Thirteen
Nobody will look twice at us, I'm pretty sure of that. A boy and a girl on a bike. A boy in regular jeans, and a tangled blonde in a bluebonnet-blue dress. No smells on us, just like TV. I have my pack with me, so it could even look like we're selling things. Selling things is a good excuse around here.
'Guess what?' yells Ella into my eardrum.
I stop by the side of the Johnson road to instruct her how to be a bicycle passenger without killing the driver. She lifts her dress to show me her clean white underwear. I only half pay attention, because it seems a troubled afternoon to me; gusts come threaded with thunder, and the horizon behind Keeter's is lit by a single strake of gold. Ella doesn't notice omens, you can tell she's just getting a kick out of today. Probably because she's in a business adventure with me. Fucken Ella, I swear to God. We're going to split the booty, although she says she ain't in it for the money. That's how fucken weird she is.
I get some waves about it. For all I know, Deutschman could be trying to quit schoolgirls, he could be on the schoolgirl wagon, taking one day at a time and all. And now—heeere's Ella. I make an effort to think more like my dad's videos. I mean, the client has an Unfulfilled Need, so—here's a Timely and Caring Service. What's more, part of our Extensive After-Sales Service is that nobody will ever know. It's a Market Gap, for chrissakes. But my conscience still calls me from Brooklyn. 'Nah, Boinie,' it says. 'Yez openin up a whole can a woims for da guy.' Then I think of Mom at home. Probably with the power off, probably getting laughed at, on account of her poverty, and her lack of fucken pizzazz. Localized smirking from douche-bag Leona. I'm committed.
The bike whirrs between flaky shacks and trailer-homes, down streets without edges, until the light almost disappears from the sky. We come to a cheap wooden house, of the kind you can build in a weekend, painted clean, though, with a neat little lawn, and tidy edges of bricks and gravel. Ole Mr Deutschman's place. We crunch past a clay figure of a sleeping Mexican, and carefully lay the bike in the gravel beside the house. Mr Deutschman ain't expecting us. This is known as Cold Calling, in the trade. I take hold of Ella's shoulders to give her a final briefing.
'Ella, it's just look and touch, okay? Nothing heavy—okay? Call me if he goes too far.'
'Chill out, Bernie—I'm the one with the poles, remember?'
God she's fucken scary sometimes. The plan is for her to be shy and sweet, and leave the initiative to him. Like: yeah, right. I told her not to even open her mouth if she could help it, but that's asking a whole shitload from Ella, you know it.
She crunches around to Mr Deutschman's door while I crouch in the gravel, out of sight. I pretend to rummage in my backpack. A couple of fat raindrops smack me like birdshit. Typical fucken Crockett's. Then I hear the door open. Deutschman's voice warbles out.
'Who's this here?' he says, all kindly and ole. He has the voice quality of genuine oleness, like he swallowed a vibrator or something.
After I hear them go inside, I unload my pack and crunch around to the door, scanning the street for neighbors. There's nothing to see, except an ole parked Jeep, and not much to hear except wire twanging in a gust. I try Deutschman's front door—it opens. I hold my breath until Ella's voice chimes out from deep in the house.
'Mama buys them because cotton's supposed to be—wow, your hands are cold...'
Game on. I close the door behind me, and creep into the living room. A new smell imprints on my brain; the smell of ole pickled dreams, like organs in a jar. Other people's house-smells hit you harder when you're not supposed to be there. I move down this narrow hallway toward Ella's voice, past the bathroom, where other industrial smells hang. Then a car turns onto the road outside. I dampen the sound of my heart with my hand until it hisses away up the street; the car that is, not my fucken heart. I shuffle forward again.
Deutschman and Ella are in the room at the end of the hallway. The door stands ajar. I flatten myself against the wall, and crane for a peek through the gap. Mr Deutschman sits on one of those hard ole beds that you just about need a ladder to get up to. The bedclothes are symmetrically draped under his symmetrical ass, which makes a neat little crinkle on top. Next to the bed is a polished wooden table, where a lamp stands on a knitted doily. A wallet, a Bible, and a black-and-white picture in a heavy brass frame sit alongside. A friendly lady shines out of the picture, with clear, trusting eyes, and curly, woolen hair that blows alongside blossoms in a breeze. You can tell that breeze blew a long time ago. On the other side of the room is one small window that overlooks junk in the back yard, including a rusty kind of love-seat.
Ella stands at the end of the bed with her dress held under her chin. 'Ha! That tickles–wait up, you wanna see my south pole—or my north pole?'
She pulls her panties down to her knees; doesn't inch them down, sexily or anything, but fucken yanks them, smiling like you just found her in the Mini-Mart. See what I mean about Ella?
'My, what's this here?' Deutschman's fingertips tremble onto her bare ass, his breathing gets jerky.
I take a deep breath too. Then I jump in with Mom's Polaroid. Snap!
'The psycho!' says Deutschman. His lips seem to quiver in midair, then his head slumps onto his chest, with shame I guess.
'Mr Deutschman, it's okay,' I say. 'Mr Deutschman? We're not here to make any trouble, the young lady is here by choice, and I'm just here with her. You understand?'
He raises dull eyes at me, and swallows some silent words. Then he looks back at Ella. She cocks her head like a game-show hostess, and fixes him with a grin. God she's bent, I swear.
'Mr Deutschman,' I say, 'I'm real sorry to barge in like this, I mean no disrespect. But, y'see, you and I have special needs, we can help each other out.' Deutschman hangs his mouth open, listens like a Texan. 'See the young lady here? I bet you'd like to spend some time with her. Your needs'll probably get well satisfied.' I copy the salesmen in Dad's videos, who always spread their hands out and chuckle, like you must be the dumbest fuck in the world if you don't see how easy things are. 'A little cash is all we need, in return for everything. Your joining fee today could be three hundred dollars, for instance—one flat, easy payment—and I'll leave the two of you to hang out some more. I won't even come back at all. And Mr Deutschman, you can have this picture, and we'll never come by again, or say a word. That's our solemn promise to you, ain't it, Miss?'
Ella puts her hands on her hips, grinning like a Mouseketeer, with her drawers around her knees. Deutschman stares at the floor awhile, then reaches for the wallet on his bedside table. He empties it of banknotes, and hands them to me without a word. A hundred and sixty dollars. My heart sinks.
'Sir, is this all you have? Just this money here?' I look down at him, all ole and shaken, and my heart sinks some more. I open out the wad of cash and peel a twenty off the top. 'Here, sir, we don't want to clean you out or anything.'
Some fucken criminal I make. He takes the note without even looking up. What suddenly stings me, though, is this: Ella's getting all the attention she craves, and getting paid for it. Deutschman's using up some stale ole cash, and getting the kicks he probably dreamed about his whole adult life. My ole lady's getting peace of mind about my so-called job, and a new little income. And all I get is the privilege of juggling this big ole mess of lies and fucken slime. The thing has me so bummed I just want to get the fuck out.
'I'll leave you two alone now,' I say, turning to the door.
When I reach the door though, I hear Deutschman groan behind me. I spin around to see him sliding onto his feet. Ella's panties fly back up her legs.