Lev said later of his new bride, Chelsea, "I need her so much, Triana, I need her.
She's like Lily to me again. It's like I have Lily."
I had said I understood. I thi nk I was numb. Numb is the only way to describe how I'd feel when I sat in the other room and Chelsea and Lev made love, and then they'd come in and kiss me and Chelsea would say I was the most unusual woman she'd ever known.
Now that really is funny!
I was going to start to cry. Disaster! There were car doors closing, dark shadows against the florist shop of people waving farewell.
Grady called from inside the house. I could hear Katrinka. So the moment had come.
I turned and walked down the length of the wet porch, past the rocking chairs that were dappled with drops of rain, and I turned and looked into the wide hall. It was the most lovely view, because the great mirror at the far end, on the dining room wall, reflected both chandeliers, the small one of the hallway and the large one of the dining room, and it did seem you were looking down a truly grand corridor.
My Dad had made such speeches about the importance of those chandeliers, how my mother had loved them, how he'd never sell those chandeliers! Never, never, never.
Funny thing was, I couldn't remember who asked him to do it, or when or how. Because after my Mother's death, and with all of us gone eventually, he had done very well, and before that, my Mother would never have let anyone touch those treasures.
The house was almost empty.
I went inside. I was not myself. I was frozen inside an alien form and the voice that came out could not be trusted. Katrinka was crying and had made her handkerchief into a knot.
I followed Grady into the front room where the high-top desk stood, between the front windows.
"I keep remembering things, such things," I said. "Maybe it's to chase away the present, but he died at peace, he didn't suffer as much as we feared, he, we all . .
"Darlin', you sit down," said Grady. "Your sister here is determined to discuss this house here and now. Seems she was indeed piqued by your Father's will, just as you said, and feels she's entitled to a portion of the sale of this house."
Katrinka looked at him in amazement. Her husband, Martin, shook his head and glanced at Rosalind's sweet-hearted husband, Glenn.
"Well, Katrinka is entitled," I said, "when I die." I looked up. The words had silenced everybody. Slinging the word "die" with such abandon, I guess.
Katrinka put her hands to her face and turned away. Rosalind had only flinched.
And declared in her low stentorian voice, "I don't want anything!
Glenn made some sharp low remark to Katrinka, to which Katrinka's husband, Martin, violently objected.
"Look, ladies, let's come to the point," said Grady. "Triana, you and I have discussed this moment. We are prepared for it. Indeed, we are well prepared."
"We have?" I was dreaming. I wasn't there. I could see them all. I knew there was no danger of anyone selling this house. I knew it. I knew things that none of them knew except Grady, but it wasn't that that mattered; it was that my violinist had consoled me when I thought of all the dead in the soft earth, and I'd imagined the thing, imagined it!
There had been some conversation-surely the evidence of madness. And it was madness that he'd said he wanted, but that was a lie. It was a balm he brought to me, a salve, a covering of kisses. His music knew! His music didn't lie. His music-.
Grady touched my hand. Katrinka's husband, Martin, said this wasn't a good time, and Glenn said that it wasn't a good time, and these words made no impression.
Lord God, to be born with no talent is bad enough, but to have a macabre and febrile imagination as well is a curse. I stared at the big picture of St. Sebastian over the fireplace. One of Karl's most treasured possessions-the original of the print that would be put on the cover of his book.
The suffering saint was marvelously erotic, tied to the tree, pierced with so many arrows.
And there on the other wall, over the couch, the big painting of flowers. So like Monet, they said.
It was a painting Lev had done for me and sent from Providence, Rhode Island, when he'd been teaching at Brown. Lev and Katrinka. Lev and Chelsea.
Katrinka had been only eighteen. I should never, never have let it all come to that; it was my fault getting Katrinka into that with Lev, and he was so ashamed, and she, what did she say afterwards, that when a woman was as pregnant as I was, that these things-no.
I had said that to her, to tell her it was all right, that I was sorry, that I, that he-I looked up at her. She was so distant, this slender anxious woman, from my solemn and silent little sister Katrinka. Katrinka when she was little had come home once with my Mother, and my Mother, drunk, had passed out on the porch, with the keys to the house in her purse, and little Katrinka, only six, had sat there five hours waiting for me to come home, ashamed to ask anyone to help, sitting there, beside this woman lying on the porch, a little child just sitting there waiting. "She fell down when we got off the streetcar, but she got up."
Shame, blame, maim, pain, vain!
I looked down on the surface of the table. I saw my hands. I saw the checkbook lying there, blue vinyl, or some other slimy and fiercely strong and ugly material like that, a long rectangular checkbook of the simplest kind, with checks in one side, and in the other tucked a thin-lined ledger.
I am a person who never bothers to enter a check into a ledger. But that was of no importance anymore at all. No talent for numbers, no talent for music. Mozart could play backwards. Mozart probably was a mathematical genius, but then Beethoven, he was nothing as sharp, a wholly different kind of...
"Triana."
"Yes, Grady."
I tried to pay attention to Grady's words.
Katrinka wanted the house sold, he said, the inheritance divided. She wanted me to sign over my right to remain in the house until death-"usufruct," as it is called under the law-the use of the house until my death, a right in fact shared by me and Faye. Now, how was I supposed to do that, with Faye utterly gone, I thought, and Grady was addressing this in a long drawn out, beautifully drawling way, saying that various attempts had been made to reach Faye, just as if Faye was really all right. Grady's accent was part Mississippi and part Louisiana and always melodious.
One time Katrinka told me that Mother put Faye in the bathtub. Faye was not even two years old, just able to sit up. Mother went "to sleep," which meant drunk, and Katrinka found Faye sitting in the tub, and the tub was full of excrement, turds floating in the water, and Faye was happily splashing, well, that happens, doesn't it, and Katrinka so little at the time. I came home, I was tired. I slammed my school books down. I didn't want to know! I didn't. The house was so dark and so cold. They were too little, either of them, to turn on the gas heaters in this house then, which were without pilot lights and on the open hearths and so dangerous they could anytime set the house on fire. There was no heat! Don't! The danger of fire with them alone and her drunk-. Don't.
It's not like that now!
"Faye is alive," I whispered. "She is . . . somewhere."
No one heard.
Grady had written the check already.
He placed it in front of me. "Do you want me to say what you asked me to say?" he said. This was confidential and kind of him.
Suddenly it jolted me. Of course. I had planned it, in angst and coldness, on a dark shadowy day when Karl was hurting with every breath, that if she ever tried this, my sister, my poor lost orphaned sister, Katrinka, that I would do this to her. We had planned it. I had told Grady, and Grady had had no choice but to follow my advice, and thought it most prudent besides, and he had a small statement to read.
"How much do you calculate this house is worth, Mrs. Russell?" he asked Katrinka. "what would you say?"