The outsider craftsmen are confined to temporary housing around their projects, and are kept to a strict curfew. Most don't mind. Beyond clan territory, Sacred Valley is still wild, and they are accustomed to the ravages of weather and wild Remnants. Living in the security of a community is a luxury most cannot afford for long.
When the booths are arranged, the White Fox banners flying from the tallest homes, and the arena prepared, the clan is ready. The outsiders are paid and sent away as the other clans begin to arrive.
The Kazan announce their arrival with a host of trumpets when they are still miles away, and the ground rumbles under the impact of their advancing army. When banners flying the Stone Dogs are visible in the distance, streams of red flowing in the wind, the least dignified of the Wei gather to catch a glimpse of their visiting enemies. Most only see a Kazan clansman every seven years.
Every man, woman, and child of the Kazan wears armor, even where it could not possibly grant any protection. Women wear shadesilk dresses with a sleeve of delicately wrought mail, or plates sewn into the bodice. Men wear helmets over red robes, or wrap themselves in loose-fitting cloth with thick belts of iron and leather. Children carry shields, or run around in tiny breastplates.
All of the Kazan wear badges, of course, but these are seemingly crafted with perfection in mind as well; they are four or five times bigger than those of the Wei clan, so that the adults wear plates of copper or iron over their entire chests.
Even the mounts they ride, for those rich or important enough to afford mounts, are armored. They are stone dogs the size of horses, Forged constructs created by Soulsmiths, and every step of every paw strikes the earth like a drumstick. The bulkiest of these craghounds, as they are called, drag wagons behind them—wagons laden with the goods of Mount Venture. Halfsilver ingots, sky-iron statuettes, and goldsteel blades flash in the sun, delighting the eyes of the Wei children.
The families of the White Fox mock the incoming Kazan for their blunt ways, for their lack of subtlety, for their obvious stupidity. The Wei clan will rule their lands soon, as it once was, and as it is meant to be again.
The Li clan is too sophisticated for trumpets. They unleash Remnants to fly around their heads as they approach, swift jade hawks and shining silver butterflies and twin-headed crimson eagles, all trailing lines of vivid color behind them in the sky. The display is a delicate tapestry woven among the clouds, accompanied by music from the most accomplished Li performers. Flutes and stringed instruments drift in sweet tones around the Remnants' dance, leading some Wei children to laugh in delight. They will be reprimanded by their parents later.
There are no wagons visible among the Li at first, as their mounts and cargo will be taking up the rear. They will present nothing unsightly to their enemies. Those of the Jade stage march in the first rank, their badges displayed proudly among necklaces of gold and silver. Those most honored in the Li clan are also the most bedecked in jewels, with Jade elders wearing five rings in each ear and two on each finger.
The ranks of Iron and Copper follow Jade, though only the best of each stage are represented here. Those who have stagnated at their level for too long are miles behind, with the pack animals and the children, to arrive with no fanfare and no apparent connection to those who have gone before.
Each Copper carries a tall wooden branch, unpolished and uncarved. At the height of this branch is a green banner. When the Coppers raise their branches together, it is as though they march in the center of a forest, with leaves blowing over their heads. A few of the most outstanding Coppers have snakes carved into their branches, as the Tree and the Serpent are the symbols of the Li clan.
Mothers and fathers of the Wei families lean over their children, pointing out the ostentatious jewelry, which flash in the gleaming Remnant rainbow overhead. This is vanity, pride, and arrogance. Only the truly strong deserve to be arrogant, and the Li clansmen think too much of themselves. With such displays, they will someday provoke a power much greater than their own, and that will be their downfall.
At the same time and in the same voices, the Li and the Kazan mock the Wei in their own ways, and for their own reasons. Such is as it has been for a hundred generations.
For all its talk of humility, the Wei clan will not lose to its guests. And masters of illusion are, after all, masters of presentation.
The gates of the Wei clan—newly constructed for the occasion, and carved with purple flowers and white foxes—peel open under the strength of invisible chains. The Li display is put to shame when the sky explodes in sound and color, foxfire popping in purple flares and raining down among the visitors in a million harmless sparks. A legion of phantom snowfoxes wait on their haunches, lined up along the street of the clan as the Li and the Kazan enter. The eyes of the foxes follow each stranger, even as illusionary cheers fill the atmosphere. Flower petals of pink and white and purple spin on the wind, and sweet scents fall from the sky as though the air itself has been perfumed.
The Wei swell with pride as they watch this coordinated masterpiece of White Fox madra, and the elders—their conductors—nod to each other in satisfaction. They have outdone their rivals in hospitality, welcoming them in a fashion appropriate for receiving an imperial procession.
In their minds, this is more than their enemies deserve.
Suggested topic: the fate of the current Seven-Year Festival. Continue?
Denied, report complete.
Chapter 9
All the important events of the Seven-Year Festival were to take place later, once the esteemed guests had settled in. It would take several days for everyone to arrive from all over Sacred Valley, and the Wei clan wanted as broad an audience as possible.
But the Foundation fights were scheduled for the first day.
Lindon understood why. These were children, after all; while each clan would still try to make sure its children were the best trained in the sacred arts, there was nothing at stake beyond pride. When a clan revealed a new talent at the Iron level, then they were displaying a new military power. Likewise, Coppers were the future of the clan. Showing weakness before rivals could be a clan's death sentence.
As for the Foundation stage, unless a boy or girl revealed a truly extraordinary genius talent, these fights existed only to give the children experience. A victory would gain face for the clan, but nothing remarkable.
Lindon reminded himself of this to keep from vomiting all over his white training robes. His wooden badge seemed to burn on his chest as he waited on the bench with the other Foundation-level Wei fighters. The seats that he'd seen empty a few nights before now roared with life as sacred artists from all over the Valley gathered.
Besides him, the oldest person on the bench was a twelve-year-old girl from the Chen family. Three years younger than he was, and already on the verge of breaking through to Copper.
The arena spread before him, a huge square of pale stone, but now it looked as vast as a field of snow. If he failed, everyone would see it. Not just those in the Wei clan, who already knew about their Unsouled, but the Li and the Kazan as well. They would see what a shame the Wei had produced.
He looked up to the corner of the arena, where a five-tailed snowfox curled up on a pillar. It opened its eyes as though sensing his attention, staring at him with a gaze of absolute black.