Vernon God Little

Curie's eyelids flutter. 'Everybody might know the effect, Mrs Little. We'll see about the cause.'

'But the news says …'

'The news says a lot of things, ma'am. The fact is we've run this county dry of body-bags, and I, for one, hold the opinion that it'd take more than a single, unaided gunman to do that.'

Mom stumbles to her wishing bench, abandoning her cakes to the side. She overbalances a little as the bench settles unevenly into the dirt. The fucken bench settles a different way every week, like it's indexed to her head or something. 'Well I don't know why everything has to happen to me. We have witnesses, Vaine—witnesses!'

Gurie sighs. 'Ma'am, you know how accessible the so-called witnesses are. Maybe your boy knew. Maybe not. The fact is, he absconded before our interview was over—people with airtight alibis just don't do that.'

This is how long it takes Pam to lever herself out of the Mercury. It grunts with relief as she lets go the frame. Fire ants catapult across the seat.

'I took him, Vaine. Found him near dead from starvation.'

Gurie folds her arms. 'He was offered food …'

'Fiddledy-boo, the Pritikin diet wouldn't even feed the nose on a growing boy.' One sweaty eye snaps to Gurie. 'How's it going, Vaine—the Pritikin diet?'

'Oh—fine. Gh-rr.'

That's Gurie stuck through like a bug. The crumpled-looking stranger with the camcorder catches my eye from under the Lechugas' willow, then looks at Vaine. He still has a smile without promise, a chalk smile that strikes me edge-ways, don't ask me why. Gurie pays no mind. She just fixes him in the corner of her eye. The guy wears tan overalls with a white dinner jacket, like ole Ricardo Moltenbomb, or whoever Mom's favorite was who had the dwarf on Fantasy Island. He eventually penguin-walks over the road, fixing his camcorder onto a tripod. It tells you he's either a tourist, or a reporter. Only way to tell reporters these days is by their names—ever notice how fucken bent your local reporters' names are? Like, Zirkie Hartin, Aldo Manaldo, and shit.

'So,' says Gurie, ignoring Moltenbomb. 'Let's get this child into town.' Child my ass.

'Well wait,' says Mom. 'There's something you should know—Vernon suffers from a kind of—condition.' She rasps it like it's cancer.

'Heck, Momma!'

'Vernon Gregory, you know you get that inconvenience!'

Jesus, fuck. My overbite grows a yard. Moltenbomb chuckles from the roadside.

'We'll take care of him,' says Gurie, wiping a hand on her leg. She nudges me down the driveway with her body; effective law-enforcement if you have ass-cheeks like fucken demolition balls.

'But he hasn't done any wrong! He has a clinical condition!' Clinical condition my fucken ass.

Just then, Fate plays a card. The hiss of Leona Dunt's Eldorado echoes up the street. The uterus-mobile from hell. It's full of Mom's two other so-called friends, Georgette and Betty. They always just drop by. Until Tuesday, Mrs Lechuga was the leader of this pack; now she's indisposed until further notice.

Leona Dunt only shows up when she has at least two things to brag about, that's how you know your position in life. She needs about five things to go to the Lechugas', so we're junior league. Fetus league, even. Apart from having the thighs and ass of a cow, and minimum tits, Leona's an almost pretty blonde with a honeysuckle voice you know got its polish from rubbing on her last husband's wallet. That's the dead husband, not the first one, that got away. She never talks about the one that got away.

Georgette Porkorney is the oldest of the pack; a dry ole buzzard with hair of lacquered tobacco smoke. We just call her George. Right now she's married to the sheriff, not that you'd want to imagine them doing anything. And get this: just like the rhinos you see in the wild on TV, she has a bird that lives sitting on her back. It's called Betty Pritchard, Mom's other so-called buddy.

Betty just has this mopey face, and tags along saying, 'I know, I know.' Her ten-year-ole is called Brad. Little fucker broke my PlayStation, but he won't admit it. You can't tell him fucken anything; he has an authorized disorder that works like a Get Out of Jail Free card. Me, I only have a condition.

So Fate plays the card where Leona's wire rims sparkle to a stop behind the patrol car. Ricardo Moltenbomb, the reporter dude, makes a flourish like a bullfighter, then steps aside as an acre of cellulite drains onto the dirt we call our lawn. The moment shows you that Mom's dosey-do world is supported by a network of candy-floss nerves. Now watch them fucken melt.

'Hi, Vaine!' calls Leona. She leads the way on account of being youngest, which means under forty.

'What, Vaine?' calls Georgette Porkorney. 'My ole man grow weary of you at the station?'

Mom takes the catch. 'Vaine's just doing a routine check, girls—come on up for a soda.'

'More trouble, Doris?' asks Leona.

'Well gosh,' says Mom. 'These cakes are perspiring!' Believe me, there ain't the life in those cakes to perspire.

Vaine Gurie preps her throat to speak, but just then Molten-bomb steps up to her with his camcorder and his alligator smile. 'A few words for the camera, Captain?'

An audience forms around them, consisting of Pam, Georgette, Leona, and Betty. Georgette's cigarettes appear. She's settling in. Betty's mope turns into a scowl, she steps back. 'You're not going to smoke on TV, are you—George?'

'Shhh,' says Georgette. 'I ain't on TV—she is. Don't piss me off, Betty.'

Deputy Curie's lips tighten. She draws a long breath, and frowns at the reporter. 'Firstly, sir, I'm a deputy, and secondly you should consult the media room for updates.'

'Actually, I'm doing a background story,' says Moltenbomb.

Gurie looks him up and down. 'Is that right. And you are …?'

'CNN, ma'am—Eulalio Ledesma, at your service.' Sunlight strikes some gold in his mouth. 'The world awaits,'

Gurie chuckles and shakes her head. 'The world's a long way from Martirio, Mr Ledesma.'

'Today the world is Martirio, ma'am.'

Curie's eyes dart to Pam. Pam's mouth jacks wide open like a kid in a fast-food commercial. The shape of the word 'TV!' shines out. 'Your Barry'll be so proud!' she says.

Deputy Gurie looks herself over. 'But I can't just go on like this, can I?'

'You're spotless, Vaine—get a grip,' tuts Pam.

'Is that right. Gh. And precisely what am I supposed to say?'

'Relax, I'll lead you right in,' says Mr Ledesma. Before Gurie can object, he sets down his tripod, aims the camera at her, and steps in front. His voice ripens to melted wood. 'Once again we don the cloak of mourning—a cloak worn ragged by the devastating fallout of a world in change. Today, the good citizens of Martirio, Central Texas, join me in asking—how do we heal America?'

'Gh-rr,' Gurie opens her mouth like she has the fucken answer. No, Vaine, duh—he ain't finished.

'We start on the front line, with the people whose role in the aftermath of tragedy is changing; our law-enforcement professionals. Deputy Vaine Gurie—does the community relate differently to you at a time like this?'

'Well, this is our first time,' she says. Like, fucken duh.

'But, are you increasingly called upon to counsel, to lend moral as well as civil support?'

'Stuss-tistically sir, there are more counselors in town than officers of the law. They don't enforce laws, so we don't counsel.'

The community is meeting the challenge, then—pulling together?'

'We have some manpower over from Luling, and the dogs are here from Smith County, sure. A committee in Houston even sent up some home-made fudge.'

'Obviously freeing valuable time for you to spend with survivors …' Ledesma motions me over.

Gurie falters. 'Sir, the survivors have survived—my job is to find the cause. This town won't rest until the cause of the problem is identified. And corrected.'