"How can you — How can you—"
"Beryl," he said, smiling at her face, which now looked like a wax museum piece in the middle of a major fire, "why on earth would you put up with a fat boor like me except that you wanted to get into my pants? For my wallet, of course."
"You son—"
The phone rang. Beryl stared at it, as Preston rose for the last time from her bed and said, "Timing is everything."
"Timing?" The phone rang again, but now Beryl was staring at Preston. "You know who that is? On the telephone?"
"Of course," Preston said, reaching for his flame red bathing trunks. "It's Alan Pinkleton. He's calling to ask me to play Scrabble."
"Scrabble!"
"Tell him, would you," Preston said, as he moved toward the door, "I'm on my way?"
The phone continued to ring, fading with distance, as he strolled along the bougainvillea-scented wandering concrete path among the bungalows. Pathway lighting was dim and discreet; the air was soft and warm, the night a joy. The fading sound of the telephone made him think for some reason of the song "I Love a Parade," so that's what he whistled as he strolled back to his own little bungalow, where Alan had long since hung up the unanswered phone and where the Scrabble set was already laid out on the table on the veranda.
He was in such a good frame of mind, Preston was, that he didn't even object when Alan, who wasn't supposed to win, won handily.
18
RAPHAEL MEDRICK listened to "The Star-Spangled Banner" as he'd recorded it during last winter's Super Bowl — MCXIV? — sung by a nervous girl pop singer with excessive tremolo, an unsteady grasp of key, and not much upper register; cool. His fingers moved on the control panel, adjusting the gains, and the middle range faded, taking with it much of the ambient crowd noise, leaving mainly the aggressive brass sounds, both high and low, like sturdy lines of cathedral columns, with that frightened little voice vaguely wandering among them, a little trapped bird. Nice.
Stop; set coordinates; save; set aside; move on to the Beatles' "Hey, Jude." Strip away high and low, leaving a broody midrange with tatters of a barely recognizable voice and an obsessive baritone rhythm section pulsing forward like a predator fish, eyes flicking left and right, tail flashing behind.
Reset «Jude»; sync with «Banner»; play both. «Jude» had to be speeded up just a bit to blend with the «Banner» tempo, which served to lift the notes of «Jude» just a fraction so that they became dissonant with any melodic line played anywhere in the history of the world. The two treated themes weaved discordantly through each other. Now the ruined cathedral columns were underwater, the forlorn «Banner» singer clearly the dinner the predator «Jude» was hunting for.
"Now we're getting somewhere!" Raphael said aloud, hearing his own voice not through his ears into his brain but first through his skull into his earphones — an effect he was used to by now. Too bad he couldn't mix that doomy sound into the soup. But now he had one more minor adjustment in" tempo to be completed before moving on to the next phase, and a shadow crossed the control panel.
He barely registered it at first. His task here was to complete the match of the first two elements before adding the stutter-stop Gregorian chant he'd already assembled on another CD. But then, as «Jude» and «Banner» approached maximum synchronicity, like a space shuttle docking at the station, memory and observation within Raphael's own brain coalesced, and he thought: Shadow. Moved across the control panel. In my living room.
When he lifted his head, yes, there were people in his room, and no, he'd never seen any of them before. A lot of people — four, in fact — all male and all looking at him, all somehow seeming to disapprove. Why?
I'm not on probation any more, he thought.
Can these people be from Mikey, he wondered?
No, he decided, I can't take time for this, not just this second. I'm at a crucial intersection here, I can't let my concentration be disturbed.
Thus, he held up one finger, showing it to them alclass="underline" wait. Not being rude, not saying no, I won't talk to you, not saying, I don't see why you have to cluster in my living room, whoever you are, but merely saying: wait.
Upon which he bent over his control panel once more, a scrawny nerd of twenty-four with a pitiful goatee, barefoot, dressed in cutoff jeans and Mostly Mozart T-shirt, whose contact lenses glinted in the light to make him look blind. Over the next seven minutes — though it barely seemed like twenty seconds to him — hunched here in the living room of his tiny underfurnished house at the dead end of a poky side street in remotest Queens overlooking Jamaica Bay, he laid in the Gregorian chant. Since he listened to his work strictly through the earphones, these strangers wouldn't hear any of it, except possibly some faint cricket noises floating up from beside his head. Not that he cared; deeply involved in his collage, he barely remembered he had company until he was done.
There. Finished. At least, the first assemblage of the basic idea was finished. After that, of course, it's easy.
Earphones off, briskly massaging both ears with the palms of both hands because they tended to itch and feel all crumpled after long sessions like this, he at last dropped his hands into his lap, shook his head like a dog coming out of water, looked at his unexpected guests, and said, "Good morning."
"Good afternoon," one of them said — a carrot-haired, edgy-seeming guy, who said «afternoon» as though there were something wrong with afternoons and as though Raphael were to blame for it.
Before Raphael could ask him what was wrong with afternoon, another one, a slope-shouldered, depressed-looking fellow, said, "You are Raphael Medrick, aren't you?"
"After all this time," added a third, a sharp-nosed, impatient type.
"Oh, sure," Raphael said.
The depressed fellow said, "You own the O.J.? The O.J. Bar and Grill?"
Raphael lit up. "Sure," he said, and smiled in relief, because now at least he knew the subject. It wasn't every day you had four complete strangers suddenly in your living room, so it was nice to have some idea of their reason for being here. "Did Mikey send you?"
They looked at one another. The one who hadn't spoken yet, a huge man similar to several Raphael had seen during the Super Bowl — JXQVIII? — with a head like a Darth Vader lunchbox, said, not to Raphael but to the others, "He wants to know did Mikey send us."
"I heard that," the sharp-nosed one said, and nodded, and in a very pleasant way said to Raphael, "Why would Mikey send us? What would Mikey want to send us here for?"
"I dunno," Raphael said. "I just thought."
The one with the Darth Vader head extended his right hand. Even though his middle finger was bent, with his thumb-tip pressed against that finger's nail, Raphael had no idea what he planned to do until all at once, like somebody flicking an ant off a picnic table, he pinged the left side of Raphael's skull above the ear. Just, in fact, above the part that had been covered by the earphone.
"Ouch!"
Interesting reverb. How to get that on disc? Not by getting yourself pinged in the head a lot. As Raphael rubbed the now-burning part on the side of his head, the big man with the pinging finger remained in a loomed position above him, saying, "Pay attention to us."
"I am paying attention."
"You own the O.J."
"I already said so."
"So since you're the owner of the O.J.," the looming man went on, "we come to talk to you about the O.J."
"Oh, come on," Raphael said, grinning, forgetting the sting in his skull to look in surprise at the big man. "That's just a joke," he said. "Everybody knows that's just a joke."