Grandfather carefully turns your masculinity over in his hand, weighs it in his palm, squeezes its head.
“A good pecker!” he says at last. “A genuine Vargalys pecker. With a copper end.”
He hides it and buttons you up; probably he realizes you’ll keep standing there, completely dumbfounded. The dog gets up and rustles the red and yellow leaves, while tears gather in your eyes: grandfather is grandfather, but why did he have to show everything to that angry black beast?
“You know, my child, you can have a woman already, any woman,” says grandfather. “Every Vargalys can have any woman. Even your shitty father.”
You’re dumbfounded again, because grandfather is smiling. That’s impossible, grandfather doesn’t know how to smile, he doesn’t have the section of the brain that creates a smile. Even now, hardly born, the smile dies.
“Go on!” says grandfather in his usual brusque voice. “And remember — you’re a Vargalys now. Persevere, my child, being a Vargalys is no kind of luck. And don’t try to understand yourself. No Vargalys has ever understood himself.”
You walk out as if you’re dreaming, turn back once more, and see grandfather in the midst of the red and yellow leaves scattered about the floor, already muttering curses under his breath. He curses everything by turns: first Żeligowski and the Poles of Vilnius, then all the Poles in the world, the Russians and the Germans, life, God, the sun and the moon, father and mother, the Milky Way and every last galaxy.
Unfortunately, she has never seen or experienced me at all; all she knows is the Vytautas Vargalys who walks the corridors of the library or the streets of Vilnius. Then what did she choose, who is that person who is twice as old as she is? Is it me, or not me? This person in the mirror, or maybe the phantom of her dreams, whom not even the real I could equal?
If she really chose that person in the mirror, the one who has lost all hope, I must warn her, restrain her, before it’s too late. I don’t even know what’s more important to me — to help her, or to harm her, to take revenge (revenge for what?) on that mean-eyed man, attentively inspecting my nakedness. Surely she sees, surely she understands that beneath that solid-looking exterior hides a body that disobeys its master, a body living an independent life? That’s a dangerous body, the husk of an unnamable creature, into which my innards have been forcibly stuffed. You can look at that husk for hours upon hours, but you’ll see nothing real. I’m not there; there’s only that sad person of the mirror. Even I’m not able to penetrate his depths. And thank God for that!
I have an inkling of what would happen if you were to worm your way even a bit deeper, if the exterior armor were to open itself up and uncover the weedy undergrowth and cobweb-caked corners inside. What would go on, if, somewhere in the world, there were a torch you could use to light up all of the little nooks of the spirit, or better yet — to scorch the bestiaries of the interior, so that all of the inner creatures, all of those abominations, would start clambering out in fright. It would be appropriate to classify people based just on the monstrosities crawling about inside them, on the basis of their profusion, types, and variety. All you would need to do is invent that torch, and nuns with modestly lowered eyes would instantly be stuck all over with warty toads, and holy martyrs would be covered in swarms of poisonous mosquitoes. So then what would it tell us about all the others?
I know that naked person of the mirror well; I know what a procession of hellish monsters would swarm out of him. Creatures with the bodies of toads and the eyes of birds, lurching along on short little legs, twisted long-nosed heads with deranged stares, old women with swollen bellies splattered with warts, greenish slimy faces, fish-human servants of Satan with the snouts of mice, birds with hairy beaks and transparent guts in which pieces of human flesh were being digested, round glassy eyes without pupils, rotting bodies overgrown with tree bark, gigantic breasts with pimply, bloody nipples, spreading a hideous stench with every movement, clumsy dwarves belching waste, innocent girls run through a meat grinder and put together again into a single thing, smiling little figures pierced with needles, and then women, women, women, embracing the rot of tree trunks, with pockmarked frogs greedily mouthing at their crotches and blood-sucking bats stuck to their bellies, women distorting their faces in pleasure, giving themselves to long-bristled boars in lacy beds. . And that’s just the edges of the gray hell, the good-natured periphery; the most essential thing is to see how he himself, that motley crew’s leader, appears, to see what he himself is up to. .
I stand completely naked in front of the mirror and almost admire him. His body has gone completely numb, but he patiently (and probably insolently) continues to stand against the bloody background, defying me. Suddenly I realize he sees straight through me too. I confess: I like those kind of people.
Only those who have lost their spirit fear the monsters of the interior. Only those who have lost their balance pretend their insides are pure and refined. You can only become truly great by joining your heaven with your hell. All of the good in people is the same, but the kingdom of evil is different in everyone. I truly think this way, but could I confess this to Lolita? Does she have even the slightest idea of what’s going on inside of me, of what a quagmire she’s stepping in to? Wouldn’t she be frightened, seeing even one of my billions of Bosch-like inner landscapes? And how could I show them to her?
Maybe I have to stand completely naked against a bloody background in front of her too, stand for hours upon hours, so that she could scrutinize my graying temples, my nearly pupil-less eyes with their darkened irises, my scarred masculinity — so she could look until she saw the headless monsters inside of me (or see me myself as a headless monster), until she could hear my inner music, until she could sense my true scent. .
No, all the same I do not understand why she chose me. There’s no explanation for it, or more accurately, there is only one explanation (so far only one) that I don’t even want to think about.
Now I stand on the street by the bus stop across from the Russian Orthodox Church and absentmindedly look around (who knows when I stood and looked around). Not far off a girl in a cocoa-colored raincoat flashes by, on the church’s steps a furtive cat curls itself up; but that’s not what matters most. What plagues me the most is the memory of the limp-breasted Old Town Circe, her spirit hovering about. Even the trees are as quiet as she was then.
Now I see the man with straw-colored hair, unsteady on his feet, now I sense the glare of his pallid eyes fixed upon me, smell the odor of rotting leaves. And it’s in that glare, in that odor, that the answer hides, an answer that unifies the scattered details into an excessively harmonious whole.
All of Their subspecies watch you, secretly shadow you — even if they’re eyeless; eyes are not at all what matters most in this case. I could call Them “the observers,” “the watchers,” “the stalkers;” however, these names would imperceptibly lead away from The Way. Our language is merely a collection of labels, stuck alike to entirely different things, because those labels always run short, there’s never enough of them. (It’s They who always strive for words to come up so short, to be so inaccurate and deceptive.) But after all, it isn’t Their oppressive meddling that determines everything. The crushing groping about in the dark and the unceasing shadowing are probably the most obvious, but by no means the most dangerous things.