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No, no. I mustn’t think like that. This will be easy. A piece of cake. And then it will be my turn – I can’t wait!

I shine my torch around a bit, but the beam doesn’t penetrate very far. Besides, we’ve stirred up a lot of mud, and visibility has become poor. It’s hard to imagine that just up there, not far away at all, a mere few metres, the sun is shining on a sheet of sparkling ice.

Then I realize that the ascent line running between me and the wooden cross lying over the hole in the ice is floating slack in my hand.

I pull at it, to make it tighter. But it doesn’t tighten. I haul it in. One metre, two metres.

Three.

Has it come loose? But we tied it so securely.

I haul away at it more and more quickly. Suddenly I have the other end in my hand. I look at it. Stare at it.

My God, I must get up there and refasten it. When Simon emerges from the plane, we won’t have time to swim around under the ice, looking for the hole.

I let a little air into my drysuit so that I move slowly upwards. Up out of the darkness, through the gloom: it’s getting lighter. I’m holding the line in my hand.

I’m looking for the hole, a source of light through the ice, but I can’t see it.

Instead I see a shadow. A black rectangle.

There’s something covering the hole. I swim over to it. The wooden cross is no longer there. Instead there’s a door lying over the hole. It’s green. Made of simple planks with a slat running diagonally across them. A door from a shed, or a barn.

For a moment I think it’s been lying around and the wind has blown it across the hole. I barely have time to register the thought before I realize how wrong it is. It’s a sunny day up there, not a breath of wind. If there’s a door lying across the hole in the ice it’s because someone’s put it there. What kind of joker would do that?

I try to push the door to one side, using both hands. I’ve dropped the line and the torch; they’ve both sunk slowly to the bottom of the lake. I can’t shift the door. My heavy breathing echoes like thunder in my ears as I tug at the door in vain. It dawns on me that the joker is standing on top of it. Someone is standing on the door.

Swimming away from the door, I take out my diving knife. Start hacking a hole in the ice. It’s hard. The water makes it difficult to move my hand quickly enough. There’s no strength in my thrusts. Twisting the knife, I stab at the ice. At last I break through. It’s easier now. I rotate the knife round the hole, scraping away at the sides. It’s getting bigger.

Simon swims through the wreck as carefully as he can. He has passed the radio operator’s seat behind the cockpit and continued into the cabin. He thinks he feels a slight tug on the line. He wonders if it is Wilma signalling to him. But he had said two tugs to come up. What if her airline is blocked? Worried now, he decides to swim out of the wreck. It is impossible to see anything in any case. The air and his own movements have stirred up so much mud that if he holds out his arm and shines his torch on it, he cannot even see his hand. It is like swimming through green soup. They might as well go back up.

He pulls at the line tied to his weight belt so it will tighten and allow him to follow it out. But it does not tighten. He hauls in more and more of the line, metre after metre. Eventually he is holding the end of the line in his hand. Wilma is supposed to be holding on to it. And the end is supposed to be fastened to the wooden cross over the hole in the ice.

Fear hits Simon’s solar plexus like a snakebite. No line to follow. How is he going to find his way back to the cockpit window? He can’t see a bloody thing. How is he going to get out?

He swims until he bumps into a wall. Groping around, he then starts swimming in the opposite direction, no longer knowing which is backwards, forwards, sideways.

He bumps into something that is not fastened down. Something that floats off to one side. He shines his torch. Sees nothing. Gets it into his head that it is a body. Flounders around. Swims away. Quickly, quickly. Soon he will be swimming through masses of limbs floating about. Arms and legs that have come away from bodies. He must try to calm down, but where is he? How long has he been down here? How much longer will his air last?

He has no concept of up or down, but does not realize this. Fumbles for one of the seats – if he can grab onto one, he will be able to work his way forward through the passenger cabin, but he is groping around on the ceiling, so he does not find a seat.

He swims back and forth in an aimless panic. Up and down. He cannot see a thing. Nothing at all. The line attached to his belt keeps catching, on cargo hooks on the floor, on a seat that has been wrenched from its moorings, on a loose safety belt. Everywhere. Then he begins swimming into the line. Gets tangled up in it. It is all over the inside of the plane like a spider’s web. He cannot find his way out. He dies in there.

I’ve managed to hack a hole in the ice with my diving knife. I’m battling to make it bigger. Stabbing away. Working the knife round the edge. When it’s as big as my hand, I check the pressure metre. Twenty bars left.

I mustn’t breathe so rapidly. I must calm down. But I can’t get out. I’m trapped under the ice.

I stick my hand up through the hole. I do it without thinking. My hand reaches out for help of its own accord.

Someone up there grips my hand firmly. At first I’m relieved to know that someone is helping me. That someone is going to pull me out of the water. Save me.

Then whoever it is really does start pulling on my hand. Bending it backwards and forwards. And then it dawns on me that I’m a prisoner. I’m not going anywhere. I try to jerk my hand free, but only succeed in banging my face against the ice. A pink veil spreads across the light blue.

Eventually I realize what’s happening: I’m bleeding.

The person up there changes his grip. Clasps hold of me as if we were shaking hands.

I press my knees against the ice. My trapped hand between my legs. And then I push away. I’m free. My hand slides out of my diving glove. Cold water. Cold hand. Ouch!

I swim away under the ice. Away. Away from whoever it was.

Now I’m beneath the green door again. I thump it hard. Hammer on it. Scratch at it.

There must be another way up. A place where the ice is thinner. Where I can break through it. I swim off again.

But he runs after me. Or is it a he? I can see the person through the ice. Blurred. From underneath. Above me the whole time. Between breaths, when the air I’m exhaling isn’t thundering in my ears, I can hear footsteps on the ice.

I can only see whoever it is for brief moments. The air I’m breathing out has nowhere to go. It forms a big, flat bubble like a mirror beneath the ice. I can see myself in it. Distorted. Like in the hall of mirrors at a fairground. Changing all the time. When I breathe in, I can see the person on the ice above me; when I breathe out, I can see myself.

Then the regulator freezes. Air comes spurting out of my mouthpiece. I stop swimming. I have to devote all my strength to trying to breathe. A few minutes later the cylinder is empty.

Then it’s over. My lungs heave and heave. I fight to the bitter end. Mustn’t inhale water. I’m about to burst.

My arms are flailing. Banging in vain against the ice. The last thing I do in this life is tear off my regulator and my mask. Then I die. There’s no air now between me and the ice. No reflection of me. My eyes are open in the water. Now I can see the person up there.

A face pressing against the ice, looking at me. But what I see doesn’t register. My consciousness ebbs away like a retreating wave.