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“Ahhh, hell.”

With a groan she collapsed onto the mattress, flattening a pile of books and papers. The sheets were damp and reeked of bug spray. Her notes looked as disheveled and forlorn as Magda herself. She reached for the tsipoura.

“Hair of the dogma,” she said, frowning. The bottle was empty. She couldn’t remember finishing it. “Well, enough already.”

She dropped the bottle onto the cracked cement floor. With a satisfying crash it shattered. “Goddamn waste of time,” Magda swore.

From the room next door came the endless percussive thud of music. The same song, the same tape played over and over until she could feel it in her spine as she writhed on her foul-smelling bed, trying vainly to sleep. Her neighbor wailed along with it, his voice hoarse and giddy.

She lives, no fear, doubtless in everything She knows Through time, unchecked, the sureness of Her grows She leaves Herself inside you when She goes. She lives in a time of her own.

“Goddammit!” she yelled, but the noise drowned her words. “Turn it DOWN!”

Drumbeats and a fadeout; then the song began again. Magda rubbed her temples and moaned.

“Oh, Peter, please.”

She’d run into him when she had arrived two days earlier, a young hippie taking a year off from Swarthmore. A sweet kid, actually, stoned every time she saw him, his head bobbing to music real or imagined, it didn’t seem to matter. But she just couldn’t stand it anymore.

You have always heard Her speaking She’s been always in your ear Her voice sounds a tone within you Listen to the words you hear Her time has no past or future She lives everything She sees Her time doesn’t stand outside Her It’s in every breath She breathes.

Magda stumbled into the hallway, its stained white walls pocked with dead silverfish and faded blue handprints, talismans against ker, the spirits of the dead. From a small recessed window came the muted noise of traffic. When Magda pounded her neighbor’s door, the cheap wood paneling felt frail enough to break.

“Peter!”

Abruptly the door swung inward. Music and smoke poured into the hallway, the smells of sweat and burning wax. And there was her neighbor, blinking sleepily and holding a cotton kimono closed at his chest.

“Peter,” she repeated, striving to be heard above the din. “Look, could you turn it down a little? I—I’m not feeling well.”

He stared at her curiously, then backed into the room. She could glimpse a small tape player atop a heap of dashiki shirts and frayed jeans. In one corner a tiny old-fashioned oscillating fan turned listlessly back and forth, back and forth. He’d dragged his mattress onto the floor and covered it with an Indian print batiked in lurid shades of purple and orange. When he reached the mattress he stopped, kicking it idly with a dirty bare foot. He made no move to turn down the music.

“Peter?”

He was young, nineteen or twenty. Young enough that even after days, maybe weeks, without shaving he had only the faintest gold stubble on his chin. Thin but broad-shouldered, with long unwashed blond hair spilling down the back of his kimono. Where his robe hung open she could see his chest, hairless and tanned, and the smooth slope to the top of his narrow hips, the jutting edge of his hipbone and a flash of white where the sun hadn’t touched him. He nodded and cocked his head.

“Hey, Magda,” he said in a thick honeyed drawl. “How you doing?” His brow furrowed. “Um, maybe you better come in.”

She took a step after him, stopped as the warm wind from the fan tickled her legs.

No wonder he was staring: she’d stormed out barely dressed. Her jeans were still on the floor where she’d flung them after she’d returned from her unhappy meeting with Eugenides. She was wearing nothing but her blouse and white cotton underwear.

“Oh, shit.” She clutched foolishly at her collar and started to leave, but Peter was already at the door, peering outside before closing it with exaggerated courtliness.

“Hey, it’s okay,” he said, then, miracle of miracles, crossed to the tape player and turned it down. Without looking back he tossed her a dashiki shirt. “You want to get high?”

High? With no way to get to Thera, no hope of learning more about the lunula, only fìfty-three dollars (American) in her pocket and no credit left on her American Express card?

“No—” She shrugged into his shirt, then laughed. “Oh, what the hell. Sure, why not.”

The shirt hung almost to her knees. It had a strong powdery smell of jasmine incense. “Looks nice,” said Peter. He settled cross-legged on the mattress, reached beneath a lumpy pillow, and pulled out a small agate pipe. “Here—”

They smoked in silence. Peter’s head bobbed in time to the soft music, the small blue candle flame shivered with each pass of the ancient fan. After a few minutes Peter set aside the pipe.

“Is that the only song on this tape?” Her voice was hoarse, her tongue felt thick and sweet, as though she’s been eating jam.

He nodded, eyes slitted. “Yeah. Isn’t it great?”

“For the first million or so times.”

He only smiled and tapped out a rhythm on his thighs. Magda sat across from him, her headache still throbbing gently somewhere far beneath the soft buzz of hashish. She was so tired, she should get up and leave, thank him for the hash. She thought about moving, might even have stretched one leg toward the edge of the mattress; but when she looked up she saw that Peter was staring at her, his eyes gilded to gold coins by the candlelight.

“That’s really beautiful.” He moved until he sat on his knees facing her. He put one hand on her shoulder and gently touched her throat. She felt the weight of the lunula there, rising and falling with the pulse of her blood. “You’re really beautiful.”

She laughed again, softly. “Yeah, sure,” she murmured, but she didn’t draw away.

“No, really, I mean it.” One of his hands moved to stroke her breastbone beneath the crescent; the other brushed the hair from her face. “You really are. You look like a—” He shook his head, smiling, and made an extravagant gesture.

She could feel herself blushing: she’d been called beautiful about three times in her life. As he gazed at her Peter’s brown eyes were luminous, but also a little surprised, as though his own words confused him. He rested his palm against her cheek, staring at her with his lips parted, his eyes narrowed as though he was trying to remember something, like where or who he was, how she’d gotten into his room. Magda stared back at him. Her own breath was coming faster now and her heart was pounding. There was something about the flickering light, the way the shadows coursed across the boy kneeling in front of her—as though she was watching him from some impossible height, with webs of cloud and mist between them and blue waves smashing against cliffs far far below. She shut her eyes and the vision became even clearer, a barren mountaintop where small purplish flowers clung to the stones, their star-shaped petals hanging from a lax head nodding in the wind. Their scent was overpoweringly sweet, the smell of hyacinths. At cliff’s edge flames scored the rim of a blackened brazier. The air was full of sound, keening wind and gulls, the wail of an ibis. She heard voices, faint music and the sound of drums. Her bare skin burned from sun and salt water and she could smell something burning, a pungent leafy scent. Not wax or hashish but something else: yarrow sticks, dittany of-Crete, crushed bay leaves; and this mingled with the musky odor of Peter’s sweat, the faint scent of jasmine that clung to his hair, and the wind-borne sweetness of hyacinths. He was so near to her that his breath was warm against her skin, her throat. Nearly as warm as the metal crescent upon her breast, as the flames leaping behind them. She opened her eyes. A few inches from hers, Peter’s face was flushed, his eyes half-closed as though he was dreaming it alclass="underline" the music, Greece, Magda herself.