The lad’s look seemed troubled, but not markedly so; he expressed his assent, made an attempt to begin an accounting for some small sum allotted him for some small purpose, was waved aside in this until another time, made his brief respectful bow; then, too, was gone.
That night the king could not sleep? E’en king, e’en queen…. But this night would Master, Adept, Astrologue, and all the rest of all of it, sleep. He could have done it by arcane means with full ease enough; suddenly he did not wish to. He took a small flask from his kit, subjected its stopple to a few sundry twists that an observer would have found too complex to follow. . and would have been meant to. . dropped scarce a scruple, by no means a dram, into the remnants of his cup of drink; downed it in two drafts; swift he sought his bed; let the lamp smolder to a dull-red smoky coal. The room contracted, the bed enlengthened, he felt his body change, expand, felt his spirit leave it but leave it by but a span of a hand; and hover there, content. He felt content, he did not feel asleep; he knew that he slept, he heard the cocks crow, bade them be still, knew there were no cocks in Averno, dwindled, faded, ebbed.
Felt himself at rest. At rest.
Something beat. His pulse? The anvils, hammers, fulling-mallets and the ceaseless pulse of here? Not any matter.
Sleep.
He slept.
The Matron Poppaea Rano was sapling-thin, and she sat with wool and distaff and spun and spun, and — as Vergil had observed before — she spun rather badly. It was certainly not the coarse wool commonly worked in Averno, and he wondered why she alone should be working expensive fleece and yarn when she worked it so ill. But it was a subject for wonder, the whole thing: First a message had been brought to him inviting him to call once more at the house of Magnate Rano; next, another message had directed him to go instead to the magnate’s warehouse. And whilst he was in the broad street and inquiring more precisely the way, crying, “Ser! Ser! Master!” there came running Iohan.
“He’ve changed his mind again, Master,” said the boy. “Wants you to go to his house, after all. I’m not sure, do he mean to join you there, or what, and this old besom, she won’t say aught to me.”
The old woman was indeed as lean and rugged as a rustic broom, and she said no more to master than she had to man, merely she indicated by an inclination of her head the direction intended; then she walked off. Vergil gave a half-rueful shrug, told Iohan to get him back to their inn in case yet another change of plan on the part of Rano might be forthcoming; then he followed after the old she. Who did not indeed lead him to the main rooms via the kitchen, but she gave some shrill call as she — as they — came in, and, before they had gone more than the length of another anteroom (the ill-fitting tiles, their mortar not replaced for. . for who could say how long, going click-click beneath their feet), a squat and ugly servant of no particular sex brought her a bag of what was soon revealed to be beans, and a few pans; this house-thrall then returned. . wherever. And the “old besom” by and by simply sat herself down, squatting on her withered haunches, and began to sift through the dried beans, handful by half-a-handful, separating pebbles and clumpets of earth, a task he had times past seen the women of his own family doing so often — and, more than merely sometimes, he had helped, he felt he could here and now fall to and do it once again. And do it quite as well.
However.
After merely a moment, a manservant appeared, one whom Vergil had seen before; this one gave him the sort of ridiculous bow of the sort seen in pantomimes and street-plays, the spare-two-groats-for-the-bath-boss sort. At first the visitor felt he was being mocked, almost at once he thought that perhaps the man had never in his life seen any real sort of bow performed; this was, this was Averno. And so, the lumpkin having straightened up and made an equally absurd gesture, Vergil, following it, entered the room where the woman sat and spun.
She rose as he entered, then, the spindle dropping, she lurched to catch it, caught it, gazed down at it a moment as though not sure what it was. Then she sat down again. After a moment she said, “Poppaea. I am called Poppaea. Did you know? Poppaea Rano.” (“Matron,” he said, with a bow she did not see.) “Rano sent to tell me you were coming.” Her voice was clear and had no particular accent; neither did it seem to have any particular weight of meaning.
After a moment, as she stayed still, clumsily working her wool, and did not ask him to seat himself, he looked about, and seeing, at a respectable distance, to be sure a bad chair — but still, a chair — he seated himself. Another slow-passing moment. There seemed nothing wrong with her slender fingers, there were no marks of shackles on her wrists, merely this was an art which she had not. “Will Magnate Rano be returning presently?” he asked.
“I don’t know,” she said simply, and with the slightest air of surprise that he might think she should. Well, here there would be no discussion of readings from Homer; Sappho had woven her violets in vain as far as any analysis of her or anyone else’s poems was concerned. It was up to him to close the gate against silence, if the gate was to be closed at all. And so, with an inward sigh, he asked, by and by, “Do you have children, Matron?” At once he felt his words as a scalding draft in his mouth, but he could not call them back again.
“Children die young here,” she said. “Not many children are born here.” Her fingers flexed the supple thread, the thread broke and she gathered the fiber again. “I have had two children here. . well, they were born here and they died here. The air was too thick for the older, I think, she had trouble breathing it. And the second had a disease. . what do they call it? Anthrax? It is worse with some. At least mine did not fall into a pool of boiling water or stumble into a fire-hole.” She gave him no chance to change the conversation, nor even to think of how it might be changed; the clear voice, devoid of passion, it seemed, and even concern, went on. The gate had been closed against silence. “When he died, my second one, I recollected and felt I understood that story, oh, I don’t recall where it is from, of a place where people weep when a child is born and they rejoice when it dies. But until then I thought, how horrible. Of course I didn’t really rejoice. ‘Sleep well, now,’ is what I said. And since then Rano says he asks nothing more of me, only to spin. ‘A woman must spin,’ he says. Rano says.”
She repeated this as her fingers gathered and the spindle whirled.
“I don’t do it well, but one must do something, and — ” She broke off.
She sighed a very small sigh. A thin sigh, he thought it might be called — appropriately: she was so thin herself. “We are rich here, we magnates and matrons, and so we may afford amusements. But we don’t spend money on them, really, we women here. Brosa. Do you know what her amusement is? She abuses her servants. Really.” Not likely, Vergil thought, that Poppaea could abuse the grim figure whose dirty toes were just within his sight, as she rattled her dried beans from pan to pan. And an odd duenna she was…. “Well, to be less delicate, she tortures them. Oh, not too heavily, no. They are always able to go back to work afterward. I know what Me-lanchthus’s matron does, she does her hair, she has wax-pictures of different hairstyles, and she copies them and does her hair and she looks in her mirrors and then she undoes and then she does it all over again. Grobi, she keeps the accounts; fancy me keeping Rano’s accounts! Do you know who does? You don’t. You will. And Haddadius’s woman, what’s-her-name, takes care of her children. Ask her if she has children.” Again he felt that scalding draft in his mouth, but she was not trying to punish him, the glancing look she cast at him at once after saying this was merely quizzical. “She has quite a lot of them, and she dresses and feeds them and talks with them and plays games…. Actually, of course, no. She has no real children. They are of course all mommets, dolls. Mommets are dolls and poppets are dolls, too; isn’t that curious?”