CONTENTS
Title Page
Introduction
Principal Characters
VOLUME ONE
Part One
Part Two
Part Three
VOLUME TWO
Part One
Part Two
Part Three
Part Four
Part Five
VOLUME THREE
Part One
Part Two
Part Three
VOLUME FOUR
Part One
Part Two
Part Three
Part Four
EPILOGUE
Part One
Part Two
Appendix: “A Few Words Apropos of the Book War and Peace” by Count Leo Tolstoy
Notes
Historical Index
Summary
Also Translated by Richard Pevear and Larissa Volokhonsky
Copyright
INTRODUCTION
If the world could write by itself, it would write like Tolstoy.
—ISAAC BABEL
War and Peace is the most famous and at the same time the most daunting of Russian novels, as vast as Russia itself and as long to cross from one end to the other. Yet if one makes the journey, the sights seen and the people met on the way mark one’s life forever. The book is set in the period of the Napoleonic wars (1805–1812) and tells of the interweaving of historical events with the private lives of two very different families of the Russian nobility—the severe Bolkonskys and the easygoing Rostovs—and of a singular man, reminiscent of the author himself—Count Pierre Bezukhov. It embodies the national myth of “Russia’s glorious period,” as Tolstoy himself called it, in the confrontation of the emperor Napoleon and Field Marshal Kutuzov, and at the same time it challenges that myth and all such myths through the vivid portrayal of the fates of countless ordinary people of the period, men and women, young and old, French as well as Russian, and through the author’s own passionate questioning of the truth of history.
Tolstoy wrote that he “spent five years of ceaseless and exclusive labor, under the best conditions of life,” working on War and Peace. Those were the years from 1863 to 1868. He was thirty-five when he began. The year before, he had married Sofya Behrs, the daughter of a Moscow doctor, who was eighteen, and they had moved permanently to his estate at Yasnaya Polyana, in Tula province, a hundred and twenty miles south of Moscow. She bore him four children while he worked on the book, was his first reader (or listener), and was in part the model for his heroine, Natasha Rostov.
The orderliness and routine of family life and estate management were not only the best conditions for work, they were also new conditions for Tolstoy. His mother had died when he was two. His father had moved to Moscow with the children in 1830, but died himself seven years later, and the children were eventually taken to Kazan by their aunt. Tolstoy entered Kazan University in 1844 but never graduated; his later attempts to pass examinations at Petersburg University also led to nothing. In 1851, after several years of idle and dissipated life in Moscow and Petersburg, he visited the Caucasus with his brother Nikolai, who was in the army, and there took part in a raid on a Chechen village, which he described a year later in a story entitled “The Raid,” his first attempt to capture the actuality of warfare in words. His experiences in the Caucasus were also reflected in his novel The Cossacks, which he began writing in 1853 but finished only nine years later, and in his very last piece of fiction, the superb short novel Hadji Murad, completed in 1904 but published only posthumously.
In 1852, he joined the army as a noncommissioned officer and served in Wallachia. Two years later he was promoted to ensign and was transferred at his own request to the Crimea, where he fought in the Crimean War and was present at the siege of Sevastopol. His Sevastopol Sketches, which were published in 1855, made him famous in Petersburg social and literary circles. They were a second and fuller attempt at a true depiction of war.
During his army years, Tolstoy lived like a typical young Russian officer, drinking, gambling, and womanizing. In 1854 he lost the family house in Yasnaya Polyana at cards, and it was dismantled and moved some twenty miles away, leaving only a foundation stone on which Tolstoy later had carved: HERE STOOD THE HOUSE IN WHICH L. N. TOLSTOY WAS BORN. In 1856 he was promoted to lieutenant but resigned his commission and returned to the estate, where he lived in one of the surviving wings of the house and began to occupy himself with management and the education of the peasant children. By then, besides the works I have already mentioned, he had also published the semi-fictional trilogy Childhood, Boyhood, and Youth.
The years from 1857 to 1862 were a time of restlessness and seeking for Tolstoy. He had left Petersburg, disgusted by the literary life there. He made two trips abroad. During the first, in 1857, he forced himself to witness a public execution in Paris, and the sight shook him so deeply that he vowed he would never again serve any government. At the beginning of the second trip, in September 1860, he visited his beloved brother Nikolai, who was dying of tuberculosis in the southern French town of Hyères. The death and burial of his brother were, he said, “the strongest impression in my life.” In 1861 he returned to Yasnaya Polyana, where he began work on a novel about the Decembrists, a group of young aristocrats and officers who, at the death of the emperor Alexander I in December 1825, rose up in the name of constitutional monarchy, were arrested and either executed or sent to Siberia. This novel would eventually become War and Peace.
Tolstoy himself later described the process of its transformation. At first he had wanted to write about a Decembrist on his return from Siberia in 1856, when the exiles were pardoned by Alexander II. In preparation for that, he went back to 1825, the year of the uprising itself, and from there to the childhood and youth of his hero and the others who took part in it. That brought him to the war of 1812, with which he became fascinated, and since those events were directly linked to events of 1805, it was there that he decided to begin. The original title, in the serial publication of the book, was The Year 1805; it was only in 1867 that he changed it to War and Peace, which he may have borrowed from a work by the French socialist thinker Pierre-Joseph Proudhon, whom he had met in Brussels during his second trip abroad. All that remains of the Decembrists in the final version are some slight hints about the futures of Pierre Bezukhov and of Prince Andrei Bolkonsky’s son Nikolenka.
The book grew organically as Tolstoy worked on it. In 1865, partly under the influence of Stendhal’s Charterhouse of Parma, he revised the battle scenes he had already written and added new ones, including one of the most important, the description of the battle of Schöngraben. Coming across a collection of Masonic texts in the library of the Rumyantsev Museum, he became interested and decided to make Pierre Bezukhov a Mason. He studied the people of Moscow at the theaters, in the clubs, in the streets, looking for the types he needed. A great many of his fictional characters, if not all of them, had real-life models. The old Prince Bolkonsky and the old Count Rostov were drawn from Tolstoy’s grandfathers, Nikolai Rostov and Princess Marya from his parents, Sonya from one of his aunts. The Rostov estate, Otradnoe, is a reflection of Yasnaya Polyana. Tolstoy spent two days on the battlefield of Borodino and made his own map of the disposition of forces, correcting the maps of the historians. He collected a whole library of materials on the Napoleonic wars, many bits of which also found their way into the fabric of the book. His memory for historical minutiae was prodigious. But above all, there is the profusion and precision of sensual detail that brings the world of War and Peace so vividly to life. In his autobiographical sketch, People and Situations (1956), Pasternak wrote of Tolstoy: