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"That’s true," Carlo replied. As he rowed past San Zanipolo and the hospital, he explained, "It’s too close to the hospital here, where many diseases were contained. Sicknesses, you know."

"Ah, the hospital!" Hamada nodded, as did Taku. "We have swam hospital in our Venice voyage previous to that one here. Salvage many fine statues from lowest rooms."

"Stone lions," Taku added. "Many stone lions with wings in room below Twenty-forty' waterline."

"Is that right," Carlo said. Stone lions, he thought, set up in the entryway of some Japanese businessman’s expensive home around the world…. He tried to divert his thoughts by watching the brilliantly healthy, mask like faces of his two passengers as they laughed over their reminiscences.

Then they were over the Fondamente Nuova, the northern limit of the city, and on the Lagoon. There was a small swell from the north. Carlo rowed out a way and then stepped forward to raise the boat’s single sail. The wind was from the east, so they would make good time north to Torcello. Behind them, Venice looked beautiful in the morning light, as if they were miles away, and a watery horizon blocked their full view of it.

The two Japanese had stopped talking and were looking over the side. They were over the cemetery of San Michele, Carlo realized. Below them lay the island that had been the city’s chief cemetery for centuries; they sailed over a field of tombs, mausoleums, gravestones, obelisks, that at low tide could be a navigational hazard…. Just enough of the bizarre white blocks could be seen to convince one that they were indeed the result of the architectural thinking of fishes. Carlo crossed himself quickly to impress his customers, and sat back down at the tiller. He pulled the sail tight and they heeled over slightly, slapped into the waves.

In no more than twenty minutes they were east of Murano, skirting its edge. Murano, like Venice an island city crossed with canals, had been a quaint little town before the flood. But it didn’t have as many tall buildings as Venice, and it was said that an underwater river had undercut its islands; in any case, it was a wreck. The two Japanese chattered with excitement.

"Can we visit to that city here, Carlo?" asked Hamada.

"It’s too dangerous," Carlo answered. "Buildings have fallen into the canals."

They nodded, smiling. "Are people live here?" Taku asked.

"A few, yes. They live in the highest buildings on the floors still above water, and work in Venice. That way they avoid having to build a roof-house in the city."

The faces of his two companions expressed incomprehension.

"They avoid the housing shortage in Venice," Carlo said. "There’s a certain housing shortage in Venice, as you may have noticed." His listeners caught the joke this time and laughed uproariously.

"Could live on floors below if owning scuba such as that here," Hamada said, gesturing at Carlo’s equipment.

"Yes," he replied. "Or we could grow gills." He bugged his eyes out and waved his fingers at his neck to indicate gills. The Japanese loved it.

Past Murano, the Lagoon was clear for a few miles, a sunbeaten blue covered with choppy waves. The boat tipped up and down, the wind tugged at the sail cord in Carlo’s hand. He began to enjoy himself. "Storm coming," he volunteered to the others and pointed at the black line over the horizon to the north. It was a common sight; short, violent storms swept over Brenner Pass from the Austrian Alps, dumping on the Po Valley and the Lagoon before dissipating in the Adriatic… once a week, or more, even in the summer. That was one reason the fish market was held under the domes of San Marco; everyone had gotten sick of trading in the rain.

Even the Japanese recognized the clouds. "Many rain fall soon here," Taku said.

Hamada grinned and said, "Taku and Tafui, weather prophets no doubt, make big company!"

They laughed. "Does he do this in Japan, too?" Carlo asked.

"Yes indeed, surely. In Japan rains every day Taku says, It rains tomorrow for surely. Weather prophet!"

After the laughter receded, Carlo said, "Hasn’t all the rain drowned some of your cities too?"

"What’s that here?"

"Don’t you have some Venices in Japan?"

But they didn’t want to talk about that. "I don’t understand…. No, no Venice in Japan," Hamada said easily, but neither laughed as they had, before. They sailed on. Venice was out of sight under the horizon, as was Murano., Soon they would reach Burano. Carlo guided the boat over the waves and listened to his companions converse in their improbable language, or mangle Italian in a way that alternately made hum want to burst with hilarity or bite the gunwale with frustration.

Gradually, Burano bounced over the horizon, the campanile first, followed by the few buildings still above water. Murano still had inhabitants, a tiny market, even a midsummer festival; Burano was empty. Its campanile stood at a distinct angle, like the mast of a foundered ship. It had been an island town, before 2040; now it had "canals" between every rooftop. Carlo disliked the town intensely and gave it a wide berth. His companions discussed it quietly in Japanese.

A mile beyond it was Torcello, another island ghost town. The campanile could be seen from Burano, tall and white against the black clouds to the north. They approached in silence. Carlo took down the sail, set Taku in the bow to look for snags, and rowed cautiously to the edge of town. They moved between rooftops and walls that stuck up like reefs or like old foundations out of the earth. Many of the roof tiles and beams had been taken for use in construction back in Venice. This happened to Torcello before; during the Renaissance it had been a little rival of Venice, boasting a population of twenty thousand, but during the sixteenth and seventeenth centuries it had been entirely deserted. Builders from Venice had come looking in the ruins for good marble or a staircase of the right dimensions…. Briefly a tiny population had returned, to make lace and host those tourists who wanted to be melancholy; but the waters rose, and Torcello died for good. Carlo pushed off a wall with his oar, and a big section of it tilted over and sank. He tried not to notice.

He rowed them to the open patch of water that had been the Piazza. Around them stood a few intact rooftops, no taller than the mast of their boat; broken walls of stone or rounded brick; the shadowy suggestion of walls just underwater. It was hard to tell what the street plan of the town would have been. On one side of the Piazza was the cathedral of Santa Maria Ascunta, however, still holding fast, still supporting the white campanile that stood square and solid, as if over a living community.

"That here is the church we desire to dive," Hamada said.

Carlo nodded. The amusement he had felt during the sail was entirely gone. He rowed around the Piazza looking for a flat spot where they could stand and put the scuba gear on. The church outbuildings — it had been an extensive structure — were all underwater. At one point the boat’s keel scraped the ridge of a roof. They rowed down the length of the barnlike nave, looked in the high windows: floored with water. No surprise. One of the small windows in the side of the campanile had been widened with sledgehammers; directly inside it was the stone staircase and, a few steps up, a stone floor. They hooked the boat to the wall and moved their gear up to the floor. In the dim midday light the stone of the interior was pocked with shadows. It had a rough-hewn look. The citizens of Torcello had built the campanile in a hurry, thinking that the world would end at the millennium, the year 1000. Carlo snuled to think how much longer they had had than that. They climbed the steps of the staircase, up to the sudden sunlight of the bell chamber, to look around; viewed Burano, Venice in the distance… to the north, the shallows of the Lagoon, and the coast of Italy. Beyond that, the black line of clouds was like a wall nearly submerged under the horizon, but it was rising; the storm would come.