Barash stood up.
“Herr Doctor, I am afraid I have other business. I have attempted to answer your questions in good faith, but it is clear to me that you still believe that I am in some way connected with the deaths of the monk Stanislav and Councillor Faust. Once again, I must protest and declare my innocence. If I am to be arrested, then please proceed. Tell your associates at the security office that I am ready. However, if it is not your intention to arrest me, then I would ask you to leave me in peace.”
Barash crossed the room and opened the door. Liebermann followed.
The young doctor thanked the zaddik for his assistance, but Barash did not respond. He stood in the doorway, perfectly still, his gigantic frame swaying slightly. It was an unnatural stillness, and it reminded Liebermann of the absences that he had observed in certain hysterical and neurological cases. Liebermann then noticed that the zaddik’s gaze was focused on Liebermann’s forehead. Quite suddenly Barash blinked as if waking from a deep sleep and grumbled an apology.
“I am sorry, Herr Doctor. I am tired. Perhaps you could see yourself out.”
Liebermann did not move. “What did you see?”
Barash extended his hand and touched the doorjamb in order to steady himself. “Great danger,” he whispered.
“Am I going to die?” Liebermann asked.
“We are all of us going to die, Herr Doctor,” said Barash obtusely.
“Am I going to die in the next thirty days?” Liebermann persisted. “Is that what you saw?”
The zaddik’s face was inscrutable. “Be very careful.”
Liebermann wasn’t sure whether Barash was showing compassion or issuing a threat.
63
The Danube canal was bathed in late afternoon sunshine. A shimmer of light played on the gray-green water as Liebermann crossed the Maria-Theresien Bridge and headed off toward the Borse. He did not hail a cab. He wanted to walk, to clear his head and dispel the oppressive atmosphere of the zaddik’s parlor. It clung to him like the scent of mildew, and filled his mind with images of dust, decay, and interment. As he proceeded through the backstreets, Liebermann decided that he needed a very strong coffee. The Cafe Central-the favored haunt of writers, poets, and freethinkers-was just beyond the misshapen old town square, and the prospect of its splendid interior and decadent patrons was irresistible.
Liebermann crossed the open concourse, glancing in passing at the central fountain with its vigilant circle of bronze nymphs, and entered a shadowy street on the other side. Soon he was standing outside his destination, a little flushed but feeling better for having physically exerted himself. He opened the door and entered.
Inside, sturdy columns with ornate capitals rose up to a high vaulted ceiling. The pianist was playing a Brahms waltz, and the cavernous space was resonant with loud conversation and laughter. In the far corner a gaggle of art students (one still wearing his paint-spattered smock) was watching a billiard game.
Liebermann searched for somewhere to sit. He ventured farther into the coffeehouse, passing an inebriated cavalryman and squeezing between tables. Amid the general hubbub, he caught snatches of political debate, jokes, and immoderate language. After completing an unsuccessful circuit, he stopped and surveyed his surroundings. It was hopeless: the place was full. He would have to go somewhere else. But just as he was about to depart, he noticed a man, some distance away, rising from his chair and waving. It was Gabriel Kusevitsky, the young doctor whom he had met at his father’s lodge.
“Excuse me, sir.” A waiter with a full tray was trying to pass.
“I’m sorry,” said Liebermann, veering off in the direction of Kusevitsky’s table.
Kusevitsky stood to greet him.
“Liebermann, how good to see you. Would you like to join us?” He gestured toward his companions. The first was a youth whose physical features duplicated Kusevitsky’s. The second needed no introduction. “My brother, Asher Kusevitsky, and Arthur Schnitzler.” Liebermann bowed. “Herr Dr. Max Liebermann.” Kusevitsky added, “Another devotee of Professor Freud.”
Schnitzler was wearing a large pale hat with a wide brim, tilted at a perilously steep angle. His velvet jacket and embroidered shirt were rather dandified, as was his somewhat overwhelming and sweet-smelling cologne. His substantial mustache was combed out sideways, and his triangular beard was trimmed to a sharp point.
Liebermann sat down.
Schnitzler was in the middle of a story and evidently intended to finish it. “I made a few timid efforts to gain recognition for The Adventure of His Life. First I sent it to Siegwart Friedmann, who ignored it, then to Tewele, who as a friend of the family at least felt he had to say a few pleasant words about it. Director Lautenburg had already had a copy of the script sent to him from Vienna by Eirich. I had heard nothing from him, but when Lothar arrived, a meeting was arranged with Lautenburg at a restaurant-Krziwanek-and Lothar soon found a way to shift the conversation tactfully to my comedy. At first Lautenburg didn’t seem to remember it. I reminded him of a few scenes. Suddenly he knew what we were talking about, gave me a polite, pitying look, shook his head, and said just one word: Terrible.”
Schnitzler grinned.
“What a fool!” said Asher.
“That’s not all,” Schnitzler continued. “A few minutes later, as if to console me, he added, ‘Your first effort, I presume?’ Because I couldn’t even offer him this as an excuse, he apparently gave me up as a hopeless case, and we talked of other things.”
“Well,” said Asher, “I’ll bear that in mind.” He tapped the side of his nose, an odd gesture that suggested some kind of private understanding had been reached.
After a short pause, the conversation became more inclusive, turning to recent theatrical productions, and Liebermann was invited to give his opinion; however, he was painfully aware that he had not been to the theatre very much of late and had little of consequence to say.
Liebermann recalled reading something about Schnitzler only the previous week in the Wiener Tagblatt. His latest publication, the text of a dramatic work called Riegen, had been dubbed pornography. Liebermann had not read Riegen, but he had seen one of Schnitzler’s plays, Paracelsus, at the Court Theatre, and had once come across an interesting academic paper by Schnitzler (who was also a doctor) on the treatment of functional aphonia using hypnotic suggestion.
As the conversation progressed, Liebermann gleaned that Asher Kusevitsky was a burgeoning playwright and was in some way connected with Schnitzler’s circle. The famous author was nodding vigorously; however, Liebermann noticed that he was somewhat distracted. He kept looking over at a pretty young woman seated at an adjacent table. She was smoking a thin black cigarette and sipping red wine. Asher Kusevitsky, in the throes of an impassioned speech about the hammy excesses of an actor called Obermoser, was oblivious to his companion’s lapses of concentration.
A waiter arrived, and Liebermann ordered a large, very strong schwarzer.
When the conversation started up again, an invisible curtain seemed to have been drawn across the table, separating Gabriel Kusevitsky and Liebermann on one side from Asher Kusevitsky and Schnitzler on the other. The two literary gentlemen clearly had some business to discuss.
“So,” said Liebermann, addressing Kusevitsky, “how is your research progressing?”
“Very well,” Kusevitsky replied, straightening his stylish purple necktie. He was looking much smarter. Liebermann observed a small pearl in the tie knot. “I have already collected a considerable amount of fascinating material. I am now utterly convinced of Nietzsche’s assertion that in dreams some primeval relic of humanity is at work.”