“It is very kind of you, M. Pierre, to have come to see a poor invalid,” Anna Pavlovna said to him, exchanging anxious glances with her aunt, to whom she was conducting him.
Pierre murmured something unintelligible, and continued searching for something with his eyes. He smiled gleefully and delightedly, bowing to the little princess as though she were an intimate friend, and went up to the aunt. Anna Pavlovna’s alarm was not without grounds, for Pierre walked away from the aunt without waiting to the end of her remarks about her majesty’s health. Anna Pavlovna stopped him in dismay with the words: “You don’t know Abbé Morio? He’s a very interesting man,” she said.
“Yes, I have heard of his scheme for perpetual peace, and it’s very interesting, but hardly possible …”
“You think so?” said Anna Pavlovna in order to say something and to get away again to her duties as hostess, but Pierre committed the opposite incivility. Just now he had walked off without listening to the lady who was addressing him; now he detained by his talk a lady who wanted to get away from him. With head bent and legs planted wide apart, he began explaining to Anna Pavlovna why he considered the abbé’s scheme chimerical.
“We will talk of it later,” said Anna Pavlovna, smiling.
And getting rid of this unmannerly young man she returned to her duties, keeping her eyes and ears open, ready to fly to the assistance at any point where the conversation was flagging. Just as the foreman of a spinning-mill settles the work-people in their places, walks up and down the works, and noting any stoppage or unusual creaking or too loud a whir in the spindles, goes up hurriedly, slackens the machinery and sets it going properly, so Anna Pavlovna, walking about her drawing-room, went up to any circle that was pausing or too loud in conversation and by a single word or change of position set the conversational machine going again in its regular, decorous way. But in the midst of these cares a special anxiety on Pierre’s account could still be discerned in her. She kept an anxious watch on him as he went up to listen to what was being said near Mortemart, and walked away to another group where the abbé was talking. Pierre had been educated abroad, and this party at Anna Pavlovna’s was the first at which he had been present in Russia. He knew all the intellectual lights of Petersburg gathered together here, and his eyes strayed about like a child’s in a toy-shop. He was afraid at every moment of missing some intellectual conversation which he might have heard. Gazing at the self-confident and refined expressions of the personages assembled here, he was continually expecting something exceptionally clever. At last he moved up to Abbé Morio. The conversation seemed interesting, and he stood still waiting for an opportunity of expressing his own ideas, as young people are fond of doing.
III
Anna Pavlovna’s soirée was in full swing. The spindles kept up their regular hum on all sides without pause. Except the aunt, beside whom was sitting no one but an elderly lady with a thin, careworn face, who seemed rather out of her element in this brilliant society, the company was broken up into three groups. In one of these, the more masculine, the centre was the abbé; in the other, the group of young people, the chief attractions were the beautiful Princess Ellen, Prince Vassily’s daughter, and the little Princess Bolkonsky, with her rosy prettiness, too plump for her years. In the third group were Mortemart and Anna Pavlovna.
The vicomte was a pretty young gentleman with soft features and manners, who obviously regarded himself as a celebrity, but with good breeding modestly allowed the company the benefit of his society. Anna Pavlovna unmistakably regarded him as the chief entertainment she was giving her guests. As a clever maître d’hôtel serves as something superlatively good the piece of beef which no one would have cared to eat seeing it in the dirty kitchen, Anna Pavlovna that evening served up to her guests—first, the vicomte and then the abbé, as something superlatively subtle. In Mortemart’s group the talk turned at once on the execution of the duc d’Enghien. The vicomte said that the duc d’Enghien had been lost by his own magnanimity and that there were special reasons for Bonaparte’s bitterness against him.
“Ah, come! Tell us about that, vicomte,” said Anna Pavlovna gleefully, feeling that the phrase had a peculiarly Louis Quinze note about it: “Contez-nous cela, vicomte.”
The vicomte bowed and smiled courteously in token of his readiness to obey. Anna Pavlovna made a circle round the vicomte and invited every one to hear his story.
“The vicomte was personally acquainted with his highness,” Anna Pavlovna whispered to one. “The vicomte tells a story perfectly,” she said to another. “How one sees the man of quality,” she said to a third, and the vicomte was presented to the company in the most elegant and advantageous light, like the roast-beef on the hot dish garnished with green parsley.
The vicomte was about to begin his narrative, and he smiled subtly.
“Come over here, chère Hélène,” said Anna Pavlovna to the young beauty who was sitting a little way off, the centre of another group.
Princess Ellen smiled. She got up with the same unchanging smile of the acknowledged beauty with which she had entered the drawing-room. Her white ball-dress adorned with ivy and moss rustled lightly; her white shoulders, glossy hair, and diamonds glittered, as she passed between the men who moved apart to make way for her. Not looking directly at any one, but smiling at every one, as it were courteously allowing to all the right to admire the beauty of her figure, her full shoulders, her bosom and back, which were extremely exposed in the mode of the day, she moved up to Anna Pavlovna, seeming to bring with her the brilliance of the ballroom. Ellen was so lovely that she was not merely free from the slightest shade of coquetry, she seemed on the contrary ashamed of the too evident, too violent and all-conquering influence of her beauty. She seemed to wish but to be unable to soften the effect of her beauty.
“What a beautiful woman!” every one said on seeing her. As though struck by something extraordinary, the vicomte shrugged his shoulders and dropped his eyes, when she seated herself near him and dazzled him too with the same unchanging smile.
“Madame, I doubt my abilities before such an audience,” he said, bowing with a smile.
The princess leaned her plump, bare arm on the table and did not find it necessary to say anything. She waited, smiling. During the vicomte’s story she sat upright, looking from time to time at her beautiful, plump arm, which lay with its line changed by pressure on the table, then at her still lovelier bosom, on which she set straight her diamond necklace. Several times she settled the folds of her gown and when the narrative made a sensation upon the audience, she glanced at Anna Pavlovna and at once assumed the expression she saw on the maid-of-honour’s face, then she relapsed again into her unvarying smile. After Ellen the little princess too moved away from the tea-table.
“Wait for me, I will take my work,” she said. “Come, what are you thinking of?” she said to Prince Ippolit. “Bring me my reticule.”
The little princess, smiling and talking to every one, at once effected a change of position, and settling down again, gaily smoothed out her skirts.