Miss Sharp’s father was an artist, and in that quality had given lessons of drawing at Miss Pinkerton’s school. He was a clever man; a pleasant companion; a careless student; with a great propensity for running into debt, and a partiality for the tavern. When he was drunk, he used to beat his wife and daughter; and the next morning, with a headache, he would rail at the world for its neglect of his genius, and abuse, with a good deal of cleverness, and sometimes with perfect reason, the fools, his brother painters. As it was with the utmost difficulty that he could keep himself, and as he owed money for a mile round Soho, where he lived, he thought to better his circumstances by marrying a young woman of the French nation, who was by profession an opera-girl. The humble calling of her female parent Miss Sharp never alluded to, but used to state subsequently that the Entrechats were a noble family of Gascony, and took great pride in her descent from them. And curious it is that as she advanced in life this young lady’s ancestors increased in rank and splendour.
Rebecca’s mother had had some education somewhere, and her daughter spoke French with purity and a Parisian accent. It was in those days rather a rare accomplishment, and led to her engagement with the orthodox Miss Pinkerton. For her mother being dead, her father, finding himself not likely to recover, after his third attack of delirium tremens, wrote a manly and pathetic letter to Miss Pinkerton, recommending the orphan child to her protection, and so descended to the grave, after two bailiffs had quarrelled over his corpse. Rebecca was seventeen when she came to Chiswick, and was bound over as an articled pupil; her duties being to talk French, as we have seen; and her privileges to live cost free, and, with a few guineas a year, to gather scraps of knowledge from the professors who attended the school.
She was small and slight in person; pale, sandy-haired, and with eyes habitually cast down: when they looked up they were very large, odd, and attractive; so attractive that the Reverend Mr. Crisp, fresh from Oxford, and curate to the Vicar of Chiswick, the Reverend Mr. Flowerdew, fell in love with Miss Sharp; being shot dead by a glance of her eyes which was fired all the way across Chiswick Church from the school-pew to the reading-desk. This infatuated young man used sometimes to take tea with Miss Pinkerton, to whom he had been presented by his mamma, and actually proposed something like marriage in an intercepted note, which the one-eyed apple-woman was charged to deliver. Mrs. Crisp was summoned from Buxton, and abruptly carried off her darling boy; but the idea, even, of such an eagle in the Chiswick dovecot caused a great flutter in the breast of Miss Pinkerton, who would have sent away Miss Sharp but that she was bound to her under a forfeit, and who never could thoroughly believe the young lady’s protestations that she had never exchanged a single word with Mr. Crisp, except under her own eyes on the two occasions when she had met him at tea.
By the side of many tall and bouncing young ladies in the establishment, Rebecca Sharp looked like a child. But she had the dismal precocity of poverty. Many a dun had she talked to, and turned away from her father’s door; many a tradesman had she coaxed and wheedled into good-humour, and into the granting of one meal more. She sate commonly with her father, who was very proud of her wit, and heard the talk of many of his wild companions — often but ill-suited for a girl to hear. But she never had been a girl, she said; she had been a woman since she was eight years old. Oh, why did Miss Pinkerton let such a dangerous bird into her cage?
The fact is, the old lady believed Rebecca to be the meekest creature in the world, so admirably, on the occasions when her father brought her to Chiswick, used Rebecca to perform the part of the ingenue; and only a year before the arrangement by which Rebecca had been admitted into her house, and when Rebecca was sixteen years old, Miss Pinkerton majestically, and with a little speech, made her a present of a doll — which was, by the way, the confiscated property of Miss Swindle, discovered surreptitiously nursing it in school-hours. How the father and daughter laughed as they trudged home together after the evening party (it was on the occasion of the speeches, when all the professors were invited) and how Miss Pinkerton would have raged had she seen the caricature of herself which the little mimic, Rebecca, managed to make out of her doll. Becky used to go through dialogues with it; it formed the delight of Newman Street, Gerrard Street, and the Artists’ quarter: and the young painters, when they came to take their gin-and-water with their lazy, dissolute, clever, jovial senior, used regularly to ask Rebecca if Miss Pinkerton was at home: she was as well known to them, poor soul! as Mr. Lawrence or President West. Once Rebecca had the honour to pass a few days at Chiswick; after which she brought back Jemima, and erected another doll as Miss Jemmy: for though that honest creature had made and given her jelly and cake enough for three children, and a seven-shilling piece at parting, the girl’s sense of ridicule was far stronger than her gratitude, and she sacrificed Miss Jemmy quite as pitilessly as her sister.
The catastrophe came, and she was brought to the Mall as to her home. The rigid formality of the place suffocated her: the prayers and the meals, the lessons and the walks, which were arranged with a conventual regularity, oppressed her almost beyond endurance; and she looked back to the freedom and the beggary of the old studio in Soho with so much regret, that everybody, herself included, fancied she was consumed with grief for her father. She had a little room in the garret, where the maids heard her walking and sobbing at night; but it was with rage, and not with grief. She had not been much of a dissembler, until now her loneliness taught her to feign. She had never mingled in the society of women: her father, reprobate as he was, was a man of talent; his conversation was a thousand times more agreeable to her than the talk of such of her own sex as she now encountered. The pompous vanity of the old schoolmistress, the foolish good-humour of her sister, the silly chat and scandal of the elder girls, and the frigid correctness of the governesses equally annoyed her; and she had no soft maternal heart, this unlucky girl, otherwise the prattle and talk of the younger children, with whose care she was chiefly intrusted, might have soothed and interested her; but she lived among them two years, and not one was sorry that she went away. The gentle tender-hearted Amelia Sedley was the only person to whom she could attach herself in the least; and who could help attaching herself to Amelia?
The happiness the superior advantages of the young women round about her, gave Rebecca inexpressible pangs of envy. “What airs that girl gives herself, because she is an Earl’s grand-daughter,” she said of one. “How they cringe and bow to that Creole, because of her hundred thousand pounds! I am a thousand times cleverer and more charming than that creature, for all her wealth. I am as well bred as the Earl’s grand-daughter, for all her fine pedigree; and yet every one passes me by here. And yet, when I was at my father’s, did not the men give up their gayest balls and parties in order to pass the evening with me?” She determined at any rate to get free from the prison in which she found herself, and now began to act for herself, and for the first time to make connected plans for the future.
She took advantage, therefore, of the means of study the place offered her; and as she was already a musician and a good linguist, she speedily went through the little course of study which was considered necessary for ladies in those days. Her music she practised incessantly, and one day, when the girls were out, and she had remained at home, she was overheard to play a piece so well that Minerva thought, wisely, she could spare herself the expense of a master for the juniors, and intimated to Miss Sharp that she was to instruct them in music for the future.