Vergil had never seen the Old Works, abandoned long before he was born. But Torto had seen it, old Magnate Torto; and it was from his memories (clear as cloudless day as to this past, though doubtless not so clear as to the events of even yesterday) alone that the scene took and kept form, shape, mingled with the light, upon the wall. As sudden as appeared, this, sudden, vanished. Torto had forgotten. Or wished no longer to remember.
If Torto had found it a strain, Vergil found it not much less of one: controlling the sunlight, concentrating it, projecting it, causing an image in three dimensions to appear — and maintaining that appearance. “Magnates,” he said, “pray pay close attention to what I am now going to tell you, for you are paying me to tell it to you….” He had them, there. In Averno, one did not pay for nothing; if one paid for something, one made use of it. As the farmer, appraising the old crone ewe, teeth so gone she can scarce eat grass, considers if he may still get one more lamb from her before she is given over to that butcher’s knife unto which every sheep is born, so in Averno every slave who labored (and every slave labored, one way or another) was closely appraised as age took toll and wearing wastage claimed its tax: Was the thrall’s labor worth another year’s victualing? For if not, out with him, out upon him, he might live by free labor — if he could — he might beg in the streets, though who, in Averno, save perhaps the occasional foreigner, would give alms?. . He might slump his way to the city gate and wait turn and chance to guide for a penny. . he might well not bother, but merely crawl and thraw his way to the common bone-pit. Thus and so reminded that they had, in effect, commissioned Master Vergil to delve and to devise answers, the magnates prepared to attend closely and to pay heed. True: They had paid him nothing yet (save for the few courtesy coins and the courtesy few robes), but, true, it was assumed that they were going to do so.
They paid, now, close heed to what he was about to tell them. Therefore.
“I will shortly change the picture back into what is called a map. On this, sirs, symbols take the place of pictures. . or, we may say, sometimes: Very small pictures take the place of very large ones; else there would not be room. For example of a symbol, on each piggett of iron forged in this very rich city is stamped the letter A, and A is in this case a symbol for Averno….” Still on its side the long-necked glass vessel, it struck him now how this vessel might be used in occamy, or alchemy, as some called it, but he did not even try to remember by what name the ampulla might be called in that other discipline. It lay, still, on its side, still a-point toward the wall, light issuing from its stoppered mouth and (it seemed) some vapors playing round about that — like, almost, steam, or fume. In a small second’s pause he became aware, again, of the incessant thump-thum-thump of the thousand forges; in a second more he had forgotten it again. He explained to the magnates how a small trident symbolized fire upon his map: One by one the fires blazing in the picture faded and were replaced by symbols of flame. He told them how a triangle symbolized a forge: See then the forges fade off the wall and the triangles take their places. Dye-vats? Before their eyes the vats changed and ebbed and for each vat a small circle appeared. The sheds which sheltered, the warehouses which stored, the houses great and hovels small one by one were dissolved and replaced by symbols; sometimes the symbol was “a very small picture.” Streets became thick lines and alleys mere thin ones; all round about the crenellated “wall” were ringed the outlined humps that were the craggy mountains. He pointed out the thin double-lines that represented the canal from the Portus Julius, and he emphasized the difference between the small tridents that were fires which could be, when expedient, stifled by dropping a wet hide upon them, and the larger tridents that blazoned fires too large for putting out….
“It is as though, Magnates, there are channels beneath the surface of your ground as there are channels beneath the surface of your skin, and some, if they bleed, will soon stop and some may be, as it were, tied off, and some are too deep to be tied….”
From time to time Vergil said Beta, he said Gamma; he asked a once or twice for Alpha again, he said Delta. In every case the correct map was produced at once and held at the correct angle. Had (Vergil thought) he been expecting this particular session, at which he had arrived early merely because his mare had wanted exercise; had he been prepared, he would have provided a sort of frame which he had had in mind: a trifle to arrange, to hold the maps and charts, even to turn them, like the so-called walking tripods that moved around the symposia of the Consuls of Philosophy, dispensing wine and water as they moved. Being mostly intent upon, for one, explaining the details of the transparencies, and, for another, on the work of concentrating the light; he gave not much further thought to the silent servitor who held the maps and charts, no more than he did to the sun itself, the sole primal source of the light; “… and thus, Magnates, I have shown you what most of you already indeed know far better than I, how over the course of the past few decades there has been both a shifting of the active fire-holes all round about, as well as a general waning of the full force of fire….”
He said Omega. He could not remember how long he had been speaking. “This final diagram, Magnates, shows that, however much the areas in which the fires spring from the earth have changed and shifted, there is nevertheless what I shall term an overlap: In longer words, there is one area, limited in comparison with the others, in which the fires have never, ever, during the periods which — ”
“The father-fire!”
Who had burst forth with this interruption? — cried out three words, and struck the table three times as though hammering an ingot on a forge? Vergil did not know, thought best to get on “… in which the fires have never, ever, during the periods which my studies cover, either shifted, changed, or waned. In this one area — which a magnate has just suggested may be called that of the Father Fire — ” But he had already lost the attention of his audience.
Were these ponderous grandees a-drunk again? — So suddenly? Why were they rolling from side to side, facing first one fellow, then another? Whence this sudden upburst of babblement? What reason for the intensely odd faces he now saw them pull? A tiny bell sounded; none attended. It grew louder, sweeter, was joined by another, by another; here and there an iron-forger or a wool-puller brushed absently or even (with some slight aware vexation) pulled at his own thick and shaggy ear: vain. The bells grew louder, they sounded from every corner of the room, and yet, still, they sounded sweet. Perhaps after all they were not bells but rare exotic birds. Perhaps after all they were not birds, birds notoriously did not live long in Averno; if a capon lived long enough to become fat enough for the spit or the pot, that was the long of it. But be they what they were, ringing and singing, eventually they overcame the sound of the magnates bellowing — a bellowing in which Vergil was able only to make out some references to the father-fire, to hecatombs, hec-a-tombs, and some few other words which, rather like the common converse of Cadmus, might be intelligible as single words but made no sensible connection to communication.