the front door, throws his coat on the sofa, and collapses into an armchair, as if all his joints have become internally undone. As if he’s been unwound from the inside out.
“You can’t be serious,” Sonia says. “No one in their right mind would sign that hideous Unwind Accord.”
He looks at her with a bitterness that isn’t meant for her, but it has nowhere else to go. “Who,” he asks, “has been in their right mind for the past nine years?”
She sits on the arm of the sofa as close to him as she can get and takes his hand. He grasps it with a sort of desperation, as if her hand is the only thing keeping him from the abyss.
“The new chairman of Proactive Citizenry, that narcissistic weasel Dandrich, called me before they made any official announcement, to let me know the accord was signed. He said that I should know first ‘out of respect.’ But you know as well as I do, he did it to gloat.”
“There’s no sense torturing yourself, Janson. It’s not your fault, and there’s nothing you can do about it.”
He pulls his hand away from her and glares. “You’re right—it’s not my fault. It’s our fault. We did this together, Sonia.”
She reacts as if he’s slapped her across the face. She doesn’t just turn away from him. She gets up and moves away, beginning to pace the room. Good, thinks Janson. She needs to feel a little bit of what I feel.
“I did nothing wrong,” she insists, “and neither did you!”
“We made it possible! Unwinding is based on our technology! Our research!”
“And it was stolen from us!”
Janson gets up from his chair, unable to bear even one sedentary moment. Sitting feels like acceptance. It feels like admitting failure. Next he’ll be lost in that armchair with a drink in his hands, swirling the ice to hear it clink, feeling the alcohol numbing him into submission. No, that’s not him. It will never be him.
There’s some shouting in the street. He looks out the living room window to see some neighborhood kids being rowdy with one another. “Ferals,” the news now calls them. Feral teens. “Something must be done about the feral teens this war has created,” the politicians bleat from their legislative pens. Well, what did they expect when educational funding was diverted to the war? How could they not know public education would fail? With no schools, no jobs, and nothing but time on their hands, what did they think these kids would do other than make trouble?
The mob in the street—barely a mob at all, numbering only four or five—passes without incident. They’ve never had trouble at their house even though theirs is the only home on the street without window bars and an iron security gate. On the other hand, several of the security doors on the street have been vandalized. These kids, they may be lacking in education since the school closures, but they’re not stupid. They see distrust all around them, and it makes them want to deliver their anger all the more. “How dare you distrust me?” their violence says. “You don’t know me.” But people are too wrapped up in their own fearful security measures to hear it.
Sonia comes up behind him now, wrapping her arms around him. He wants to accept her comfort, but can’t allow himself. He can’t be consoled or find a sense of peace until he’s undone this terrible wrong.
“Maybe it will be like the old Cold War,” Sonia suggests.
“How do you figure?”
“They have this new weapon,” she says, “unwinding. Maybe just the threat of it is enough. Maybe they’ll never actually use it.”
“A cold war implies a balance of power. What do these kids have if the authorities start unwinding them?”
Sonia sighs, finally seeing his point. “Not a chance in hell.”
Now at last he can take some comfort that she understands. That he’s not alone in seeing the murky depths to which this new law could lead.