The house was a two-story wood-framed structure obscured by an overgrowth of wisteria and myrtle. Pinecones, hickory nuts, and what are known locally as sweet gum monkey balls covered the ground where we hid and watched. Everything about the place brought back memories of where I had grown up in the South. Not too many happy moments, unfortunately. My mother and father had both died in their thirties, well before their time. My therapist has a theory that I see myself dying young because both my parents did. The Mastermind seems to hold a similar theory, and perhaps wants to put it into action soon.
The roof of the old house was sharply pitched; a narrow attic window was broken in two places. The peeling white-painted clapboards were mostly intact, but the asbestos-shingled roof was bare in spots, revealing tar paper. Creepy, creepy, creepy.
The FBI was supersensitive to the fact that most of those inside the house were probably under twenty years old. They didn't know exactly who they were or if any had police records. There was no proof they were involved with the murders. It was decided that as long as we remained undetected, we'd wait until night to see if anyone left or entered. Then we would move on the house. The situation was getting sticky, maybe political, and there would be consequences if a minor got hurt or killed.
In sharp contrast, everything seemed peaceful in the woods; the ramshackle house was strangely quiet considering all the young people who were supposed to be in there. No loud laughter or rock music, no smells of cooking. Dim lights were flickering.
My growing fear was that the killer was already gone, that we were too late.
Chapter 49
Someone was whispering close to my ear — it was Kyle.
"Let's go, Alex. It's time to move on them."
At four in the morning, he gave the signal to breach the house. Kyle was calling all the shots. He had authority over the locals too.
I accompanied a dozen agents outfitted in blue wind-breakers. Nobody was feeling too secure about the raid. We moved cautiously to within seventy-five yards of the house, the edge of the pine forest. Two snipers, who had dug in about thirty yards from the house, radioed that it was still quiet inside. Too quiet?
"These are mostly young kids," Kyle reminded us before we went in. "But protect yourselves first."
We crawled on our hands and knees until we were as close as the snipers. Then we rushed the house, using three entrances to get inside.
Kyle and I went through the front, the others through the side and back. A couple of flash-bang grenades went off. There was screaming on the ground floor. High-pitched. Kids. No gunshots yet.
It was a weird, chaotic scene. Stoned kids — lots of them, most in their underwear or nude. At least twenty teenagers had been sleeping on the ground floor. No electricity, just candles. The place smelled of urine, weed, mildew, cheap wine, and wax. Insane Clown Posse and Killah Priest posters were hung on the walls.
The tiny front hall and the living room merged into an open area. The kids had been asleep on blankets or just the wooden floor. Now they were awake, and angry, shouting, "Pigs! Cops! Get the fuck out!"
Agents were rousting more of them on the second floor. There were fistfights but still no gunshots. No one seriously hurt yet. A sense of anticlimax.
A skinny boy screamed at the top of his voice and rushed at me. He seemed to have no fear. His eyes were bloodred. Color contacts. He was growling and drooling frothy saliva. I took him down in a headlock, cuffed him, told him to chill before he got himself hurt. I doubt that he weighed much more than a hundred and forty pounds, but he was wiry and stronger than he looked.
An agent near me wasn't so lucky — a heavyset redheaded girl bit him in the cheek as he was attempting to restrain her. Then the girl bit into his chest. The agent howled and struggled to get her off. She held on like a dog with a bone.
I yanked the girl away and cuffed her arms behind her back. She wore a black T-shirt with "Merry Fuckin' Xmas Bitch" printed on it. She had tattoos of snakes and skulls everywhere. She was screaming in my face, "You are unworthy! You suck!"
"The one we want is in the cellar! The killer," Kyle called to me. "Irwin Snyder." I followed him through a dysfunctional kitchen, then out back to a slanted wooden door that led to a cellar.
We had our guns drawn. Based on what we knew about the viciousness and suddenness of Irwin Snyder's attack, nobody wanted to go into the cellar. I yanked open the door and we edged inside.
Kyle, two other agents, and I went down three rickety wooden steps.
It was quiet and dark. An agent worked a flashlight around.
Then we saw the killer. He saw us too.
Chapter 50
A well-built teenage boy in a soiled black leather studded vest and black jeans was crouched in the far corner of the cellar, waiting for us. He had a crowbar. He leaped up and began swinging it over his head. He was growling. It had to be Irwin Snyder, the boy who had killed his parents. He was so damn young, just seventeen. What had gotten into his head?
Gold fangs protruded from his mouth. Contacts made his eyes appear bloodred. His nose and eyebrows were pierced with at least a dozen tiny gold and silver hoops. He was tightly muscled and over six feet tall. He'd been a star football player before he suddenly dropped out of school.
Snyder continued to growl at us. He stood in an oozing groundwater puddle and didn't seem aware of it. His eyes were glazed and seemed to be set way back in his skull.
"Back off!" he shouted. "Y'all have no idea how much shit you're in. Y'all have no goddamn idea! Get the fuck out of here! Get out of our house!"
He was still swinging the heavy, rusted crowbar. We stopped moving. I wanted to hear whatever he had to say.
"What kind of shit are we in?" I asked Snyder.
"I know who you are," he shouted, spraying spit all the way across the room. He was in a murderous rage. He looked stoned beyond comprehension.
"Who am I?" I asked him. How could he know?
"You're fucking Cross, that's who," he said, and bared fang-capped teeth, the smile of a madman. His answer shook me up. "The rest of y'all are FBI dogs! Y'all deserve to die! You will! The Cross don't work here, assholes."
"Why did you kill your mother and father?" Kyle asked from his place on the stairs.
"To free 'em," Snyder sneered. "Now they're free as little birdies in the air."
"I don't believe you," I said. "That's bullshit."
He continued to growl like a barnyard dog. "Smarter than you look, Cross."
"Why did you use metal fangs when you bit them? What does the tiger mean, Irwin?" I asked another couple of questions.
"You already know or you wouldn't ask," he said, and laughed wickedly. His real teeth were yellow and nicotine stained. His black jeans were filthy and looked as if they'd been dipped in ashes. The leather vest had studs missing. The cellar smelled awful, like spoiled meat. What had happened down here? I almost didn't want to know.
"Why did you kill your parents?" I asked again.
"Killed them to free myself," he screamed. "Killed their asses 'cause I follow the Tiger."
"Who's the Tiger? What does the Tiger mean?"
His eyes danced with mischief. "Oh, you'll see soon enough. You'll see. Then you'll wish you didn't."
He dropped the crowbar and reached into his jeans, and I rushed him. Irwin Snyder had a stiletto knife in his right hand. He swiped the knife at me, and I pivoted away.