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We are at our best when we are 'in uniform' but rebelling just slightly against it, refusing to take ourselves too seriously, indulging that peculiarly English talent for self-deprecating humour. We may lack the sartorial fluency of other nations, and our dress sense may be laughable, but fortunately we have a sense of humour, so we can always laugh at ourselves.

56. Almost all of these will probably be out of date by the time you read this - some are already, in the current jargon, 'so last week', or even 'so three minutes ago' (these expressions themselves give an indication of how fast the music fashions change).

57. These are from the magazines Muzik and MixMag. The current music-based sub-cultures have a penchant for cutely misspelled words, wherever possible involving the letter 'k', as in Kamaflage, Nukleuz, old-skool, Muzik, etc. 'Old-Skool' means pre 1993/94, usually House. 'Floors' are people on the dance-floor, people who are into dancing. 'Purist swots' are anoraks, trainspotters, who instead of dancing to the music develop an encyclopaedic knowledge of every aspect of it, which they bore you with at every opportunity. 'bpm' is beats per minute. The rest is a bit of a mystery.

58. At least, this rule applies to punk and to the current black-American gangsta/hip-hop fashions, but a relatively high proportion of Goths are middle class, as were most grungers, so there are exceptions.

59. Apologies to those too young to remember Shirley Williams in her heyday, but I could not find a good contemporary example, as all female politicians now seem to dress in a rather lower/middle-middle manner - or at least I have seen none with Williams's unmistakably high-class brand of unkemptness.

FOOD RULES

In 1949, the Hungarian George Mikes famously declared that: 'On the Continent people have good food; in England they have good table manners.' Later, in 1977, he observed that our food had improved somewhat, while our table manners had deteriorated. He still did not, however, seem impressed by English food, and he acknowledged that our table manners were still 'fairly decent'.

Nearly thirty years on, Mikes's comments still reflect the general international opinion of English cooking, as the travel writer Paul Richardson discovered when he told foreign friends that he was going to spend eighteen months researching a book on British gastronomy. His Spanish, French and Italian friends, he says, informed him that there was no such thing as British gastronomy, as this would require a passionate love of food, which we clearly did not have. They implied 'that our relationship with the food we ate was more or less a loveless marriage'.

Among the litany of complaints, which I have also heard from my own foreign friends and informants, was the fact that we regard good food as a privilege, not a right. We also have no proper regional cookery; families no longer eat together but instead consume junk food in front of the television; our diet consists mainly of salty or sweet snack foods - chips, crisps, chocolate bars, ready-meals, microwave pizzas and other rubbish. Even those with an interest in good food, and able to afford it, tend to have neither the time nor the energy to shop for and cook fresh ingredients in what other nations would regard as a normal or proper manner.

These criticisms are largely justified. But they are not the whole truth. The same goes for the opposite extreme - the current 'Cool Britannia' fashion for proclaiming that English cooking has in recent years improved out of all recognition, that London is the now the gastronomic capital of the world, that food is the new rock 'n' roll, that we have become a nation of gourmets and 'foodies', and so on.

I am not going to spend too much time here arguing about the quality of English cooking. My impression is that it is neither as awful as its detractors would have us believe, nor as stupendous as its recent champions have claimed. It is somewhere in between. Some of it is very good, some is quite inedible. On average, it's probably about fair to middling. I am only interested in the quality of English food in so far as it reflects our relationship with food, the unwritten social rules governing our food-related behaviour, and what these tell us about our national identity. Every culture has its own distinctive food rules - both general rules about attitudes towards food and cooking, and specific rules about who may eat what, how much, when, where, with whom and in what manner - and one can learn a lot about a culture by studying its food rules. So, I am not interested in English food per se, but in the Englishness of English food rules.

THE AMBIVALENCE RULE

'Loveless marriage' is not an entirely unfair description of the English relationship with food, although marriage is perhaps too strong a word: our relationship with food and cooking is more like a sort of uneasy, uncommitted cohabitation. It is ambivalent, often discordant, and highly fickle. There are moments of affection, and even of passion, but on the whole it is fair to say that we do not have the deep-seated, enduring, inborn love of food that is to be found among our European neighbours, and indeed in most other cultures. Food is just not given the same high priority in English life as it is elsewhere. Even the Americans, whose 'generic' (as opposed to ethnic) food is arguably no better than ours, still seem to care about it more, demanding hundreds of different flavours and combinations in each category of junk food, for example, whereas we will put up with just two or three.

In most other cultures, people who care about food, and enjoy cooking and talking about it, are not singled out, either sneeringly or admiringly, as 'foodies'. Keen interest in food is the norm, not the exception: what the English call a 'foodie' would just be a normal person, exhibiting a standard, healthy, appropriate degree of focus on food. What we see as foodie obsession is in other cultures the default mode, not something unusual or even noticeable.

Among the English, such an intense interest in food is regarded by the majority as at best rather odd, and at worst somehow morally suspect - not quite proper, not quite right. In a man, foodie tendencies may be seen as unmanly, effeminate, possibly even casting doubt upon his sexual orientation. In this context, foodieness is roughly on a par with, say, an enthusiastic interest in fashion or soft furnishings. English male 'celebrity' chefs who appear on television tend to go out of their way to demonstrate their masculinity and heterosexuality: they use bloke-ish language and adopt a tough, macho demeanour; parade their passion for football; mention their wives, girlfriends or children ('the wife' and 'the kids' in bloke-speak); and dress as scruffily as possible. Jamie Oliver, the young TV chef who has done so much to make cooking a more attractive career choice for English boys, is a prime example of this 'please note how heterosexual I am' style, with his cool scooter, loud music, sexy model wife, Cockney brashness and laddish 'Chuck in a bi' o' this an' a bi' o' that and you'll be awright, mate' approach to cookery.

Foodieness is somewhat more acceptable among females, but it is still noticeable, still remarked upon - and in some circles regarded as pretentious. No-one wishes to be seen as too deeply fascinated by or passionate about food. Most of us are proud to claim that we 'eat to live, rather than living to eat' - unlike some of our neighbours, the French in particular, whose excellent cooking we enjoy and admire, but whose shameless devotion to food we rather despise, not realizing that the two might perhaps be connected.