Fanke was still standing his ground on the far side of the circle, and his mouth was open as if he was yelling something. There was no sign of Abbie: I wasn’t sure exactly when she’d winked out, but she was no longer wrapped around his clenched fist. Everyone else was collapsing to their knees or trying to run on suddenly rubberised legs. A gout of oily black smoke erupted up the centre aisle, creeping low along the ground at first but rising and opening out as though it was alive and hungry, flickers of flame winking on and off within it like eyes.
I looked up at Asmodeus – I mean, at the clotted shadow-thing that was condensing over our heads: in a different way, I knew, the whole building was Asmodeus. The thing was spasming arrhythmically, the vein-like tendrils drawn in to the heart and then spat out again in whiplash curves, tightening on themselves with audible cracks. That meant my ears were working again, at least: in the initial shock after the movie canisters blew, I was afraid my eardrums had burst.
First things first. I shrugged off the piano wire, feeling it pull and then give, releasing a shower of blood droplets where it had been partially embedded in the flesh of my throat. Letting it fall, I leaned forward across the magic circle and hauled off with a punch that hit Fanke full in the face. It sent a thrill of agony through my burned fingers, but it also sent him flailing backwards into the altar rail. Jumping over the circle, I followed up with a low blow that doubled him up and made him drop Abbie’s locket. Good enough. I snatched the little golden heart up off the flags, and as I straightened again I brought my knee up into the bridge of Fanke’s nose for good measure. That should give him plenty to think about while I took care of Pen and Juliet, I reckoned.
Of course, how I was going to carry two women out of a burning building was a question that I hadn’t really thought through to any firm conclusions. But turning around with the locket clasped in my injured left hand, I discovered that it was unlikely to become an issue. In spite of the flames billowing up towards the ceiling at the back of the church, and the filaments of smoke crawling forward along the aisles, Fanke’s followers had rallied and were running to the defence of their master. The first one reached me just as I turned, throwing a clumsy punch that I clumsily blocked. I caught him on the rebound with a head-butt that he didn’t see coming. The second had a knife, and he stepped in around his injured colleague so that he could use it. But a couple of other robed figures surging up behind him knocked him off balance, and I was able to do a step-and-roll over the altar rail and back away from the charge.
They scrambled after me, fanning out along the length of the rail so that there was nowhere I could run to. This was the last place any of us wanted to be if the fire spread to cut us off from the main doors, but Fanke’s acolytes obviously cared more about completing the ritual than they did about their own safety. That’s what I’ve never been able to get about religion: that charmless combination of altruism and insanity. Give me a cynical, self-interested bastard any day of the week: at least you can play chicken with him and know he’ll stick to the rules.
I sprinted for the altar, but only because there was nowhere else to sprint. It was a lousy place for a last stand, as the crucified Christ had already discovered. I tried to vault up onto it, but since my left hand was out of action I had to use my right, which as a southpaw I’m a lot less handy with. I didn’t quite clear the marble top of the altar, which projected out about six inches from the base all around: instead I caught it with my knee, slipped and fell back to the floor in a sprawling heap.
The Satanists converged on me, too many to fight and too damn stupid to scare. Then, amazingly, instead of trampling me down and tearing me apart in the time-honoured way of religious zealots everywhere, they hesitated and came to a stumbling halt, staring past me across the altar. I saw why a moment later, as something scratched and skittered along its upper surface, and a set of long, slender talons gripped the stone rim just above my head.
Then the thing that was up there jumped into the midst of the Satanists. It looked like a greyhound at first – but that was because the two overriding impressions were of grey fur and emaciated slenderness. It was nothing like a greyhound in the way it moved: it arced like a striking snake, mewled like a cat, swiped out to left and right with hands from which claws bristled like racks of scalpels lovingly ranged by size. One of the Satanists screamed, but the scream was cut short as blood plumed from his severed throat. Another staggered back clutching both hands to his face, purple gouts welling up between his splayed fingers. A third had a gun already in his hand, and fired, but the shot went wide and broke one arm off the Christ above the altar. It crashed down behind me, unheeded.
The Satanists broke to either side, the grey thing dancing like a dervish between them. I saw its face, and that was a horror with its own special resonance, even in the midst of this symphony of horrors: partly because of the misshapen snout forced into an insane grin by canines too large for it to contain – but mainly because it was Zucker’s face, and I saw the man within the beast.
I tightened my grip on the locket, but my charred fingers wouldn’t close all the way, and the loup-garou’s eyes had already been drawn to the flash of incongruous gold from my blackened hand. He tensed to jump: but then the man with the gun fired again, and one of the beast’s legs gave way under it. Zucker made a squalling shriek, turning to face the new threat. It had already been dealt with, as Po – in human form – strode forward out of the smoke, took the gunman’s head in both of his hands and twisted it until it faced the wrong way on his neck.
I followed the example of most of the surviving Satanists and ran for it. Unfortunately, we were running into a storm: Fanke’s followers fell like threshed wheat as the sound of gunfire spread across the church. They seemed to prefer gunfire to what was behind them: several of them drew guns of their own and fired back. Dimly, through the spreading smoke, I saw black-robed figures moving up from the back of the church, skirting around the ceiling-high pyre in the centre where the film cans had exploded. Then a bullet whanged past on my left-hand side, knocking a fist-sized hole in the back of a pew, and I hit the deck.
I considered the merits of staying there until the whole thing had played itself out. Fanke couldn’t do anything without the locket, and that was still safe in my fire-blackened hand. But Gwillam’s Church commandos were after the same thing, and if they got it they’d exorcise Abbie without a second thought. I didn’t want to give them that chance. Admittedly, it was my fault they were here at alclass="underline" the note I’d left stuffed into Sallis’s pants back at the South Bank Centre had invited them to join me here for an informal chat and a little light jihad. I’d hoped that their arrival – or Basquiat’s – might come at a point where I needed a diversion: the age-old game of ‘let’s you and him fight’ is one I’ve always liked.
But this was getting too hot for my liking – in the literal sense as well as the other. Pen and Juliet were still out in the open, where a stray bullet could hit them at any moment, and even without that the thickening smoke suggested that the fire was taking hold and spreading. Whatever happened, I didn’t have the luxury of just staying put.
At least the smoke would give me a little cover: it was also choking me, making my eyes water and my lungs ache and spasm with each breath, but you can’t have everything. I crawled on hands and knees to the end of the pew and then sprinted across to the outer aisle, where a line of pillars provided something more solid to hide behind. I snaked forward from one to the next, making for the open area in front of the altar rail where Pen and Juliet were lying.