The children are playing in the snow again. In their midst, with her back to me, is the hooded figure of the girl. At moments, as I struggle towards her, she is obliterated from sight behind the curtain of falling snow. My feet sink so deep that I can barely lift them. Each step takes an age. This is the worst it has snowed in all the dreams.
As I labour towards them the children leave off their play to look at me. They turn their grave shining faces on me, their white breath drifting from them in puffs. I try to smile and touch them as I pass on my way to the girl, but my features are frozen, the smile will not come, there seems to be a sheet of ice covering my mouth. I raise a hand to tear it off: the hand, I find, is thickly gloved, the fingers are frozen inside the glove, when I touch the glove to my face I feel nothing. With ponderous movements I push my way past the children.
Now I begin to see what the girl is doing. She is building a fort of snow, a walled town which I recognize in every detaiclass="underline" the battlements with the four watchtowers, the gate with the porter's hut beside it, the streets and houses, the great square with the barracks compound in one corner. And here is the very spot where I stand! But the square is empty, the whole town is white and mute and empty. I point to the middle of the square. "You must put people there!" I want to say. No sound comes from my mouth, in which my tongue lies frozen like a fish. Yet she responds. She sits up on her knees and turns her hooded face towards me. I fear, at this last instant, that she will be a disappointment, that the face she will present to me will be obtuse, slick, like an internal organ not meant to live in the light. But no, she is herself, herself as I have never seen her, a smiling child, the light sparkling on her teeth and glancing from her jet-black eyes. "So this is what it is to see!" I say to myself. I want to speak to her through my clumsy frozen muzzle. "How do you do all that fine work with your hands in mittens?" I want to say. She smiles kindly on my mumbling. Then she turns back to her fort in the snow.
I emerge from the dream cold and stiff. It is an hour yet to first light, the fire is dead, my scalp feels numb with cold. The girl beside me sleeps huddled in a ball. I get out of bed and with my greatcloak wrapped about me start rebuilding the fire.
The dream has taken root. Night after night I return to the waste of the snowswept square, trudging towards the figure at its centre, reconfirming each time that the town she is building is empty of life.
I ask the girl about her sisters. She has two sisters, the younger, according to her, "very pretty, but scatterbrained". "Would you not like to see your sisters again?" I ask. The blunder hangs grotesquely in the air between us. We both smile. "Of course," she says.
I also ask about the period after her imprisonment, when unknown to me she lived in this town under my jurisdiction. "People were kind to me when they saw I had been left behind. I used to sleep at the inn for a time while my feet were getting better. There was a man who took care of me. He has gone now. He kept horses." She also mentions the man who gave her the boots she was wearing when I first met her. I ask about other men. "Yes, there were other men. I did not have a choice. That was how it had to be."
After this conversation relations with the common soldiers become more strained. Leaving my apartment for the courthouse in the morning, I pass one of the rare inspection parades. I am sure that among these men standing to attention with their equipment in bundles at their feet are some who have slept with the girl. It is not that I imagine them sniggering behind their hands. On the contrary, never have I seen them stand more stoically in the frosty wind that whips across the yard. Never has their bearing been more respectful. They would tell me if they could, I know, that we are all men, that any man can lose his head over a woman. Nevertheless, I try to come home later in the evenings to avoid the line of men at the kitchen door.
There is news of the lieutenant's two deserters. A trapper has come upon them frozen to death in a rough shelter not far from the road thirty miles east of here. Though the lieutenant is inclined to leave them there ("Thirty miles there and thirty miles back in this weather: a great deal for men who are no longer men, don't you think?"), I persuade him to send out a party. "They must have the rites," I say. "Besides, it is good for the morale of their comrades. They should not think that they too might die in the desert and lie forgotten. What we can do to ease their dread of having to leave this beautiful earth must be done. After all, it is we who lead them into these dangers." So the party leaves, and two days later returns with the crooked ice-hard corpses in a cart. I continue to find it strange that men should desert hundreds of miles from home and within a day's march of food and warmth, but I pursue the matter no further. Standing by the graveside in the icebound cemetery while the last rites are performed and the deceased's luckier comrades watch bareheaded, I repeat to myself that by insisting on correct treatment of the bones I am trying to show these young men that death is no annihilation, that we survive as filiations in the memory of those we knew. Yet is it truly for their benefit alone that I mount the ceremony? Am I not also comforting myself? I offer to take over the chore of writing to the parents to inform them of their respective misfortunes. "It comes more easily to an older man," I say.
"Wouldn't you like to do something else?" she asks.
Her foot rests in my lap. I am abstracted, lost in the rhythm of rubbing and kneading the swollen ankle. Her question takes me by surprise. It is the first time she has spoken so pointedly. I shrug it off, smile, try to slip back into my trance, not far from sleep and reluctant to be diverted.
The foot stirs in my grip, comes alive, pokes gently into my groin. I open my eyes to the naked golden body on the bed. She lies with her head cradled in her arms, watching me in the indirect way I am by now used to, showing off her firm breasts and her sleek belly, brimming with young animal health. Her toes continue to probe; but in this slack old gentleman kneeling before her in his plum dressing-gown they find no response.
"Another time," I say, my tongue curling stupidly around the words. As far as I know this is a lie, but I utter it: "Another time, perhaps." Then I lift her leg aside and stretch out beside her. "Old men have no virtue to protect, so what can I say?" It is a lame joke, poorly expressed, and she does not understand it. She slips open my gown and begins to fondle me. After a while I push her hand away.
"You visit other girls," she whispers. "You think I do not know?"
I make a peremptory gesture for her to be quiet.
"Do you also treat them like this?" she whispers, and starts to sob.
Though my heart goes out to her, there is nothing I can do. Yet what humiliation for her! She cannot even leave the apartment without tottering and fumbling while she dresses. She is as much a prisoner now as ever before. I pat her hand and sink deeper into gloom.
This is the last night we sleep in the same bed. I move a cot into the parlour and sleep there. Physical intimacy between us ends. "For the time being," I say. "Until the end of winter. It is better so." She accepts this excuse without a word. When I come home in the evenings she brings me my tea and kneels by the tray to serve me. Then she returns to the kitchen. An hour later she taps her way up the stairs behind the girl with the dinner-tray. We eat together. After the meal I retire to my study or go out for the evening, resuming my neglected social round: chess in the homes of friends, cards with the officers at the inn. I also pay one or two visits upstairs at the inn, but with guilty feelings that spoil the pleasure. Always, when I return, the girl is asleep, and I must tiptoe like an erring husband.