The walk along the Embankment to the Underground station was lovely and busy enough to make losing a possible tail easy, though no one appeared to follow me. There were already plenty of students and workers heading for the trains, so I merged into the stream, just another businesswoman on the move.
The trip from Embankment to Oxford was hot and crowded, and I emerged into chaos.
Technically a circus in England is a traffic circle, but you could have thought of it as a big-top show just as well. The place was insanely busy, packed with workers, and tourists, and mothers chivvying children who had no interest in behaving, and I couldn’t tell which direction I was facing. The pedestrians were a lot less polite than those I’d encountered in Farringdon Station, pushing and scurrying to get to the street crossings since most of the curbs were fenced away from the motorized traffic by chest-high iron railings. The openings in those railings were narrow, the walk signals were short, and the vehicles in the road were aggressively oblivious. I had to stop short of being shoved in front of a truck and then dash with a group of young men in bankers’ suits to make it to the other side before the light changed. Then I wasn’t sure where I was or which direction I was facing, and the other people on the sidewalk seemed to resent my stopping to look at my map while trying to orient myself.
People in more casual clothes stood in the middle of the sidewalks offering free newspapers from hip-high piles in plywood frames and further bottlenecking the foot traffic flow. I tried to work into the lee of one of these news pushers, but there was no lee. Rushing pedestrians, tourists, and commuters filled every space and I had to back up against a stone wall to get even a tiny relief from their pressure to keep moving at all cost.
I turned my back to the traffic circle and tried to find a street sign. The nearest building had a white placard on it that seemed to read “John Prince’s Swallow.” A closer look showed it was two streets: John Prince’s Street to the right and Swallow Place to the left, which met as they joined Oxford Street. Regent Street was behind me, Oxford Street running past me. I looked at the map, twisted it around a few times, and finally got the gist of where I was: only three blocks from New Bond Street, straight ahead.
I walked, passing one shop after another jammed with clothes from the fashionable to the outrageous. The preoccupied commuters and the ogling sightseers were joined in their throng by shoppers weighted with bags that smacked into the legs and elbows of everyone nearby.
As soon as I turned onto New Bond, the foot traffic waned. Down a side street I saw a crowd gathering around the black-painted facade of a public house, the sidewalk and street choked impassably by their numbers. At first I thought the crowd was waiting for the pub to open, but then I noticed the glasses in hands, the clink and rattle of post-work social drinkers chattering like starlings and raising a fog of cigarette smoke.
The farther I walked, the lighter all traffic became until I could see little sign of the bustle at Oxford Circus and even the pubs had disappeared. The buildings were dignified and sat right at the edge of the wide sidewalks with no greenbelt or setbacks, putting up their predominately white fronts in an aloof row. The numbering system was not the orderly odds-on-one-side, evens-on-the-other of most US cities, and as I walked south I kept glancing across the street to be sure I hadn’t passed the building I sought on the wrong side.
A blue banner hanging over the sidewalk let me know when I’d found my destination. I stopped in front of the wide cream-colored building and looked it over. Two arch-topped plate glass windows flanked an arch-and-column doorway. In one window there was a photo display of Chinese ceramics and a sign giving information on their auction date. The other window showcased an upcoming auction of Asian metalware. Over the door a basalt bust of Sekhmet, an Egyptian goddess of something, looked out at the street from her small shelf. The figure radiated spokes of white and red light.
Then it moved.
CHAPTER 25
In the Grey Sekhmet turned her lion head and stared at me. “What are you?”
For a moment I just blinked at her. She was a lion-headed woman—half a woman, really, since the statue was only a bust—and the window below her had in it what someone uneducated might well refer to as “pots.” Sotheby’s was the last place Jakob had ever run an errand for Purcell. Sotheby’s, where the amphorae that Purcell said weren’t his had been delivered and where my ex-boyfriend worked when he wasn’t turning up tortured and murdered in my sleep.
A shape of light moved away from the carved black stone bust above the doorway and trickled to the pavement beside me, manifesting as the misty image of the goddess—a thin, bronze-skinned woman with the head of a lioness and a false mane created by her heavy, braided wig. She wore a thin dress of crimson linen that left her small breasts bare. Her hands were slim and graceful, but the fingernails were black claws. A sword and a knife were loosely belted at her hips. Gold bracelets and bands decorated her muscled arms and she had a bow slung on her back. A golden cobra sat on her head, holding up a disk that was as red as the sun seen through clouds of battle smoke. The cobra moved restlessly side to side, making the small sun sizzle.
Sekhmet looked me over with kohl-darkened eyes in her leonine face and licked her chops. “I have seen something like you before. ” she said. “Speak up: What are you?” she commanded. Her voice was an angry growl in my head, without substance in the air. “I may have to kill you.”
“You’d be the second in as many days to try,” I replied. She spooked me, but I wasn’t going to let her know that. Lionesses are the ones that do the killing, after all, and last night I’d done all the running from predators I intended to do for a while.
She turned her head a little and looked at me from the corner of her eyes. “Have you an enemy? Are you a hunter that your prey turned upon? Speak!”
“I guess I’m a sort of hunter,” I replied, glancing at the few people passing on the street. They pretended not to notice my conversation apparently with myself, but hurried on. Maybe they thought I was using a cell phone with one of those ear widgets. “I look for things, for people, for answers.”
“And you come to my house on what business?”
“Your house?”
She sniffed in disdain. “They are soft and care not for blood-shed and war—they prefer gold as their weapon and baubles as their love—but they have taken me as their own for these past years when others had forgotten me. I do not let them suffer if it is in my power to stop it. You touch darkness and death. I shall not let you spread them here. What brings you? And do not prevaricate. My patience thins.”
“A man—a sort of frog-man—named Jakob came here a few weeks ago on an errand. I want to know what it was.”
“The river spawn. He brought a charmed letter for one of my people within. He had a stink to him I did not care for. I made him leave it and go.”
“He’s the servant of a vampire.”
“Ah! The asetem-ankh-astet.”
“The what?” I asked, wincing internally at having interrupted a goddess—they tend to be cranky about that.
She showed her teeth but forbore from attacking me. “The tribe that are the life of Astet—the priest who died, yet lived. They are numerous here, but not like the kind of my home. Those—the true asetem—are few, and you can tell them from the common blood drinkers by their fine white skins and cobra forms. They do not feed on blood, but on the ka—the soul. Once they helped me, but now. even they do not honor my name! Ambitious fools! I did not think your river spawn reeked of their habits, but perhaps his own odor and that strange charm confused me. ” Sekhmet scowled. “I should have sent him away the first time with an arrow in his spine. He would have been better as a frog on a pike, roasting in the sun for crocodiles.”