No other message was delivered. Ammiani presently descended and obtained a guard from the barricade; word was sent on to the barricades in advance toward the citadel. Wilfrid stood aside as Count Lenkenstein led the ladies to the door, bearing Lena on his arm. She passed her lover veiled. The count said, "You follow." He used the menial second person plural of German, and repeated it peremptorily.
"I follow no civilian," said Wilfrid.
"Remember, sir, that if you are seen with arms in your hands, and are not in the ranks, you run the chances of being hanged."
Lena broke loose from her brother; in spite of Anna's sharp remonstrance and the count's vexed stamp of the foot, she implored her lover:—"Come with us; pardon us; protect me—me! You shall not be treated harshly. They shall not Oh! be near me. I have been ill; I shrink from danger. Be near me!"
Such humble pleading permitted Wilfrid's sore spirit to succumb with the requisite show of chivalrous dignity. He bowed, and gravely opened his enormous umbrella, which he held up over the heads of the ladies, while Ammiani led the way. All was quiet near the citadel. A fog of plashing rain hung in red gloom about the many watchfires of the insurgents, but the Austrian head-quarters lay sombre and still. Close at the gates, Ammiani saluted the ladies. Wilfrid did the same, and heard Lena's call to him unmoved.
"May I dare to hint to you that it would be better for you to join your party?" said Ammiani.
Wilfrid walked on. After appearing to weigh the matter, he answered,
"The umbrella will be of no further service to them to-night."
Ammiani laughed, and begged to be forgiven; but he could have done nothing more flattering.
Sore at all points, tricked and ruined, irascible under the sense of his injuries, hating everybody and not honouring himself, Wilfrid was fast growing to be an eccentric by profession. To appear cool and careless was the great effort of his mind.
"We were introduced one day in the Piazza d'Armi," said Ammiani. "I would have found means to convey my apologies to you for my behaviour on that occasion, but I have been at the mercy of my enemies. Lieutenant Pierson, will you pardon me? I have learnt how dear you and your family should be to me. Pray, accept my excuses and my counsel. The Countess Lena was my friend when I was a boy. She is in deep distress."
"I thank you, Count Ammiani, for your extremely disinterested advice," said Wilfrid; but the Italian was not cut to the quick by his irony; and he added: "I have hoisted, you perceive, the white umbrella instead of wearing the white coat. It is almost as good as an hotel in these times; it gives as much shelter and nearly as much provision, and, I may say, better attendance. Good-night. You will be at it again about daylight, I suppose?"
"Possibly a little before," said Ammiani, cooled by the false ring of this kind of speech.
"It's useless to expect that your infernal bells will not burst out like all the lunatics on earth?"
"Quite useless, I fear. Good-night."
Ammiani charged one of the men at an outer barricade to follow the white umbrella and pass it on.
He returned to the Countess d'Isorella, who was awaiting him, and alone.
This glorious head had aroused his first boyish passion. Scandal was busy concerning the two, when Violetta d'Asola, the youthfullest widow in Lombardy and the loveliest woman, gave her hand to Count d'Isorella, who took it without question of the boy Ammiani. Carlo's mother assisted in that arrangement; a maternal plot, for which he could thank her only after he had seen Vittoria, and then had heard the buzz of whispers at Violetta's name. Countess d'Isorella proved her friendship to have survived the old passion, by travelling expressly from Turin to obtain leave to visit him in prison. It was a marvellous face to look upon between prison walls. Rescued while the soldiers were marching him to the citadel that day, he was called by pure duty to pay his respects to the countess as soon as he had heard from his mother that she was in the city. Nor was his mother sorry that he should go. She had patiently submitted to the fact of his betrothal to Vittoria, which was his safeguard in similar perils; and she rather hoped for Violetta to wean him from his extreme republicanism. By arguments? By influence, perhaps. Carlo's republicanism was preternatural in her sight, and she presumed that Violetta would talk to him discreetly and persuasively of the noble designs of the king.
Violetta d'Isorella received him with a gracious lifting of her fingers to his lips; congratulating him on his escape, and on the good fortune of the day. She laughed at the Lenkensteins and the singular Englishman; sat down to a little supper-tray, and pouted humorously as she asked him to feed on confects and wine; the huge appetites of the insurgents had devoured all her meat and bread.
"Why are you here?" he said.
She did well in replying boldly, "For the king."
"Would you tell another that it is for the king?"
"Would I speak to another as I speak to you?"
Ammiani inclined his head.
They spoke of the prospects of the insurrection, of the expected outbreak in Venice, the eruption of Paris and Vienna, and the new life of Italy; touching on Carlo Alberto to explode the truce in a laughing dissension. At last she said seriously, "I am a born Venetian, you know; I am not Piedmontese. Let me be sure that the king betrays the country, and I will prefer many heads to one. Excuse me if I am more womanly just at present. The king has sent his accredited messenger Tartini to the Provisional Government, requesting it to accept his authority. Why not? why not? on both sides. Count Medole gives his adhesion to the king, but you have a Council of War that rejects the king's overtures—a revolt within a revolt.
"It is deplorable. You must have an army. The Piedmontese once over the Ticino, how can you act in opposition to it? You must learn to take a master. The king is only, or he appears, tricksy because you compel him to wind and counterplot. I swear to you, Italy is his foremost thought. The Star of Italy sits on the Cross of Savoy."
Ammiani kept his eyelids modestly down. "Ten thousand to plead for him, such as you!" he said. "But there is only one!"
"If you had been headstrong once upon a time, and I had been weak, you see, my Carlo, you would have been a domestic tyrant, I a rebel. You will not admit the existence of a virtue in an opposite opinion. Wise was your mother when she said 'No' to a wilful boy!"
Violetta lit her cigarette and puffed the smoke lightly.
"I told you in that horrid dungeon, my Carlo Amaranto—I call you by the old name—the old name is sweet!—I told you that your Vittoria is enamoured of the king. She blushes like a battle-flag for the king. I have heard her 'Viva il Re!' It was musical."
"So I should have thought."
"Ay, but my amaranto-innamorato, does it not foretell strife? Would you ever—ever take a heart with a king's head stamped on it into your arms?"
"Give me the chance!"
He was guilty of this ardent piece of innocence though Violetta had pitched her voice in the key significant of a secret thing belonging to two memories that had not always flowed dividedly.
"Like a common coin?" she resumed.
"A heart with a king's head stamped on it like a common coin."
He recollected the sentence. He had once, during the heat of his grief for Giacomo Piaveni, cast it in her teeth.
Violetta repeated it, as to herself, tonelessly; a method of making an old unkindness strike back on its author with effect.
"Did we part good friends? I forget," she broke the silence.
"We meet, and we will be the best of friends," said Ammiani.
"Tell your mother I am not three years older than her son,—I am thirty. Who will make me young again? Tell her, my Carlo, that the genius for intrigue, of which she accuses me, develops at a surprising rate. As regards my beauty," the countess put a tooth of pearl on her soft under lip.