"This is Brescia, which my father said he loved better than his wife.
"General Paolo Ammiani is buried here. I was at his tombstone this morning. I wish you had known him.
"You remember, we talked of his fencing with me daily. 'I love the fathers who do that.' You said it. He will love you. Death is the shadow—not life. I went to his tomb. It was more to think of Brescia than of him. Ashes are only ashes; tombs are poor places. My soul is the power.
"If I saw the Monte Viso this morning, I saw right over your head when you were sleeping.
"Farewell to journalism—I hope, for ever. I jump at shaking off the journalistic phraseology Agostino laughs at. Yet I was right in printing my 'young nonsense.' I did, hold the truth, and that was felt, though my vehicle for delivering it was rubbish.
"In two days Corte promises to sing his song, 'Avanti.' I am at his left hand. Venice, the passes of the Adige, the Adda, the Oglio are ours. The room is locked; we have only to exterminate the reptiles inside it. Romara, D'Arci, Carnischi march to hold the doors. Corte will push lower; and if I can get him to enter the plains and join the main army I shall rejoice."
The letter concluded with a postscript that half an Italian regiment, with white coats swinging on their bayonet-points, had just come in.
It reached Vittoria at a critical moment.
Two days previously, she and Laura Piaveni had talked with the king. It was an unexpected honour. Countess, d'Isorella conducted them to the palace. The lean-headed sovereign sat booted and spurred, his sword across his knees; he spoke with a peculiar sad hopefulness of the prospects of the campaign, making it clear that he was risking more than anyone risked, for his stake was a crown. The few words he uttered of Italy had a golden ring in them; Vittoria knew not why they had it. He condemned the Republican spirit of Milan more regretfully than severely. The Republicans were, he said, impracticable. Beyond the desire for change, they knew not what they wanted. He did not state that he should avoid Milan in his march. On the contrary, he seemed to indicate that he was about to present himself to the people of Milan. "To act against the enemy successfully, we must act as one, under one head, with one aim." He said this, adding that no heart in Italy had yearned more than his own for the signal to march for the Mincio and the Adige.
Vittoria determined to put him to one test. She summoned her boldness to crave grace for Agostino Balderini to return to Piedmont. The petition was immediately granted. Alluding to the libretto of Camilla, the king complimented Vittoria for her high courage on the night of the Fifteenth of the foregoing year. "We in Turin were prepared, though we had only then the pleasure of hearing of you," he said.
"I strove to do my best to help. I wish to serve our cause now," she replied, feeling an inexplicable new sweetness running in her blood.
He asked her if she did not know that she had the power to move multitudes.
"Sire, singing appears so poor a thing in time of war."
He remarked that wine was good for soldiers, singing better, such a voice as hers best of all.
For hours after the interview, Vittoria struggled with her deep blushes. She heard the drums of the regiments, the clatter of horses, the bugle- call of assembly, as so many confirmatory notes that it was a royal hero who was going forth.
"He stakes a crown," she said to Laura.
"Tusk! it tumbles off his head if he refuses to venture something," was
Laura's response.
Vittoria reproached her for injustice.
"No," Laura said; "he is like a young man for whom his mother has made a match. And he would be very much in love with his bride if he were quite certain of winning her, or rather, if she would come a little more than halfway to meet him. Some young men are so composed. Genoa and Turin say, 'Go and try.' Milan and Venice say, 'Come and have faith in us.' My opinion is that he is quite as much propelled as attracted."
"This is shameful," said Vittoria.
"No; for I am quite willing to suspend my judgement. I pray that fortune may bless his arms. I do think that the stir of a campaign, and a certain amount of success will make him in earnest."
"Can you look on his face and not see pure enthusiasm?"
"I see every feminine quality in it, my dear."
"What can it be that he is wanting in?"
"Masculine ambition."
"I am not defending him," said Vittoria hastily.
"Not at all; and I am not attacking him. I can excuse his dread of Republicanism. I can fancy that there is reason for him just now to fear Republicanism worse than Austria. Paris and Milan are two grisly phantoms before him. These red spectres are born of earthquake, and are more given to shaking thrones than are hostile cannonshot. Earthquakes are dreadfuller than common maladies to all of us. Fortune may help him, but he has not the look of one who commands her. The face is not aquiline. There's a light over him like the ray of a sickly star."
"For that reason!" Vittoria burst out.
"Oh, for that reason we pity men, assuredly, my Sandra, but not kings. Luckless kings are not generous men, and ungenerous men are mischievous kings."
"But if you find him chivalrous and devoted; if he proves his noble intentions, why not support him?"
"Dandle a puppet, by all means," said Laura.
Her intellect, not her heart, was harsh to the king; and her heart was not mistress of her intellect in this respect, because she beheld riding forth at the head of Italy one whose spirit was too much after the pattern of her supple, springing, cowering, impressionable sex, alternately ardent and abject, chivalrous and treacherous, and not to be confided in firmly when standing at the head of a great cause.
Aware that she was reading him very strictly by the letters of his past deeds, which were not plain history to Vittoria, she declared that she did not countenance suspicion in dealing with the king, and that it would be a delight to her to hear of his gallant bearing on the battle-field. "Or to witness it, my Sandra, if that were possible;—we two! For, should he prove to be no General, he has the courage of his family."
Vittoria took fire at this. "What hinders our following the army?"
"The less baggage the better, my dear."
"But the king said that my singing—I have no right to think it myself."
Vittoria concluded her sentence with a comical intention of humility.
"It was a pretty compliment," said Laura. "You replied that singing is a poor thing in time of war, and I agree with you. We might serve as hospital nurses."
"Why do we not determine?"
"We are only considering possibilities."
"Consider the impossibility of our remaining quiet."
"Fire that goes to flame is a waste of heat, my Sandra."
The signora, however, was not so discreet as her speech. On all sides there was uproar and movement. High-born Italian ladies were offering their hands for any serviceable work. Laura and Vittoria were not alone in the desire which was growing to be resolution to share the hardships of the soldiers, to cherish and encourage them, and by seeing, to have the supreme joy of feeling the blows struck at the common enemy.
The opera closed when the king marched. Carlo Ammiani's letter was handed to Vittoria at the fall of the curtain on the last night.
Three paths were open to her: either that she should obey her lover, or earn an immense sum of money from Antonio-Pericles by accepting an immediate engagement in London, or go to the war. To sit in submissive obedience seemed unreasonable; to fly from Italy impossible. Yet the latter alternative appealed strongly to her sense of duty, and as it thereby threw her lover's commands into the background, she left it to her heart to struggle with Carlo, and thought over the two final propositions. The idea of being apart from Italy while the living country streamed forth to battle struck her inflamed spirit like the shock of a pause in martial music. Laura pretended to take no part in Vittoria's decision, but when it was reached, she showed her a travelling-carriage stocked with lint and linen, wine in jars, chocolate, cases of brandy, tea, coffee, needles, thread, twine, scissors, knives; saying, as she displayed them, "there, my dear, all my money has gone in that equipment, so you must pay on the road."