He asks me a few questions about my travels and about my homeland, listens with apparent interest to my replies, wishes me well, and efficiently sends me on my way.
My knees are trembling. My throat is dry.
Now I must meet my host the Count, and he is no easy pudding either. Nero Romulus Claudius Palladius is every bit as imposing as I had come to expect, a suave, burnished-looking man of about forty, tall for a Roman and strongly built, with a dense, flawlessly trimmed black beard, skin of a rich deep tone, dark penetrating eyes. He radiates an aura of wealth, power, self-assurance, and—even I am capable of detecting it—an almost irresistible sensuality.
“Cymbelin,” he says immediately. “A great name, a romantic name, the name of a king. Welcome to my house, Cymbelin of Britannia.” His voice is resonant, a perfectly modulated basso, the voice of an actor, of an opera singer. “We hope to see you here often during your stay in Roma.”
Lucilla, by my side, is staring at him in the most worshipful way. Which should trigger my jealousy; but I confess I feel such awe for him myself that I can scarcely object that she is under his spell.
He rests his hand lightly on my shoulder. “Come. You must meet some of my friends.” And takes me around the room. Introduces me to the incumbent Consul, Galerius Bassanius, who is younger and more frivolously dressed than I would have thought a Consul would be, and to some actors who seem to expect that I would recognize their names, though I don’t and have to dissemble a little, and to a gladiator whose name I do recognize—who wouldn’t, considering that he is the celebrated Marcus Sempronius Diodorus, Marcus the Lion-Slayer?—and then to a few flashy young ladies, with whom I make the appropriate flirtatious banter even though Lucilla has more beauty in her left elbow alone than any one of them does in her entire body.
We pass now through an atrium where a juggler is performing and onward to a second room, just as crowded as the first, where the general conversation has an oddly high-pitched tone and people are standing about in strangely stilted postures. After a moment I understand why.
There are royals in here. Everyone is on best court behavior.
Two princes of the blood, no less. Lucilla has me meet them both.
The first is Camillus Caesar, the Prince of Constantinopolis, eldest of the Emperor’s four brothers. He is plump, lazy-looking, with oily skin and an idle, slouching way of holding himself. If Gaius Junius Scaevola is a Julius Caesar, this man is a Nero. But for all his soft fleshiness I can make out distinct traces of the familiar taut features that mark the royal family: the sharp, fragile, imperious nose, the heroic chin, above all the chilly eyes, blue as Arctic ice, half hidden though they are behind owlish spectacles. It is as if the stern face of old Emperor Laureolus has somehow become embedded in the meaty bulk of this wastrel grandchild of his.
Camillus is too drunk, even this early in the evening, to say very much to me. He gives me a sloppy wave of his chubby hand and loses interest in me immediately.
Onward we go to the next oldest of the royals, Flavius Rufus Caesar. I am braced to dislike him, aware as I am that he has had the privilege of being Lucilla’s lover when she was only sixteen, but in truth he is charming, affable, a very seductive man. About twenty-five, I guess. He too has the family face; but he is lean, agile-looking, quick-eyed, probably quick-witted as well. Since from all I have heard his brother Maxentius is a buffoon and a profligate, it strikes me as a pity that the throne had not descended to Flavius Rufus instead of the other one when their old grandfather finally had shuffled off the scene. But the eldest heir succeeds: it is the ancient rule. With Prince Florus dead three years before his father Laureolus, the throne had gone to Florus’s oldest son Maxentius, and the world might be very different today had not that happened. Or perhaps I am overestimating the younger prince. Had Lucilla not told me Maxentius was the best of the lot?
Flavius Rufus—who plainly knows that I am Lucilla’s current amusement, and who just as plainly isn’t bothered by that—urges me to visit him toward the end of the year at the great Imperial villa at Tibur, a day’s journey outside Roma, where he will be celebrating the Saturnalia with a few hundred of his intimate friends.
“Oh, and bring the redhead, too,” Flavius Rufus says cheerfully. “You won’t forget her, now, will you?”
He blows her a kiss, and gives me a friendly slap on the palm of my hand, and returns to the adulation of his entourage. I am pleased and relieved that our meeting went so well.
Lucilla has saved the best of the family for last, though.
The dearest friend of her childhood, her schoolmate, her honorary kinswoman: the Princess Severina Floriana, sister of the Emperor. Before whom I instantly want to throw myself in utter devotion, she is so overpoweringly beautiful.
As Lucilla had said, Severina Floriana is dark, torrid-looking, exotic. There is no trace of the family features about her—her eyes are glossy black, her nose is a wanton snub, her chin is elegantly rounded—and I know at once that she must not be full sister to the Emperor, that she has to be the child of some subsidiary wife of Maxentius’s father: royals may have but one wife at a time, like the rest of us, but it is well known that often they exchange one wife for another, and sometimes take the first one back later on, and who is to say them nay? If Severina’s mother looked anything like Severina, I can see why the late Prince Florus was tempted to dally with her.
I was glib enough when speaking with Junius Scaevola and Nero Romulus Claudius Palladius, but I am utterly tongue-tied before Severina Floriana. Lucilla and she do all the talking, and I stand to one side, looming awkwardly in silence like an ox that Lucilla has somehow happened to bring to the party. They chatter of Neapolis’s social set, of Adriana, of Druso Tiberio, of a host of people whose names mean nothing to me; they speak of me, too, but what they are talking is the rapid-fire Roman of the capital, so full of slang and unfamiliar pronunciations that I can scarcely understand a thing. Now and again Severina Floriana directs her gaze at me—maybe appraisingly, maybe just out of curiosity at Lucilla’s newest acquisition; I can’t tell which. I try to signal her with my eyes that I would like a chance to get to know her better, but the situation is so complex and I know I am being reckless—how dare I even think of a romance with a royal princess, and how rash, besides, inviting the rage of Lucilla Scaevola by making overtures to her own friend right under her nose—!
In any case I get no acknowledgment from Severina of any of my bold glances.
Lucilla marches me away, eventually. We return to the other room. I am numb.
“I can see that you’re fascinated with her,” Lucilla tells me. “Isn’t that so?”
I make some stammering reply.
“Oh, you can fall in love with her if you like,” Lucilla says airily. “I won’t mind, silly! Everyone falls in love with her, anyway, so why shouldn’t you? She’s amazingly gorgeous, I know. I’d take her to bed myself, if that sort of thing interested me a little more.”
“Lucilla—I—”
“This is Roma, Cymbelin! Stop acting like such a simpleton!”
“I’m here with you. You are the woman I’m here with. I’m absolutely crazy about you.”
“Of course you are. And now you’re going to be obsessed with Severina Floriana for a while. It’s not in the least surprising. Not that you made much of a first impression on her, I suspect, standing there and gawking like that without saying a word, although she doesn’t always ask that a man have a mind, if he’s got a nice enough body. But I think she’s interested. You’ll get your chance during Saturnalia, I promise you that.” And she gives me a look of such joyous wickedness that I feel my brain reeling at the shamelessness of it all.