"I admit it," McSweeney said.
"You do?" The cook stared again, this time in a different way. "Ain't never heard you admit nothin' before."
"However," McSweeney went on implacably, as if Carlton had not spoken, "I was not assigned to cook. You were." Resentment returned to Carlton's face. McSweeney ignored it, as he always did, confident in his own rightness and righteousness.
No new wire came up to the front. Captain Schneider swore. McSweeney sent Carlton out to see if he could come up with any: the man was a menace as a cook, but an inspired scavenger. When Carlton had no luck, McSweeney concluded there truly was no wire to be had. He went up and down the line, making sure the machine guns were well sited. Only after that was done did he wrap himself in his blanket and go to sleep.
Rebel artillery made sure he did not sleep late. Those guns up on top of Crowley's Ridge started shelling the U.S. position a couple of hours before dawn. "Gas!" somebody screamed in the middle of the unholy din. McSweeney donned his gas helmet as calmly and quickly as if he were practicing in front of a mirror.
"Be ready!" he yelled as soon as the first light showed in the sky. Not five minutes later, Confederate machine guns added their racket to the crashes from the artillery.
Shouts rose up and down the trench: "Here they come!" "Here come the goddamn motherfucking sons of bitches!" Beneath the gas helmet, McSweeney's face set in disapproving lines. He'd never find out who had committed the obscene blasphemy. And then a shout rose that made him forget to worry about discipline and propriety: "Barrel! Jesus, the Rebs have a stinking barrel!"
He stuck his head up over the top of the parapet. Sure enough, one of those tracked traveling fortresses was slowly rumbling and clanking straight toward the U.S. line-straight toward him, it looked like. The U.S. machine guns went from raking the soldiers in butternut advancing with the barrel to aiming their fire exclusively at it, trying to knock it out of action before it could get into the trenches.
It was a British-style machine, with cannon mounted in sponsons on either side. One of those cannon spat fire. A machine gun fell silent. The barrel clattered forward once more. Its own machine guns sprayed bullets at the U.S. soldiers.
The glass portholes in McSweeney's gas helmet were fogged on the inside and streaked with dust on the outside. That did not keep him from noticing a couple of men running away from the barrel. "Halt!" he roared at them. It did no good. At last, the men had discovered something they feared worse than they feared him.
Boom! The barrel fired again. Another machine gun abruptly stopped shooting at it. Ricochets whined off the steel armor, striking sparks but failing to penetrate. McSweeney wondered how many more barrels that he could not see were moving forward.
He shrugged. If he couldn't see them, he couldn't do anything about them. He could see this one. He bent and, careful not to disturb his gas helmet, shrugged over his shoulders the straps to the metal tank that fueled his special weapon. Then he waited. Bullets seemed unable to hurt the barrel.
Here it came, grinding its way through and over the few strands of wire protecting the U.S. trenches. Having thicker belts out there wouldn't have stopped it. More soldiers in green-gray fled the machine they could not stop.
It crushed the parapet and stood poised up there above the edge of the trench, triumphant, like a great bull elephant. As it began its plunge into the U.S. works, McSweeney sent a stream of flame in through one of the machine-gun ports. An instant later, he did the same with the other port on the right side of the barrel, thereby making sure neither of those guns would bear on him.
Through the shelling, through the firing going on all around, through the coughing roar of the barrel's engine, he heard screams inside the metal hull. Hatches flew open on top of the barrel. Men started scrambling out. Smiling behind the canvas of the mask, McSweeney burned them down. They tumbled back into the machine, black and shrunken and flaming, like insects that had flown into the flame of a gaslight.
Smoke poured from the barrel. Ammunition started cooking off in it. McSweeney regretfully moved away, that hard, tight grin still on his face. A Confederate soldier sprang onto the parapet. He fired from the hip at McSweeney-and missed. He never got a second chance. A tongue of flame licked over him. He tumbled back, burning, burning.
A grenade flew down into the trench. The blast was deafening. A fragment bit McSweeney's leg. But when a Rebel followed the grenade, he too became a torch. No more Confederate soldiers tried coming down into the U.S. trenches, not anywhere the flame could reach. The sight of the blazing barrel took the heart out of their attack.
"You'll get a medal for this!" someone shouted: someone in captain's bars. Schneider hadn't run, then. That was something. The company commander went on, "A Medal of Honor, if I have anything to do with it."
"Thank you, sir." McSweeney was as unflinchingly honest about himself as about everything and everyone around him. "I earned it."
The envelope with the familiar handwriting had caused a small stir when it got to Scipio's apartment house. Any time mail arrived there was a small occasion, for only a few of the Negroes in the building were able to read and write. "Who it from?" asked the apartment manager, a plump black fellow named Demosthenes. "Sho''nuf write pretty."
Scipio had professed ignorance; the imperturbable mask a butler had to be able to don at will was proof against Demosthenes' curiosity. Behind that mask, he'd been trembling. How did Miss Anne find out where I was living? he wondered. The war had made people forget about registering newly arrived blacks, and in any case he was but one Nero among many Negroes by that name in Columbia.
In his haste to find out what his former mistress wanted, he'd ignored yet another inviting glance from the widow Jezebel, ignored it so flagrantly that he knew he'd offended. He hadn't cared.
The message, as was Anne Colleton's way, was to the point. Come to Marshlands Sunday before noon, she'd written. If you do, no harm will come to you. If you do not, I shall not answer for the consequences.
And so, early Sunday morning, Scipio, not doubting her word for a moment, had hopped aboard the beat-up Negro car of a train at Confederacy Station, traveled southeast and then southwest around two sides of a triangle to reach St. Matthews (no direct rail route on the third side existing), and then trudged out of town down a muddy road that got muddier as a chilly drizzle came down, heading west toward the plantation where he'd lived his whole life till the past year.
Marks of the Negro uprising still scarred the countryside: burnt-out houses and barns, cotton fields gone to weeds, trees shattered by the artillery that had done more than anything else to break the Congaree Socialist Republic. Despite the scars, Scipio had the feeling he was walking back into his own past. He wondered if Anne Colleton would have a brass-buttoned tailcoat waiting for him when he got back to the plantation.
All things considered, he preferred life as a laborer, which had more freedom to it than he'd ever imagined. Very few people, though, had ever cared about what he preferred. He hiked through the forest where he'd killed Major Hotchkiss. If anyone ever found out about that, none of Miss Anne's promises would matter in the least.
Coming up the familiar path, turning onto it, and seeing the Marshlands mansion in ruins brought home to him how much things had changed. The Negro cottages still standing alongside those charred ruins brought home to him how much things hadn't.
A battered, filthy, rusty Ford was parked next to one of those cottages: no sign anywhere of the fancy motorcar Miss Anne had driven. None of the field hands would have had an automobile, though, no matter how battered. That had to be where the mistress was staying. As Scipio approached the cottage, a chill ran down his back. Before the uprising-the revolution that had failed-that had been Cassius'cottage. Scipio wondered if Anne Colleton appreciated the irony.